IMDb RATING
6.2/10
4.2K
YOUR RATING
King Arthur's rule is threatened by the adulterous love between Sir Lancelot and Queen Guinevere, a relationship the king's enemies hope to exploit.King Arthur's rule is threatened by the adulterous love between Sir Lancelot and Queen Guinevere, a relationship the king's enemies hope to exploit.King Arthur's rule is threatened by the adulterous love between Sir Lancelot and Queen Guinevere, a relationship the king's enemies hope to exploit.
- Nominated for 2 Oscars
- 3 nominations total
Julia Arnall
- Bit Role
- (uncredited)
Peter Brace
- Archer
- (uncredited)
John Brooking
- Bedivere
- (uncredited)
Rufus Cruickshank
- Modred's Knight
- (uncredited)
Storyline
Did you know
- TriviaFirst MGM film to be shot in CinemaScope.
- GoofsThe country is referred to throughout as "England". There was no England in existence during the time traditionally associated with King Arthur - that is, shortly after the withdrawal of the Romans. The correct name is Britain or Albion.
- ConnectionsFeatured in MGM/UA Home Video Laserdisc Sampler (1990)
Featured review
Knights of the Round Table is directed by Richard Thorpe and adapted to screenplay by Talbot Jennings, Noel Langley & Jan Lustig from the novel Le Morte d'Arthur written by Sir Thomas Malory. It stars Robert Taylor, Ava Gardner, Mel Ferrer, Stanley Baker, Anne Crawford and Felix Aylmer. Music is scored by Miklós Rózsa and cinematography by Stephen Dade and Freddie Young.
An interesting spin on the Arthurian legend for MGM, who film it in Cinemascope (first time for the studio) and dress it up grandly as the actors have a good old time in the days of yore. Here the romantic angle comes via Lancelot (Taylor) and Guinevere (Gardner) having lusty lustations for one and other that cause a tremble in the stability of Camelot. With Guinevere to marry King Arthur, and both she and the heroic Lancelot loyal to the King and his ideals for Camelot, it's not a real problem until the dastardly Modred (Baker) and the scheming Morgan le Fay (Crawford) start to throw spanners into the works that result in murder, suspicion and war.
It's all very fanciful stuff, full of derring-do machismo, but the action is well staged by Thorpe (cracking finale between good and evil), the outer location photography at Tintagel in Cornwall is most pleasing, Rózsa's score sweeps in and out of the well dressed sets and the cast do their director proud by not overdoing the material to hand. Yes it inevitably hasn't aged particularly well, and modern film fans may balk at the many passages of detailed chatter in the well developed script, but this comes from a grand old time in cinema. When production value meant hard graft in front of and behind the camera . Honour and integrity is not only big within the story itself, it's also themes that apply to the film makers as well. Hooray! 7.5/10
An interesting spin on the Arthurian legend for MGM, who film it in Cinemascope (first time for the studio) and dress it up grandly as the actors have a good old time in the days of yore. Here the romantic angle comes via Lancelot (Taylor) and Guinevere (Gardner) having lusty lustations for one and other that cause a tremble in the stability of Camelot. With Guinevere to marry King Arthur, and both she and the heroic Lancelot loyal to the King and his ideals for Camelot, it's not a real problem until the dastardly Modred (Baker) and the scheming Morgan le Fay (Crawford) start to throw spanners into the works that result in murder, suspicion and war.
It's all very fanciful stuff, full of derring-do machismo, but the action is well staged by Thorpe (cracking finale between good and evil), the outer location photography at Tintagel in Cornwall is most pleasing, Rózsa's score sweeps in and out of the well dressed sets and the cast do their director proud by not overdoing the material to hand. Yes it inevitably hasn't aged particularly well, and modern film fans may balk at the many passages of detailed chatter in the well developed script, but this comes from a grand old time in cinema. When production value meant hard graft in front of and behind the camera . Honour and integrity is not only big within the story itself, it's also themes that apply to the film makers as well. Hooray! 7.5/10
- hitchcockthelegend
- Apr 5, 2012
- Permalink
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Los caballeros del rey Arturo
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $2,600,000 (estimated)
- Runtime1 hour 55 minutes
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Top Gap
By what name was Knights of the Round Table (1953) officially released in India in English?
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