User reviews

OK so the script is mundane and the atmosphere is rather too pukha to be true, but I have no hesitation in recommending Above Us The Waves to all serious buffs out there. It's rather like a fanciful trip down memory lane into a bygone era that was very real to the actors but only a dream to us. The world in which public school educated Commanders strode up and down wharfs wearing immaculate stiff collars and Gieves and Hawkes tailored uniforms. The world in which a beaten enemy saluted their conquerors with trays of brandy and warm dry blankets. That's the real value of the film; it acts as a glimpse into that half forgotten world of sheer courage and decency that has long been lost in the senseless chase for mammon. When men gave their lives for honour and principal rather than offering their time for glamour and ego.

And the film has its moments of well staged tension to keep us alert. John Gregson and James Kenney give memorable performances when a mine drifts dangerously close to their surfaced sub and they must fend it off with outstretched feet. Don't listen to the detractors on this one - grab a good cup of strong cocoa and allow your dreams to drift back in time.

A film about an atack on the German warship TIRPITZ a story that is well told,with tense and tragic moments.The story shows how ordinary men can perform extraordinary taskes when their country is at war.Wether the story really happened like this I do not know but once you start watching this film grips you,I would like to know what happened to the guys who are involved I hope they went on to lead fullfilling lives because they are true heroes.

A lot of things about this film make you think director Ralph Thomas slept his way through the job. The scene when Donald Sinden tries to push off a mine with his feet is amazingly badly done. The film also fails to give you a real sense of what the mission achieved! (It did not, as the film implies, break the back of the ship -- but did succeed in putting Tirpitz out of action for half a year; the RAF finally destroyed her a year after the midget attack.) But there are plenty of decent scenes, and some real tension. The script isn't bad, and having the Germans speak in (unsubtitled) German adds authenticity. John Mills is, as always, excellent. Above all, the film tells a true story, of primitive, cramped baby submarines, poorly insulated diving suits and icy water. And real heroism.

I first saw this in the 1960's and revisited it some fifty years later.

Of course it is of its time. It combines a story based on fact that is compelling and courageous, with a modest budget. The special effects are clunky, the costuming erratic, and armoury dubious, but it doesn't really matter. The story is well told, and dramatic. Submarine movies are at their best underwater where the claustrophobic drama is intense, and at their worst when that leaves them with nowhere to go. Here, fortunately the climax is on the surface, and incidental gems like a passing German patrol vessel playing music loudly also take place topside.

The portrayal of toffs in charge and salt of the earth ranks grate a little now, but John Mills is a sound, reflective toff.

Modern adrenaline junkies will not be impressed, but the simple heroism and determination portrayed is as impressive now as it was then.

John Mills sets off to convince a sceptical Admiral (James Robertson Justice) of the merits of "midget" submarines in active warfare. His intention is to use these tiny craft to lay high explosives underneath the hull of the mighty Nazi battleship "Tirpitz" that is safely anchored in a steep-sided Norwegian fjord. John Gregson and Donald Sinden join him on the mission deep into the heart of enemy territory fighting both the elements and the novel technology. You get a sense of he claustrophobic conditions - and of the close teamwork that engenders, as well as the fragility of their craft and; tempered by the odd light-hearted moment, this is quite a gripping little wartime tale.

To some viewers and reviewers, the characters and dialogue may seem false and smack of British stiff upper lip propaganda. Can't see how the film was aimed at being propaganda seeing it was made in 1955! Secondly, people were different in the times depicted in the film. Overly emotional self-indulgence had not yet become adopted as being a requirement of drama or depictions of warfare. This film reminds me of "A Night to Remember" and comes under the same criticisms from those who cannot understand that people were once different and did not emote or panic at every opportunity. Low key and realistic is a relief from films that are a series of explosions and rants.

This is a brilliant Naval film. The failed midgit submarines, that caused heavy casualties, when attepmting to sink the so called "Unsinkable" Tirpitz. John Mills plays the part of a captain very well, in the struggle to prove them, and then failing. With Lyndon Brook, and Lee Patterson to, it makes a great movie. Deffintaly worth seeing!

A lot of woolen knit jumpers, cosy duffle coats and British stiff upper lip. This is a good black and white British war film about a true life event.

John Mills was well suited to his role. The film itself is nothing amazing or remarkable, but solid nevertheless. They succeeded in creating a claustrophobic submarine atmosphere, along with an effective dose of suspense throughout.

