User reviews

For those of you who like discovering unknown sleeper westerns than The Last Posse is for you. No cowboy heroes in this one just an honest sheriff doing his job and a young man who let's his better side take over rather than live with a lie.

A posse comes in from the hunt with the bodies of the men they were hunting, the man whom these people robbed and a badly wounded Broderick Crawford who is the town sheriff. Some of the town's leading citizens like Will Wright, Warner Anderson, Raymond Greenleaf and Tom Powers are with the posse along with the adopted son of the robbery victim Charles Bickford. It's the son played by John Derek on whom the responsibility for the truth lies.

We hear some of the truth in flashback from the posse members. Bickford owns the local Ponderosa and he's not a benevolent type like Ben Cartwright. In fact he's pushed another rancher James Bell far enough. Bell and sons Guy Wilkerson and Skip Homeier rob him as he's making a deposit of six figures. It's Bickford who pulls a posse together and doesn't want the sheriff along, but Crawford goes anyway.

The desert trip brings out the truth about a lot of things and Derek has to face up to a different version about his past than he's been told. It's not a pretty picture.

The film is in stark black and white and plays for much of the time like a noir thriller. But this B film from Columbia is a real sleeper and not to be missed by either noir or western fans.

The Last Posse is directed by Alfred L. Werker and co-written by Seymour Bennett, Connie Bennett and Kenneth Gamet. It stars Broderick Crawford, Charles Bickford, John Derek and Wanda Hendrix. Primary location used for the shoot is Lone Pine, Alabama Hills, California, with Burnett Guffey on photography duties. Out of Columbia Pictures, story tells of how a returning posse on the trail of outlaw robbers, return to Roswell, New Mexico, minus their leader and with their accompanying sheriff critically wounded.

Much better than its B movie origins, The Last Posse is strong in characterisations, visually smart and being structured as it is, primarily in flashback, also getting a bit of unusual intrigue tossed into the Oatmeal. It's also very well acted, with Crawford and Bickford making for a nice gruff opposing pair, and the support cast is filled with solid performers like Henry Hull, Warner Anderson and Skip Homeier. Director Werker (He Walked By Night) does a good job of keeping the story nicely paced, dotting the plot with some well staged action along the way, and the finale, thankfully not telegraphed, doesn't disappoint at all. But in the main it's the writing and Guffey's photography that lifts it above average. The various members of the posse are either troubled or driven by motive, making for a good psychological mix, and this in turn is well realised by Guffey's crisp black and white photography of the Lone Pine, Alabama Hills landscapes. The numerous boulders and odd shaped rocks impose on the characters and the desert flats make a grim stage for the unfolding story.

Easily recommended to the Western movie fan. 7/10

If you love Westerns, you'll love The Last Posse. I had never heard of it before TCM tossed it into their Broderick Crawford Day of movies. Great cast too! Not only Crawford but Henry Hull, Charles Bickford as well as Harry Hayden, an always uncredited character actor who I've come to notice. Much of the film takes place in the desert among some absolutely remarkable rock formations as the backdrop. Anyway, all Western Lovers should have this one on their list. I thought I'd seen just about every Western at least once so this really came as a wonderful surprise. Watch for it and enjoy! At less than 90 minutes long, it doesn't wear out its welcome like this overlong review! Unfortunately the IMDb insists on ten lines whether or not you have something to say. OK, it finally says I wrote enough lines!

The movie's plot-heavy but interesting. A bedraggled posse rides into town after completing their mission. But their story of what happened is hiding something. Still, they're the town's most respectable men, including the wounded sheriff. So what really happened; we know it's not their official story. Later, we learn the truth by flashback, with some surprises.

Producer Harry Joe Brown shows his continuing fascination with the neolithic Alabama Hills by filming the chase and showdown amid the bare rock slabs. It's staging he would later use in his classic Ranown westerns with Randolph Scott. The wobbly sheriff seems like an odd role for an Oscar winner of only a couple years earlier. But then, the tubby, homely Crawford was not exactly movie star material. His role here, however, is a gutsy one for any former Oscar winner. The looks department goes instead to John Derek in a pivotal role that he unfortunately appears bored with. At the same time, the fetching ingénue Hendrix gets a tacked-on role as relief from all the ugly guys. Too bad that great impersonator of ornery young punks, Skip Homeier, doesn't get more screen time.

All in all, there's enough plot and interesting characters to merit a longer runtime. Then too, it's well enough produced to also merit Technicolor instead of b&w. Nonetheless, the movie's a non- formula western, more interesting than most, with lots of compelling scenery, pretty good action-- especially around the rock slabs—and a fine cast. So horse opera fans should enjoy it, despite the sometimes clotted storyline.

This film is not just your ordinary Western mainly because the film starts out with flashbacks from the very beginning to the end. Broderick Crawford, (Sheriff John Frazer) is a burned out sheriff who was well respected and decided to hit the bottle and drift off to retirement. Charles Pickford, (Sampson Drune) plays the role of a cattle baron who is ruthless and cruel and treats other cattlemen poorly and cheats them out of their money when they are facing hard luck and about to lose their ranches. John Derek, (Jed Clayton) is a son to Sampson and thinks the world of his father, however, Sheriff Frazer knows some very dark secrets about Sampson and the two have no use for each other. Wanda Hendrix, (Deborah) is a young gal who is very interested in Jed Clayton and has hopes to settling down with him someday. Sampson Drune is robbed of a Hundred and Five Thousand dollars and a posse is organized and even Sheriff Frazer manages to ride along with them. Charles Pickford gave a great supporting role along with John Derek.

