A deranged man kidnaps the nubile daughter of a police captain.A deranged man kidnaps the nubile daughter of a police captain.A deranged man kidnaps the nubile daughter of a police captain.
Charles Cane
- Sam Patrick
- (uncredited)
John Cliff
- Detective Lou Gross
- (uncredited)
Dick Crockett
- Police Officer McEvoy
- (uncredited)
Jack Daly
- Detective O'Mara
- (uncredited)
Hal K. Dawson
- Matson
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAccording to a 2016 biography of Natalie Wood, she began dating Raymond Burr during this production.
- GoofsWhen Edmond O'Brien is getting ready to watch a movie on TV, he pours himself a glass of beer which is almost entirely foam. When he stands up to turn off the TV, the glass is suddenly full of beer.
- Quotes
Capt. Dan Taggart: I just wanna know what's bothering Madge.
Helen Taggart: She isn't married, that's what's bothering her. She's 37 years old and she isn't married.
- ConnectionsFeatured in Aweful Movies with Deadly Earnest: A Cry in the Night (1969)
Featured review
"A Cry in the Night" starts fast: an idealized fifties couple parked in a convertible at the local Inspiration Point, a conked boyfriend, a kidnapped teenage girl (inevitably, the police captain's daughter). From there it fans out into a number of ideas, most of which wander into the dark and disappear, none of which are delivered with any particular inspiration.
We get the question of personal responsibility and "getting involved" when no one else on the scene responds to Natalie Wood's cries for help- from which the title derives- with anything more than mockery. We get the question of how a monster is made when we meet Raymond Burr's horrific and self-absorbed mother. We get the idea of Natalie Wood, victim, fighting to survive by forging a personal connection with her captor. We get the idea that her home life was another form of captivity. Nonetheless, all we really get is a police chase, and it's a pretty mundane one.
From Raymond Burr, we get an interpretation of an unstable but very human mentally-challenged person that builds in places on Lon Chaney Jr.'s performance in "Of Mice and Men", but is still just an unconvincing sketch. From nearly every one else, we get a lot of scenery-nibbling where chewing is called for: Edmond O'Brien, as the missing girl's father, takes his anger level to about a seven and is always willing to stop and quibble about minor distractions. Natalie Wood does a fine job, but knowing what she had been through personally by this time in her young life makes her character's situation more than a bit painful.
Perhaps fortunately, sexual tension is greatly minimized by the era of the film: it's there, eventually, but a much more overt rape threat might truly have demonized Burr's character and thus done a disservice to people who were already marginalized in society.
Unsurprisingly, the subplot in which the Taggart family problems are brought to light by the ordeal at hand is absurdly simplistic and about as subtle and deft as a sledgehammer.
It all moves briskly enough, and Burr's creepy lair is a plus, along with the exciting situation, but there's a much better film in this material. To see a fairly similar story in far more skilled hands (only a year earlier), check out William Wyler's "The Desperate Hours".
We get the question of personal responsibility and "getting involved" when no one else on the scene responds to Natalie Wood's cries for help- from which the title derives- with anything more than mockery. We get the question of how a monster is made when we meet Raymond Burr's horrific and self-absorbed mother. We get the idea of Natalie Wood, victim, fighting to survive by forging a personal connection with her captor. We get the idea that her home life was another form of captivity. Nonetheless, all we really get is a police chase, and it's a pretty mundane one.
From Raymond Burr, we get an interpretation of an unstable but very human mentally-challenged person that builds in places on Lon Chaney Jr.'s performance in "Of Mice and Men", but is still just an unconvincing sketch. From nearly every one else, we get a lot of scenery-nibbling where chewing is called for: Edmond O'Brien, as the missing girl's father, takes his anger level to about a seven and is always willing to stop and quibble about minor distractions. Natalie Wood does a fine job, but knowing what she had been through personally by this time in her young life makes her character's situation more than a bit painful.
Perhaps fortunately, sexual tension is greatly minimized by the era of the film: it's there, eventually, but a much more overt rape threat might truly have demonized Burr's character and thus done a disservice to people who were already marginalized in society.
Unsurprisingly, the subplot in which the Taggart family problems are brought to light by the ordeal at hand is absurdly simplistic and about as subtle and deft as a sledgehammer.
It all moves briskly enough, and Burr's creepy lair is a plus, along with the exciting situation, but there's a much better film in this material. To see a fairly similar story in far more skilled hands (only a year earlier), check out William Wyler's "The Desperate Hours".
- How long is A Cry in the Night?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Schrei in der Nacht
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 15 minutes
- Color
- Aspect ratio
- 1.85 : 1
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