A dancer is pinned for murder after his shoe prints are found at the scene of the crime. His wife follows the trail of clues to the genuine killer.A dancer is pinned for murder after his shoe prints are found at the scene of the crime. His wife follows the trail of clues to the genuine killer.A dancer is pinned for murder after his shoe prints are found at the scene of the crime. His wife follows the trail of clues to the genuine killer.
- Tramp
- (uncredited)
- Juror
- (uncredited)
- Apartment House Manager
- (uncredited)
- McGee - Apartment Resident
- (uncredited)
- Priest
- (uncredited)
- Death Row Guard
- (uncredited)
- Jury Foreman
- (uncredited)
- Counterman
- (uncredited)
- District Attorney
- (uncredited)
- Shoeshine Boy
- (uncredited)
- Death Row Prisoner #2
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAt the crime scene, one of the detectives says the victim always bought his groceries with nothing "smaller that a $20 bill" and "all the bills were of a large, old-fashioned type that aren't in circulation anymore." The large-sized currency (50% bigger than current bills) was minted from 1861 to 1929.
- GoofsAnn brings home a new battery-powered radio, turns it on, and music immediately begins to play. Radios still used vacuum tubes in 1948 and those would need a few seconds to warm up before the unit could produce sound.
- Quotes
Inspector Stevens: A whole series of coincidences, just like you said the other night.
Ann Quinn: Coincidences? That's how you convicted my husband! He dies tomorrow night. It isn't right a man should die on circumstantial evidence alone. Can't you say anything?
Inspector Stevens: Our hands are tied, Mrs. Quinn.
Ann Quinn: All you're interested in is killing somebody! You don't care who it is, just as long as you kill somebody! Well, it'll be on your conscience, you hear?
- SoundtracksPiano Etude, Op. 10, No. 3 in E major, 'Tristesse'
(uncredited)
Written by Frédéric Chopin
[Played by prisoner #3 on his phonograph]
Next thing, he's hauled in for the murder of a reclusive old miser in the neighborhood. The impression of one of his shoes clinches the conviction (and it doesn't help that he just happened to find a wallet stuffed with the old-style bills the victim hoarded). He's waiting for his execution as the movie opens, and most of the story gets told through flashbacks.
The third major character is a cop, Regis Toomey, who had met Knox at the tango palace and taken a shine to her. Desperate to clear her husband, she feigns reciprocation of Toomey's interest so he'll help her out. Toomey's another example of the obsessive, stalking cop, created by Laird Cregar in I Wake Up Screaming (1942) and reprised by Richard Boone in its remake Vicki (1953). He breaks a new development in the case by finding the tenant of another room within shoe-shot of Castle's, but this proves to be only a rather tasty red herring. As the clock ticks down to midnight and curtains for Castle, Knox stumbles upon the clue that cracks the case....
Many forgotten films from the noir cycle turn out to be just what one might suspect: hackneyed, humdrum crime programmers. But, like Decoy, I Wouldn't Be In Your Shoes surprises by its competence. The dancing couple exude appeal, Toomey and the other cops offer acting rather than shtik, and the plot unfurls with reasonable deftness. It even looks good. As a restoration to the noir canon, it's more than welcome.
Details
- Runtime1 hour 10 minutes
- Color
- Aspect ratio
- 1.37 : 1