A few years later and this 70-minute flick could have been an entry on TV's The Alfred Hitchcock Hour. It's cheaply produced with a bare-bones cast and in b&w at a time when Hollywood was going all out in Technicolor. But the plucky Lupino plugged along with her gritty little programmers that bucked the tide.
There's nothing special here, but there's enough ambiguity in Agnes's (Lupino) character and the circumstances to keep viewers engaged. A troubled Agnes (note the unflattering name) seeks escape by signing on as caretaker to a vacant old mansion, perhaps haunted by the missing former resident, Jennifer. Soon she gets involved with locals Hollis (Duff) and Orin (Nichols). At the same time, the mystery of Jennifer's disappearance deepens and we wonder about Hollis and Orin.
Oddly, not much really happens. Still, it's a clever screenplay with a number of provocative dark hints. That plus Lupino's superb acting skills provide subtle compensation. I especially like the unexpected hints that goofy kid Orin may not be the innocent he appears. But just why the studly Hollis would be attracted to the rather plain, unstable Agnes remains something of a stretch. Still, it's a measure of Lupino's all-around artistry that, for the sake of the role, she wouldn't flatter her looks. But get out your ear-muffs whenever Agnes starts spinning "Vortex" on the turn-table. It's music-to-go-mad-by, and the last thing wobbly Agnes should glom onto.
Anyhow, the results amount to a decent variation on a familiar thriller theme. I just wish the all-around gifted Lupino would get the industry recognition she so richly deserves.