It's noirish credentials burnished by being framed within a flashback. This tough little western short on action but long on moody menace is shot by Burnett Guffey so that it in places even resembles a silent film. The climax takes against a backdrop of oppressively sun-bleached rockland and it has a neat ending.

Add me to the list of those wondering why this was made in black and white. Crawford and bickford were pretty big names, back in the day. Maybe because its a period piece in the old west, to give it authenticity? When a rancher pays dirt low prices for cattle, the family takes the money back and makes a run for it. Out in the brutally hot desert, with not much food... (where did they plan on going??) When the posse returns without the wanted men, the town is anxious to find out what happened. As the film goes along, the facts come out in small bits and pieces. It's not bad. Stars broderick crawford, charles bickford, and a twenty seven year old john derek. Directed by al werker. Story by seymour and connie bennett. Filmed in the fun alabama hills and in yuma. Showing on the roku channel.

Broderick Crawford gives one of his usual solid performances playing a worn-out alcoholic sheriff struggling through life. The storyline keeps the viewer interested and the chase through New Mexico takes us into great scenery. The actions scenes aren't particularly convincing though but the film does good service to the Western genre by clearly defining the Bad guys from the Good guys. Very watchable.

Its a Western and honors the theme quite well. It has familiar faces, horses, drinking, fighting, saloon activity, bank robbery, little town, scenery and a woman or two or three to make the connection to the audience. What I liked the best was the story. Realize that there must have been millions of stories having to do with settling in the West during the start-up period. All remain remarkable and unique some succeeding and many failing. Here we are introduced to a town that made it through the rough period and it looks like they have a future or do they? Let the story tell it. Also look forward to what I consider a decent ending if only for this reason. It leaves quite a bit to the viewers imagination as to what happened after the end credits. The questions are obvious and I don't want to spoil it for you. It is interesting to note that a rancher made over 100,000.00 in this movie selling cattle (beef) to the a middleman who sells it to the end users. This was in high demand at the time and a person could get wealthy running cattle if they could get past all the hardships including but no limited to: Rustling, drought, death, weather, illness, and huge logistics problems. If one navigated successfully, you made a fortune and did it again and again giving jobs to many and helping a town grow as well as yourself and your holdings. Much wealth early on was generated this way and handed down. Of course people in the cities had to have beef and they ate tons of it. They still do. Today, the prices are outrageously high for this city boy who lives in CA. I wonder if it is cheaper where they raise them? I bet it is. Enjoy a good sandwich and tasty drink while watching this and a decent snack after that. Oh and special mention to Broderick Crawford who I liked who played in Highway Patrol always speaking in his car microphone 2150 by...LOL

Yes folks, this superb little western - posse western, a genre within the genre - is produced by the same man who will work several years later with Budd Boetticher and Randolph Scott on the same kind of stuff. Short, small budgets but so great ideas, with nothing really expected, nothing predictable and pulled by strong performances, and the whole without any f...heroes; only terrific characterd=s study. Look for instance Broderick Crawford in one of his best roles, an aging sheriff, his most poignant, terrific ones. And with this western, director Alfred Werker, proves once more - before DEVIL'S CANYON, THREE HOURS TO KILL, CANYON CROSSROADS, AT GUNPOINT, REBEL IN TOWN - that he was nearly at the level of a Budd Boetticher in terms of budget-quality ratio.

(1953) The Last Posse WESTERN

The opening centers on an already shot and almost dead Sheriff Frazier(Broderick Crawford) along with his posse just arriving to their small town called 'Roswell' with nothing about the return of the money nor the prisoners. And after placing the sheriff in bed rest, some of the men from the posse are revealing their terms of events to the members of the judiciary. Future Oscar winner Broderick Crawford's presence, provides a little credibility to the character, as well as some convincing locales,, this small 1 hour and 13 minute movie has more authenticity than current westerns of today.

When the anxiously awaited posse returns with neither prisoners nor the stolen money, we learn through flashbacks from three different characters, what took place. Having been cheated by Sampson Drune, a father and his two sons have robbed him and fled. A posse led by Drune took off after them and although unwanted, the town's drunken Sheriff joined them. The Sheriff's influence on Jed, the adopted son of Drune, is the key to Jed later revealing who killed Drune, the robbers, and what happened to the money.

In this western featuring multi-layered characters with real and relatable human foibles, aspirations, and the kind of details that make them feel three dimensional, Broderick Crawford delivers a stellar performance as an alcoholic lawman who is so frequently intoxicated that he can barely stand on his feet, let alone dispense justice. But he still joins the posse? Why is he's so determined to ride along?

For its 73 minutes, not a single minute is wasted in telling a good story that is packed with human drama and challenges. There's some fine performances from other cast members such as John Derek and Charles Bickford. The location adds to the drama and tension to make gripping film.