An unhappily married couple attempts to find direction and insight while vacationing in Naples.An unhappily married couple attempts to find direction and insight while vacationing in Naples.An unhappily married couple attempts to find direction and insight while vacationing in Naples.
- Awards
- 3 wins
George Sanders
- Alex Joyce
- (as Georges Sanders)
Maria Mauban
- Marie
- (as Marie Mauban)
Anthony La Penna
- Tony Burton
- (as Leslie Daniels)
Natalia Ray
- Natalie Burton
- (as Natalia Rai)
Bianca Maria Cerasoli
- Un'amica di Judy
- (uncredited)
Adriana Danieli
- Un'amica di Judy
- (uncredited)
María Martín
- Judy
- (uncredited)
Lyla Rocco
- La signora Sinibaldi
- (uncredited)
Storyline
Did you know
- TriviaGeorge Sanders, in his 1960 autobiography, wrote at length about the making of this film, which he found an exasperating and unpleasant experience. He spoke witheringly about Roberto Rossellini, whom he characterized as being more interested in scuba diving than in film-making. Although the tone of his remarks is one of amusement, it became known that Sanders (who had admired earlier Rossellini films) had been deeply affected by exposure to a style of film-making quite foreign to his previous experience, and had spent the shoot feeling frustrated and angry, often bursting into uncontrollable tears.
- GoofsAfter deciding to leave Pompeii and walking down the stairs for the exit, the arm and shoulder of a crew member appear in the lower right side of the screen.
- Quotes
Alex Joyce: What noisy people! I've never seen noise and boredom go so well together.
Katherine Joyce: Oh I don't know, Uncle Homer lived here for 40 years without getting bored.
Alex Joyce: Uncle Homer was not a normal person.
- ConnectionsEdited into Histoire(s) du cinéma: Fatale beauté (1994)
Featured review
Katherine (Ingrid Bergman) and Alex Joyce (George Sanders) are on vacation in Italy. It's been eight years of marriage and they feel like strangers to each other.
This is scenes from a marriage and a road trip to personal discovery. It's meandering but that's perfectly fine. It's meant to be. Director Roberto Rossellini inadvertently starts a new movement in looser story telling in films. It's jazz when music has been all classical. The only ill-fitting aspect is the glamor of Ingrid Bergman. It's not a big thing or even a bad thing. She cannot be less than the movie superstar beauty that she is. It takes me out of the movie sometimes although there is an autobiographical suggestion within these characters. It takes away from their everyday struggles within their relationship. I do wonder if an average looking couple would make this an even more compelling examination into a marriage. I also wonder if the couple should stay together throughout the movie so that they can fill out their relationship more. I want them to talk this out together from start to finish.
This is scenes from a marriage and a road trip to personal discovery. It's meandering but that's perfectly fine. It's meant to be. Director Roberto Rossellini inadvertently starts a new movement in looser story telling in films. It's jazz when music has been all classical. The only ill-fitting aspect is the glamor of Ingrid Bergman. It's not a big thing or even a bad thing. She cannot be less than the movie superstar beauty that she is. It takes me out of the movie sometimes although there is an autobiographical suggestion within these characters. It takes away from their everyday struggles within their relationship. I do wonder if an average looking couple would make this an even more compelling examination into a marriage. I also wonder if the couple should stay together throughout the movie so that they can fill out their relationship more. I want them to talk this out together from start to finish.
- SnoopyStyle
- Aug 30, 2021
- Permalink
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Details
Box office
- Gross worldwide
- $20,072
- Runtime1 hour 37 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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