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6.9/10
2.8K
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A blind American writer living in London stumbles upon a criminal conspiracy involving kidnapping and extortion.A blind American writer living in London stumbles upon a criminal conspiracy involving kidnapping and extortion.A blind American writer living in London stumbles upon a criminal conspiracy involving kidnapping and extortion.
Robin Alalouf
- Bellboy
- (uncredited)
Ashley Cowan
- Lift Operator
- (uncredited)
Arthur Gomez
- Mr. Da Mestre
- (uncredited)
A. Cameron Grant
- Pinball Player
- (uncredited)
Fred Griffiths
- Taxi Driver
- (uncredited)
Walter Horsbrugh
- Shop Assistant
- (uncredited)
Janice Kane
- Miss Da Mestre
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe department store visited by Alice MacDonald and Bob Matthews was a genuine shop, Barkers of Kensington. The 135-year-old art-deco establishment closed in January 2006.
- GoofsThe depicted Portman Square apartment is directly over the Thames. However, Portman Square is actually about 2 miles from the Thames.
- Quotes
Phillip Hannon: [blind man] Well how does it look? Is it beautiful?
Bob Matthews: Yes... yes, very beautiful - view, buildings.
Phillip Hannon: [sarcastically] You make it all so vivid, I can almost see it.
- ConnectionsReferenced in The Crimes of the Black Cat (1972)
Featured review
On a visit to London, an apparently recently blinded American playwrite over-hears a highly suspicious conversation which may or may not mean a kidnapping... together with his manservant and former secretary he begins to try and put the pieces together.
For 1956 this is a surprisingly twisted piece, involving both highly unconventional villain and target/victim. Delicious shots of mid-50's London (check out Barker's of Kensington), a serviceable performance by Johnson, Miles decorative but wasted (except in one scene), the glorious Parker, and Winwood hamming it up to the hilt, all add up to an enjoyable sub-Hitchcockian romp. Yes it owes a debt to 'Rear Window', but then 'Wait Until Dark' owes a debt to this!
For 1956 this is a surprisingly twisted piece, involving both highly unconventional villain and target/victim. Delicious shots of mid-50's London (check out Barker's of Kensington), a serviceable performance by Johnson, Miles decorative but wasted (except in one scene), the glorious Parker, and Winwood hamming it up to the hilt, all add up to an enjoyable sub-Hitchcockian romp. Yes it owes a debt to 'Rear Window', but then 'Wait Until Dark' owes a debt to this!
- robertconnor
- Feb 5, 2006
- Permalink
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Details
- Release date
- Country of origin
- Language
- Also known as
- 23 pasos al abismo
- Filming locations
- Barkers of Kensington, 63 Kensington High Street, London, Greater London, England, UK(Bob Matthews follows Alice MacDonald into the department store and takes a photograph of her)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,375,000 (estimated)
- Runtime1 hour 43 minutes
- Aspect ratio
- 2.55 : 1
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Top Gap
By what name was 23 Paces to Baker Street (1956) officially released in India in English?
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