A French ballerina (Leslie Caron) in 1944 London falls for an American soldier (John Kerr) who is sent to France in the Normandy Invasion.A French ballerina (Leslie Caron) in 1944 London falls for an American soldier (John Kerr) who is sent to France in the Normandy Invasion.A French ballerina (Leslie Caron) in 1944 London falls for an American soldier (John Kerr) who is sent to France in the Normandy Invasion.
Cedric Hardwicke
- Mr. Edgar Carrington
- (as Sir Cedric Hardwicke)
John Albright
- Club Patron
- (uncredited)
Leon Alton
- Club Patron
- (uncredited)
Frank Arnold
- French Civlian
- (uncredited)
Jimmy Aubrey
- Cockney man
- (uncredited)
Storyline
Did you know
- TriviaThis film bombed at the box office, not even making back its negative cost, resulting in a loss to MGM of $1,356,000 according to studio records.
- GoofsEven though the story takes place in 1944, once again MGM's indefatigably anachronistic designer, Helen Rose has clothed all the female participants in totally contemporary 1956 designs and fashions.
- Quotes
Gaby: Do you have a conscience?
Mrs. Helen Carrington: I keep that to myself, too.
Gaby: You hide the truth from the people you love?
Mrs. Helen Carrington: Yes. And I think that's why they love me. Oh, Gaby, anybody can tell the truth. It's a lot harder to be kind and tactful and considerate.
- ConnectionsFeatured in MGM Parade: Episode #1.31 (1956)
- SoundtracksWhere Or When
(uncredited)
Music by Richard Rodgers
Words by Lorenz Hart
Sung by Gloria Wood (uncredited), in a club sequence
Featured review
During World War II, American paratrooper John Kerr (as Gregory "Greg" Wendell) arrives in London on a 48-hour pass. Making his way out to find female companionship, Mr. Kerr collides with pretty French ballerina Leslie Caron (as Gaby). He is smitten. She is not. After watching her dance, Mr. Kerr visits Ms. Caron backstage. She gradually becomes interested and they begin a whirlwind romance. They want to consummate, but are unable to get married due to their alien status. Caron decides to "save herself" (like they used to say) while he goes back into battle. Alas, he's reported dead. Feeling bad about not giving Kerr something to remember, Caron decides to give it up for other soldiers...
It turns out the news about Kerr wasn't exactly accurate...
"Gaby" has been criticized for sanitizing the opening status of Caron's character and altering the original ending of Robert E. Sherwood's play "Waterloo Bridge" (1930), which previously impressed film critics in versions starring Mae Clarke (1931) and Vivien Leigh (1940). However, the important alteration is in timing; note, the explicit exchange where Caron ends with, "Not a man, Greg MEN!" The problem, this time, is that Caron shows little degradation during this period; she appears chic and confident, throughout. The different ending, while not as memorable, can be applauded for not punishing "Gaby" for her perceived "sinful" behavior. The revisions aren't as bad, as they seem...
Possibly restrained by the production values, director Curtis Bernhardt is unable to give the story enough intimacy...
Caron could have shown some interest in Kerr during their first encounters, and still been standoffish. They're supposed to be drawn to each other, as if they were destined to meet. This is touched upon in a scene hinting at reincarnation. The reincarnation mention may have also been included to support MGM's use of "Where or When" (by Rogers and Hart) as the film's theme. The timeless song is used well. Another revision is having Kerr sustain a symbolic wound; yet, it is another addition which doesn't fully take full advantage of the dramatic opportunities. Veteran stage actress Margalo Gillmore (as Helen Carrington) has a couple of outstanding scenes. In spite of all, the co-stars are a nice couple.
****** Gaby (5/9/56) Curtis Bernhardt ~ Leslie Caron, John Kerr, Taina Elg, Margalo Gillmore
It turns out the news about Kerr wasn't exactly accurate...
"Gaby" has been criticized for sanitizing the opening status of Caron's character and altering the original ending of Robert E. Sherwood's play "Waterloo Bridge" (1930), which previously impressed film critics in versions starring Mae Clarke (1931) and Vivien Leigh (1940). However, the important alteration is in timing; note, the explicit exchange where Caron ends with, "Not a man, Greg MEN!" The problem, this time, is that Caron shows little degradation during this period; she appears chic and confident, throughout. The different ending, while not as memorable, can be applauded for not punishing "Gaby" for her perceived "sinful" behavior. The revisions aren't as bad, as they seem...
Possibly restrained by the production values, director Curtis Bernhardt is unable to give the story enough intimacy...
Caron could have shown some interest in Kerr during their first encounters, and still been standoffish. They're supposed to be drawn to each other, as if they were destined to meet. This is touched upon in a scene hinting at reincarnation. The reincarnation mention may have also been included to support MGM's use of "Where or When" (by Rogers and Hart) as the film's theme. The timeless song is used well. Another revision is having Kerr sustain a symbolic wound; yet, it is another addition which doesn't fully take full advantage of the dramatic opportunities. Veteran stage actress Margalo Gillmore (as Helen Carrington) has a couple of outstanding scenes. In spite of all, the co-stars are a nice couple.
****** Gaby (5/9/56) Curtis Bernhardt ~ Leslie Caron, John Kerr, Taina Elg, Margalo Gillmore
- wes-connors
- Apr 24, 2015
- Permalink
Details
Box office
- Budget
- $1,863,000 (estimated)
- Runtime1 hour 36 minutes
- Aspect ratio
- 2.55 : 1
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