IMDb RATING
6.9/10
2.1K
YOUR RATING
An upright car mechanic falls in love with the girlfriend of a gangster. This forces him to participate in the criminal underworld.An upright car mechanic falls in love with the girlfriend of a gangster. This forces him to participate in the criminal underworld.An upright car mechanic falls in love with the girlfriend of a gangster. This forces him to participate in the criminal underworld.
Irene Bolton
- Pretty Girl
- (uncredited)
John Close
- Police Officer
- (uncredited)
Richard H. Cutting
- Bit Role
- (uncredited)
John Damler
- Police Officer
- (uncredited)
Linda Danson
- Pretty Girl
- (uncredited)
Diana Dawson
- Pretty Girl
- (uncredited)
Jean Engstrom
- Bit Role
- (uncredited)
Mike Mahoney
- Police Officer
- (uncredited)
Peggy Maley
- Marge
- (uncredited)
Patrick Miller
- Teller
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis movie has a similar story line to the Ernest Hemingway movie The Killers (1946), starring Burt Lancaster and Ava Gardner, which was remade (The Killers (1964)) with Lee Marvin, John Cassavetes, Angie Dickinson, and Ronald Reagan.
- Goofs(at around 10 mins) Eddie pulls up at Barbara's apartment and parks behind a gray Ford. When Barbara drives off a few minutes later, Eddie's MG is missing, but the Ford is still there.
- Quotes
Marge: Could I peel this onion? I can't stand to see a grown man cry.
Steve Norris: Take it with you, beautiful; drop it into a large martini.
Featured review
Richard Quine probably has his best "non comedy" film with this one, but maybe has to take the rap also for what's weak about this film. The opening car race and the key bank "race" are pretty blandly done as is any other action set piece in the movie. The opening scene is really poor, like something you'd see in a film made in the Early silent days. Badly matched rear projection, the camera angle is so wrong in the rear projection that is doesn't match the action of Rooney driving at all. The process work isn't bad, the footage shot is. The rest of the race material is also poor. And for a film about the ability to race, the fact that the racing is bad can't be overlooked. After this crappy beginning the excellent performances and dialog drive the film along perfectly. Most of the cast is perfect and the personal violence between characters is very strong. Rooney is very understated here--in many of his other adult work he'd tend to over act, not here though at all. It's an award worthy performance.
Just too bad that the action is treated like sloppy second unit work--some say (un)credited to Blake Edwards himself--but with Edwards interest in fast cars etc., hard to believe he'd shoot this stuff so badly. The ending, which also involves some action is perfunctorily done and the resolution too quick. Too bad because otherwise this would be a nearly perfect movie. Still if you get over, the opening especially, this is a must see.
Just too bad that the action is treated like sloppy second unit work--some say (un)credited to Blake Edwards himself--but with Edwards interest in fast cars etc., hard to believe he'd shoot this stuff so badly. The ending, which also involves some action is perfunctorily done and the resolution too quick. Too bad because otherwise this would be a nearly perfect movie. Still if you get over, the opening especially, this is a must see.
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Johnny Big Shot
- Filming locations
- 1769 N. Orange Drive, Los Angeles, California, USA(Barbara Mathews apartment)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 23 minutes
- Color
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