IMDb RATING
7.1/10
4.9K
YOUR RATING
A fictionalized account of the career of jazz singer Ruth Etting and her tempestuous marriage to gangster Marty Snyder, who helped propel her to stardom.A fictionalized account of the career of jazz singer Ruth Etting and her tempestuous marriage to gangster Marty Snyder, who helped propel her to stardom.A fictionalized account of the career of jazz singer Ruth Etting and her tempestuous marriage to gangster Marty Snyder, who helped propel her to stardom.
- Won 1 Oscar
- 4 wins & 6 nominations total
Dorothy Abbott
- Dancer
- (uncredited)
John Alban
- Reporter
- (uncredited)
Mal Alberts
- Reporter
- (uncredited)
Herb Alpert
- Nightclub Horn Player
- (uncredited)
Don Anderson
- Club Patron
- (uncredited)
Storyline
Did you know
- TriviaOf the 62 films he made, James Cagney wrote that he rated this among his top five.
- GoofsIn the "Shaking The Blues Away" number, Doris Day sings the lyric "Do as Voodoos do/ Listenin' to/ A voodoo melody." The lyric that Ruth Etting performed in the 1920s was "Do as the darkies do/ Listenin' to/ A preacher way down south." The other lyric is from the revised version performed by Ann Miller in Easter Parade (1948), in which the original was censored for obvious reasons.
- Quotes
Martin Snyder: [to Ruth Etting when she visits him in jail] Tell 'em you seen me in the pokey and I looked great! Tell 'em I like it! Makes me feel like a kid again!
- ConnectionsFeatured in 1955 Motion Picture Theatre Celebration (1955)
- SoundtracksI'm Sitting on Top of the World
(uncredited)
Music by Ray Henderson
Lyrics by Sam Lewis and Joe Young
Sung by Claude Stroud
Featured review
I never had to be convinced that Doris Day was a fine actress--from her first film ('Romance on the High Seas') which she stole from veterans like Jack Carson and Janis Paige--to 'Storm Warning' (her first dramatic role as Ginger Rogers' sister)--she never made a false move. But her real acting triumph came with this hard-hitting Ruth Etting biography in which she does an amazing job as the torch singer involved with a gangster boyfriend (James Cagney). Cagney has never been more impressive as the Chicago hood who manages her career--and Day manages to match him every step of the way with a gutsy, heart-felt performance.
Also shown to good advantage is Cameron Mitchell as an admirer with real affection for Day. Their scenes together have a poignant quality because you know how deep the feelings go on both sides. Day's rendition of a haunting ballad, 'I'll Never Stop Loving You', is one of the film's highlights--along with 'Ten Cents A Dance', 'Mean to Me', 'Love Me Or Leave Me', etc. She is simply brilliant.
The high quality of the Oscar-winning script (Best Story) is a tribute to the overall quality of the film itself. A highly dramatic musical, it makes you wonder what Day's career might have been like if she remained at Metro for more such films rather than the sugar-and-spice things she did at Warner Bros. Some of them were charming (the old-fashioned musicals with Gordon MacRae), but since she was a fine dramatic actress she could have done so much more. Day's voice is a sheer pleasure here--perfect pitch, warm tones and easy on the ears. Nobody could sing a ballad like Doris does here. 'I'll Never Stop Loving You' is my favorite.
Summing up: highly recommended as one of the best musical biographies you're ever likely to see.
Also shown to good advantage is Cameron Mitchell as an admirer with real affection for Day. Their scenes together have a poignant quality because you know how deep the feelings go on both sides. Day's rendition of a haunting ballad, 'I'll Never Stop Loving You', is one of the film's highlights--along with 'Ten Cents A Dance', 'Mean to Me', 'Love Me Or Leave Me', etc. She is simply brilliant.
The high quality of the Oscar-winning script (Best Story) is a tribute to the overall quality of the film itself. A highly dramatic musical, it makes you wonder what Day's career might have been like if she remained at Metro for more such films rather than the sugar-and-spice things she did at Warner Bros. Some of them were charming (the old-fashioned musicals with Gordon MacRae), but since she was a fine dramatic actress she could have done so much more. Day's voice is a sheer pleasure here--perfect pitch, warm tones and easy on the ears. Nobody could sing a ballad like Doris does here. 'I'll Never Stop Loving You' is my favorite.
Summing up: highly recommended as one of the best musical biographies you're ever likely to see.
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Details
Box office
- Budget
- $2,760,000 (estimated)
- Gross worldwide
- $193
- Runtime2 hours 2 minutes
- Aspect ratio
- 2.55 : 1
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