An American-led team of International astronauts leave their space station on the first mission to Mars, but the captain's religious beliefs may get in the way.An American-led team of International astronauts leave their space station on the first mission to Mars, but the captain's religious beliefs may get in the way.An American-led team of International astronauts leave their space station on the first mission to Mars, but the captain's religious beliefs may get in the way.
- Crewman
- (uncredited)
- Japanese Replacement
- (uncredited)
- Musical Number
- (archive footage)
- (uncredited)
- Replacement Soldier
- (uncredited)
- Assistant Station Announcer
- (uncredited)
Storyline
Did you know
- TriviaThe spaceship model was later used as a background set decoration in Star Trek II: The Wrath of Khan (1982).
- GoofsIn most shots of the "Wheel", it is shown turning counter-clockwise. But in the scenes of Cooper being transported to it after becoming paralyzed aboard the rocket, the Wheel is suddenly turning clockwise - until the final shot of the rescue craft heading toward it, where once again it is moving counter-clockwise.
- Quotes
Sergeant Imoto: Some years ago, my country chose to fight a terrible war. It was bad, I do not defend it, but there were reasons. Somehow those reasons are never spoken of. To the Western world at that time, Japan was a fairybook nation: little people living in a strange land of rice-paper houses... people who had almost no furniture, who sat on the floor and ate with chopsticks. The quaint houses of rice paper, sir: they were made of paper because there was no other material available. And the winters in Japan are as cold as they are in Boston. And the chopsticks: there was no metal for forks and knives and spoons, but slivers of wood could suffice. So it was with the little people of Japan, little as I am now, because for countless generations we have not been able to produce the food to make us bigger. Japan's yesterday will be the world's tomorrow: too many people and too little land. That is why I say, sir, there is urgent reason for us to reach Mars: to provide the resources the human race will need if they are to survive. That is also why I am most grateful to be found acceptable, sir. I volunteer.
General Samuel T. Merritt: Thank you, Sergeant Imoto. You're not a little man.
- ConnectionsEdited into Destination Space (1959)
Some of the characters and situations are standard sci-fi fare, but the quality of the execution is remarkably high. Production values are top-notch, and show Pal's touch despite budget limitations. Some stock character relationships (the father/son turmoil, the commander's breakdown) fill in less serviceably, but the honest adventure works, far better than recent 'sci-fi' epics like ARMAGEDDON, which tread the same hackneyed stereotypes and cliches, but without the honest enthusiasm and optimism of the earlier, more innocent time. What results is still a superior product to most of the 50's SF pictures.
I can think of few other films with the stunning, vibrant color of this one--it's rather sad that Hollywood can't do these glowing hues and bright visuals anymore.
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Details
- Runtime1 hour 21 minutes