IMDb RATING
6.9/10
4.4K
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In a totalitarian future society, Winston Smith, whose daily work is re-writing history, tries to rebel by falling in love.In a totalitarian future society, Winston Smith, whose daily work is re-writing history, tries to rebel by falling in love.In a totalitarian future society, Winston Smith, whose daily work is re-writing history, tries to rebel by falling in love.
Donald Pleasence
- R. Parsons
- (as Donald Pleasance)
Kenneth Griffith
- Prisoner
- (as Kenneth Griffiths)
Barbara Cavan
- Woman
- (voice)
- (uncredited)
Walter Gotell
- Guard
- (uncredited)
Anthony Jacobs
- Telescreen
- (voice)
- (uncredited)
Barbara Keogh
- Special Woman
- (uncredited)
Bernard Rebel
- Kalador
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaSonia Orwell, widow of George Orwell, objected to the changed ending, and had this movie withdrawn from circulation.
- Quotes
O'Connor of the Inner Party: You will be hollow. We will squeeze you empty and fill you with ourselves, with love of Big Brother.
- Alternate versionsThere are two endings to this film. The UK version ends with a defiant Winston Smith and Julia being executed by the authorities. The US version is more faithful to Orwell's book and concludes with Winston and Julia being brainwashed into becoming loyal followers of "Big Brother."
- ConnectionsFeatured in Hollywood and the Stars: The Angry Screen (1964)
Featured review
I finally was able to see this film, having seen the 1984 version with John Hurt when I was in college. I recall the 1984 version having some good production values, but I remember being disappointed also. This version was well-cast, and the art direction was also competent. Edmund O'Brien turned in a great performance as Winston Smith. I think that he brought a great quality of desperation to the role; which seemed to run contrary to John Hurt's performance. I'm sure there was a lot left out of the book. But I get tired of hearing people moan and groan about the argument of literature vs. cinema. Come on people, film is time-based, and can't digress like novels can. The screenwriter/director mainly extracts plot points, and can't be bothered with too much exposition (unless of course they have a whopping budget!). I've read many criticisms where more skeptical viewers complain that we don't get to know Big Brother's motives, strategy, etc... What?!! It's Big Brother - an enigmatic and probably non-existent despot....you're not supposed to know his whole story! The love affair, although brief, is very empathetic. In lieu of all the paranoia, Big Brother-cheerleading, etc. - the love between Winston and Julia is a good emotional oasis. Even though I watched a poor copy of this version, it really did make an impression. One of the few criticisms I have is Room 101. I thought the rat shot/scene was truncated, and could've been dramatized more. That's where the John Hurt version trumps this one.
- brad_and_ethan
- Dec 17, 2006
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Details
- Release date
- Country of origin
- Language
- Also known as
- Neunzehnhundertvierundachtzig
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 30 minutes
- Color
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