IMDb RATING
7.4/10
7.9K
YOUR RATING
An Italian Countess is allied with Nationalists during the Italian-Austrian war of unification. However, she risks betraying their cause when she falls in love with an Austrian lieutenant.An Italian Countess is allied with Nationalists during the Italian-Austrian war of unification. However, she risks betraying their cause when she falls in love with an Austrian lieutenant.An Italian Countess is allied with Nationalists during the Italian-Austrian war of unification. However, she risks betraying their cause when she falls in love with an Austrian lieutenant.
- Awards
- 3 wins & 2 nominations
Franco Arcalli
- Un soldato
- (uncredited)
Aldo Bajocchi
- Un soldato
- (uncredited)
Ottone Candiani
- Un soldato
- (uncredited)
Nando Cicero
- Un soldato
- (uncredited)
Claudio Coppetti
- Un soldato
- (uncredited)
Cristoforo De Hartungen
- Il generale Hauptmann
- (uncredited)
Tony Di Mitri
- Un soldato
- (uncredited)
Storyline
Did you know
- TriviaThe film opens in La Fenice, the Venice opera house. La Fenice was destroyed by arson in 1996, but reopened in 2003. Enlarged frames of this movie were used as a reference in reconstructing it.
- Quotes
Il tenente Franz Mahler: It's too late! It's over! I'm not your romantic hero!
- Alternate versionsTwo versions of the film are available on video.
- One version is missing the scene where Livia tries to explain where all the money meant for the troops went.
- Another version is missing the climatic battle sequence between the Austrian and Italian troops.
- ConnectionsEdited into Histoire(s) du cinéma: La monnaie de l'absolu (1999)
- SoundtracksSinfonia N. 7 in mi maggiore (7th Symphony)
Music by Anton Bruckner
Performed by Orchestra Sinfonica Nazionale della Rai
Conducted by Franco Ferrara
Featured review
Senso was Visconti at his most elegant and aesthetic. It opened his series of historical spectacles. The film showed that epics and melodramas can entail political criticism as any other genres. Senso is his intelligent analysis about the Italian unification - Risorgimento. The film's criticism didn't please all the people and it suffered from censorship and it was edited several times. Nonetheless this aesthetically beautiful film still stands out as a fine ironic masterpiece.
The year is 1866 and the moment people have dreamed for decades - centuries - is in our hands. Garibaldi is coming and the Italians are beating the Austrians. In the middle of all this Visconti tells us a story about an Italian woman, who is the cousin of the leader of the underground resistance, who falls in love with an Austrian lieutenant. She is blinded by her romantic illusion and is ready to betray her family, friends, ideals and native land - these are part of the ethical problematics in Senso.
Senso was Visconti's first color film and he obviously had put a lot of effort to it. It's visually gorgeous and meant an aesthetic revolution for Italian cinema. It is no coincidence that it starts in an opera which Visconti did a lot himself too. The opening sequence shows us the basic power of Opera and melodrama - to change life, infrastructure without forgetting the concrete history.
Historical films always tell us about two different ages, intentionally or unintentionally: the one the story takes place in and the time it was made in. It's a film about the Italian unification but also a study about the deepest emotions in Italy during the 1950's. Italy after WWII, filled with neo realism - antifascist battle and hope for democracy. But also about the downside; the victory of the right-wingers and the beginning of the Cold War.
Senso is a gorgeous film which requires patience and love from its viewer. It's a political, ironic, revolutionary and aesthetic film. Truly one of the biggest landmarks in Visconti's career but also in the history of Italian cinema.
The year is 1866 and the moment people have dreamed for decades - centuries - is in our hands. Garibaldi is coming and the Italians are beating the Austrians. In the middle of all this Visconti tells us a story about an Italian woman, who is the cousin of the leader of the underground resistance, who falls in love with an Austrian lieutenant. She is blinded by her romantic illusion and is ready to betray her family, friends, ideals and native land - these are part of the ethical problematics in Senso.
Senso was Visconti's first color film and he obviously had put a lot of effort to it. It's visually gorgeous and meant an aesthetic revolution for Italian cinema. It is no coincidence that it starts in an opera which Visconti did a lot himself too. The opening sequence shows us the basic power of Opera and melodrama - to change life, infrastructure without forgetting the concrete history.
Historical films always tell us about two different ages, intentionally or unintentionally: the one the story takes place in and the time it was made in. It's a film about the Italian unification but also a study about the deepest emotions in Italy during the 1950's. Italy after WWII, filled with neo realism - antifascist battle and hope for democracy. But also about the downside; the victory of the right-wingers and the beginning of the Cold War.
Senso is a gorgeous film which requires patience and love from its viewer. It's a political, ironic, revolutionary and aesthetic film. Truly one of the biggest landmarks in Visconti's career but also in the history of Italian cinema.
- ilpohirvonen
- Sep 24, 2010
- Permalink
- How long is Senso?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- The Wanton Contessa
- Filming locations
- Teatro La Fenice, Venice, Veneto, Italy(opening scenes)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- ITL 700,000,000 (estimated)
- Gross US & Canada
- $27,723
- Opening weekend US & Canada
- $3,984
- Oct 28, 2018
- Gross worldwide
- $27,723
- Runtime2 hours 3 minutes
Contribute to this page
Suggest an edit or add missing content