After she elopes, Ellen Andrews' rich father hires a private investigator to stop her from reaching her husband, believing he's a gold digger. On her adventurous journey, a reporter falls fo... Read allAfter she elopes, Ellen Andrews' rich father hires a private investigator to stop her from reaching her husband, believing he's a gold digger. On her adventurous journey, a reporter falls for her instead of exposing her for the reward.After she elopes, Ellen Andrews' rich father hires a private investigator to stop her from reaching her husband, believing he's a gold digger. On her adventurous journey, a reporter falls for her instead of exposing her for the reward.
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Jack Lemmon, a new leading man in Hollywood in the 1950s and a younger June Allyson, straight from the M.G.M. Galaxy of musical stars made this a tuneful technicolour re-make of "It Happened One Night," for Columbia Pictures, ably assisted by Stubby Kaye, who never fails with a song; and all this under the direction of Dick Powell, who was married to June Allyson. There have been many post-war musicals released on Video and DVD and Columbia would do well to add this one to their DVD collection. It would be a fitting tribute to the multi-talented Jack Lemmon and Dick Powell who, himself, who was a song and dance man of the 1930s.
Pale imitation of It Happened One Night fails to capture the magic of the original, a fools errand to attempt in the first place, but is pleasant enough.
One of the problems is that Jack Lemmon and June Allyson share little chemistry, a vital component to the first film or any romantic comedy. Another is that June, 39 when this was made, while still very attractive is a bit mature to be convincing as a madcap runaway heiress. Debbie Reynolds, who was in her mid-twenties at the time would have been a better fit.
Scenes that crackled in the first just move the story along in this from place to place. Full of forgettable music which adds nothing to the original tale and a the high gloss look that was a signature of 50's cinema.
Well made but lacking the Capra touch.
One of the problems is that Jack Lemmon and June Allyson share little chemistry, a vital component to the first film or any romantic comedy. Another is that June, 39 when this was made, while still very attractive is a bit mature to be convincing as a madcap runaway heiress. Debbie Reynolds, who was in her mid-twenties at the time would have been a better fit.
Scenes that crackled in the first just move the story along in this from place to place. Full of forgettable music which adds nothing to the original tale and a the high gloss look that was a signature of 50's cinema.
Well made but lacking the Capra touch.
I agree with most other reviewers here that this is a pale remake of a great classic film, though I found it mildly pleasant anyway.
Some of the other reviewers said why even try to remake a classic; why bother. What they don't understand is the big difference between our film culture and the pre-home video, pre-TCM, pre-repertory cinema era. Successful films were remade, because producers thought they were a good bet to make a profit. The studios usually already owned the story and had an effective script to base an update on; no need to pay for the rights to a play or novel, and they could probably pay less for an an updated script than for a new one. If the story was well received and made money years before, it had a better chance of being successful than untested material. The great majority of the potential audience for a remake had either never seen the older version, or had seen it many years before, usually just once, so the older version was just a faint memory. And much of the audience would be interested in seeing the story told with current stars, in color, and when it came in, in wide screen.
On another note, as of June 2015, TCM is still showing a poor quality print of the movie, the Cimemascope image cropped to something like 1:66 to 1 (it was not pan and scanned), color washed out (not remotely like what Technicolor print would have looked like when the film was new), mono soundtrack (the original was stereo according to IMDb). I imagine this is because it is not economically viable for Sony (owners of the Columbia film achieve) to do a new transfer.
Some of the other reviewers said why even try to remake a classic; why bother. What they don't understand is the big difference between our film culture and the pre-home video, pre-TCM, pre-repertory cinema era. Successful films were remade, because producers thought they were a good bet to make a profit. The studios usually already owned the story and had an effective script to base an update on; no need to pay for the rights to a play or novel, and they could probably pay less for an an updated script than for a new one. If the story was well received and made money years before, it had a better chance of being successful than untested material. The great majority of the potential audience for a remake had either never seen the older version, or had seen it many years before, usually just once, so the older version was just a faint memory. And much of the audience would be interested in seeing the story told with current stars, in color, and when it came in, in wide screen.
On another note, as of June 2015, TCM is still showing a poor quality print of the movie, the Cimemascope image cropped to something like 1:66 to 1 (it was not pan and scanned), color washed out (not remotely like what Technicolor print would have looked like when the film was new), mono soundtrack (the original was stereo according to IMDb). I imagine this is because it is not economically viable for Sony (owners of the Columbia film achieve) to do a new transfer.
Evidently someone decided that since they had Technicolor available they could remake It Happened One Night. June Allyson, who was 39 when it was made, is dreadfully miscast as a rich brat who runs away from her father. Jack Lemmon tries his best to make it work, but even he must have cringed when singing the lame musical sequences. The black and white of the original mirrored the gloomy darkness of the Great Depression, and the rich brat's handing the last of their money to a hungry woman was a big turning point of the whole movie; none of that here. When will Hollywood producers learn that you can't remake perfection?
June allyson, jack lemmon. This seems to be a musical version of "it happened one night". And every film where the girl's father does not approve of the groom ! In this one, the young couple is already married, so ellen's father kidnaps her and tries to drag her home. Lots of singing. And in this one, the reporter tells the bride he's onto her. But promises he won't spill the beans. Some fun co-stars too. Jim backus and charles bickford. Howard mcnear. Jack albertson. Even a quick bit by henny youngman (the first bus driver). It's okay. Some over the top acting, and the songs are a big waste of time. Were they short on script?? Directed by dick powell....one of the seven that he directed! And he was married to the star here, june allyson. Of course powell died so young at 58. He sure acted in some great films. This one is okay. Would have been better with less singer and a stronger script. They had all these great comedians, but didn't give them much to do!
Did you know
- TriviaWhile filming at the Lewis Douglas ranch near Sonoita Arizona, Jack Lemmon had to spend long periods of time in the freezing water for a dunking scene on an extremely cold day in November 1955. He almost came down with hypothermia.
- GoofsNo mountains near Houston, at railroad crossing when her father is bringing her home with the police escort.
- ConnectionsFeatured in The Lady with the Torch (1999)
- SoundtracksYou Can't Run Away From It
(1956)
Lyrics by Johnny Mercer
Music by Gene de Paul
Performed by The Four Aces
- How long is You Can't Run Away from It?Powered by Alexa
Details
Box office
- Gross US & Canada
- $3,161,000
- Runtime
- 1h 35m(95 min)
- Aspect ratio
- 2.35 : 1
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