I was never bored while watching. These brave men deserved their efforts to be put to film, so that more people know of their sacrifices.

The German battleship Tirpitz was a direct threat to my own grandfather during WWII - as he was Royal Navy, taking part in the Arctic Convoys, delivering supplies to the USSR (in Murmansk). This personal connection added an extra element of interest for me.

Recommend to those who enjoy old school British war films and John Mills!

Reference A Boy's Own Story. It was actually Donald Sinden and not John Gregson who pushed the mine away. Otherwise a good summary as are all the others. I had not seen this film for many years and it brought back memories of an earlier time when things were so much simpler The acting was good and the Brit stiff upper lip was very evident. The actions of the Germans was as I expect they were in the German Navy. At the time of the making of this movie many Brit movies, whether comedy or drama were being made and the acting was good and there were no overt scenes of gratuitous sex and violence in those days. It would have been good in color but not much of that in those days.

British cinema had its most distinguished period after WW2, notably between 1945 and 1970, during which time it produced masterpieces that ranged from comedies (KIND HEARTS AND CORONETS, other Ealing comedies; supernatural/psycho horrow films such as DEAD OF NIGHT, THE INNOCENTS; love stories like BRIEF ENCOUNTER; and war films like DAM BUSTERS, CRUEL SEA, COLDITZ STORY. BRIDGE ON THE RIVER KWAI, FIVE FINGERS, WE DIVE AT DAWN, GUNS OF NAVARONE, ABOVE US THE WAVES).

I am fond of the latter. I first saw it on TV in Swaziland, Africa, and was promptly impressed by the British stiff upper lip, as portrayed by a fantastic cast that includes such solid actors as James Robertson Justice, John Mills, Donald Sinden, John Gregson, among others - including some four or five German-speaking actors, notably the Tirpitz commander, who are totally convincing.

B&W photography is highly competent, but understandably limited because this was not a high budget film. Direction by Ralph Thomas is very tight and coherent, with scenes in the submarines particularly effective, highlighting all the potentially deadly hazards.

Screenplay also a tad limited, but credible. Ending is an example of simplicity and effectiveness, with John Mills quietly but perceptibly bitterly, reflecting on his upcoming detention in a camp. Strongly recommended if you are interested in 1) British film making; 2) Solid acting; 3) WW2.

This is yet another example of the fantastic films that Britain USED TO MAKE. Great acting, powerful direction and real emotion.

I saw in at the cinema a few weeks back and it really still packs a punch. I must get this one and others like the Cruel Sea on DVD.

If only we could make films like this again.

Why is it that we could make such great films 30 or 40 years back and now we have so many problems? Actually I think I know that answer to that one already.

I think that it would be interesting to remake this film but it would have to be made by a top flight director I think

I have just seen the film for the umpteenth time and of course the facts as portrayed in the film are not always a true reflection of the actual reports of the raid. Incidents that are shown as the interior of a submarine that was destroyed can be nothing other than fiction. Some of the episodes were factually correct therefore I find that the comment by mailmartinbuckley regarding the scene where Donald Sinden fends off a mine with his feet was misplaced. It was a recreation of the incident where Lt.B.C.G Place from X7 did exactly that. If he refers to bbc.co.uk/history and enters "Tirpitz" he can read the account of the raid by Dr.Eric Grove, a naval historian

As I recently said about SINK THE BISMARK, UK film industry in the fifties and early sixties brought us great films, war films, I mean. DAM BUSTERS, SINK THE BISMARK, this very one, CARVE HER NAME WITH PRIDE, BATTLE OF RIO DE LA PLATA, WE DIVE AT DAWN.... Not necessarily dumb propaganda films, such a most of Russian movies or even patriotic US features. Those British films were pretty well made, with solid characterization, suspense, and excellent camera work. German enemy was also not always showed as dumb Nazis whom we could nearly laugh at. These English features were for me the best war movies before THE LONGEST DAY like huge production emerged in the sixties. The rest of "Allied"( but not German !!!) cinema war films - except some rare items such as Bob Aldrich's ATTACK - the other war films are garbage for me. Good American and British against Evil Nazis. Evil, maybe, but certainly not jerks.....This submarine war film is not at the level of DAS BOOT, from director Wolfgang Petersen, of course - no film will ever arrive at its ankle - but I highly recommend it to any war film buff.