User reviews

Good if you like court-room dramas, also good if you like very long movies because this one positively drags - despite an excellent cast consisting of the wonderful Anne Crawford. If all the boring bits were cut out, this would be one fast paced and snappy little thriller. It starts off promising, with the murder that is done up to look like a suicide, but then fails to deliver anything quite as good until almost the very end. A little romance is of course woven into the plot, and most of the fun comes from young Claire Bloom.

Sir Patrick Hastings was one of our most renowned and notable barristers whose involvement in high profile cases makes fascinating reading.

He also found time to write plays with decidedly mixed results, only two of which have been adapted for film.

This is based upon his play of the same name in which a young man accuses his former employer of embezzling funds from a charitable organisation set up for 'displaced persons'. During the trial the defendant seems to be creating a good impression until the plaintiff's lawyer produces a letter..........

The intriguing beginning of this film takes place in Prague but soon switches to London where we are introduced to 'teddibly, teddibly' Michael Denison and twee Claire Bloom. Happily it is not too long before the appearance of Hugh Williams and Anne Crawford as Lord and Lady Brasted and Eric Portman as Sir John Dearing KC.

A previous reviewer has criticised the courtroom proceedings as 'farcical' in terms of their authenticity. Might I remind him that this is a film, not a documentary and that there is such a thing as dramatic license.

Dramatically these scenes are both effective and well constructed.

Harold French began and ended his career in the Theatre. In between he proved to be a capable film director although lacking the little 'touches' that distinguish those in the top rank.

Eric Portman conveys brilliantly the objective and dispassionate temperament required by a criminal lawyer. Hugh Williams is as immaculate as ever and eminently plausible. As the film goes on one comes to sympathise with the moral dilemma faced by Michael Denison's character and as an actor Mr. Denison definitely improved with age. This film marks Claire Bloom's film debut. Her 'tweeness' became far less apparent with the years and she has enjoyed a long and deservedly successful career. The performance that stands out, for this viewer at any rate, is that of Anne Crawford as Lady Brasted. Although the means her character employs to save her husband from disgrace are shameful, this splendid actress still succeeds in evoking one's sympathy. Such a pity Miss Crawford was taken from us so early.

Not a great film by any means but an absorbing one which left me wondering why no one has ever filmed the fascinating life of Patrick Hastings himself.

Michael Denison works for Hugh Williams, who is in charge of a major relief fund. He receives word from his good friend, Martin Benson, that the fund is being pilfered, and Williams being paid off. Benson is promptly murdered. When Denison confronts him about the money, Williams denies it and offers Denison ten thousand pounds. Denison, however, wants to do the right thing and goes to the Prime Minister. He quickly finds himself on trial for blackmail, with the case being tried by Eric Portman, whose daughter, Claire Bloom (in her first screen appearance) has a secret understanding with him. As an added complication, Williams is married to Anne Crawford, who, she claims, has a letter written to her in which Denison's blackmail plans are revealed.

It's a complicated bit of a puzzle as to what is really going on, even though we see Denison every step of the way. Everyone talks in extreme toff accents, and we are apprised of the fact that the legal system is quite heartless, although individuals may have a conscience. Also that everyone remembers the most trivial event of the day for months and months. Except me.

This is a slow plot and probably sucks in people who believe sections of the British establishment are corrupt. Obviously this was a stage drama written by a practising QC who clearly had come across some real life examples of the British aristocracy more keen on profit and self rewarding than charity or humanity.

If you want a story that seems to suggest that there are immoral figures in the UK government historically and therefore it is perfectly reasonable that they exist currently, then this is definitely the film for you!

It really isn't that complicated, but was clearly based on legal process.

Eric Portman was ideal for this part. His clipped phraseology and static style of acting suited his character - barrister "Sir John Dearing" down to a T. He is called up to prosecute "Waterhouse" (Michael Denison) who has been accused by "Lord Brasted" (Hugh Williams) of trying to blackmail him for the enormous sum of £20,000. Having reach the upper echelons of the British government, accusations of large scale bribery and embezzlement force a court case that grips the land. There are letters, accusations of infidelity, forgeries and a courtroom informality that I found quite enjoyable for just under ninety minutes. The ending has a sort of stiff-upper-lip convenience about it which rather disappoints, but the rest of this drama is well propped up by a solid cast - Anne Crawford and Nora Swinburne primary amongst them - and the courtroom intrigues have just enough complications to keep it interesting.

The film is introduced in Prague with a spectacular murder, which is made to look like a suicide, which alerts the mind to what happened in Prague in 1948, when the film was released, as the communists took over the government by a coup involving the defenestration of Jan Masaryk and the death of Eduard Benes. However, this story happens entirely in London and involves corruption, as money intended for fugitives and displaced persons is channelled elsewhere, which alerts the always honest Michael Denison, who informs the prime minister, which leads to a libel case in court. The plot is complicated, it's difficult to follow all the meanderings, but the cast is outstanding all the way: Eric Portman as the advocate, Hugh Williams as the lord on trial, Claire Bloom in an early but shining performance and Anne Crawford as the spider in the web. The psychology of sensitive relationships is highly developed here. It's a great court-room drama with some political implications making it an interesting time document.

Somewhat dated these days, THE BLIND GODDESS nonetheless works if you have any interest at all in courtroom dramas and the intricacy of the British justice system. It also helps to have a cast of seasoned professionals giving adroit performances throughout. The tale is one of intrigue, beginning with a shocking murder and going from there, and whilst not spectacular it certainly holds the attention thanks to the level of detail involved.

Another of those grim 1940s films with good actors but awful tedium.

Set in overstuffed victorian London houses though I dodn't notice an aspidistra.

It is films like this that killed the British film industry.

The title refers to Justice.

A young man (Michael Denison) learns of misappropriation of funds given to a refugee group. He plans to go to Prague to gather the evidence from a friend but the friend commits "suicide."

He knows of one of the embezzlers, Brasfeld, and confronts him. He soon finds himself in the middle of a libel case - and his girlfriend's father (Eric Portman) is defending Brasfeld.

This film is notable for the film debut of Claire Bloom as the girlfriend. The cast is excellent, including Michael Denison, Hugh Williams, Raymond Lovell, and Nora Swinburne.

Talky courtroom drama, but effective.

I rated this movie 5/10 mainly because of the actors & actresses in leading parts whom I admire, especially Eric Portman and Anne Crawford after their characters romance in "Millions like Us" (1943), Michael Denison as Algernon Montcrief in "The Importance of being Earnest" (1952) and Claire Bloom in her first leading role.However the plot is a dull one and too talky which other users above have noted and with their opinions I concur. There is not enough locational footage to relieve the somewhat claustrophobic setting, as the film seems to be 95% shot in the film studio.I like to see daylight occasionally in my favourite films!