A secretary suspects that her employer's three elderly sisters are plotting to kill him after he announces he'll no longer finance their philanthropic endeavors.A secretary suspects that her employer's three elderly sisters are plotting to kill him after he announces he'll no longer finance their philanthropic endeavors.A secretary suspects that her employer's three elderly sisters are plotting to kill him after he announces he'll no longer finance their philanthropic endeavors.
- Old Welsh Woman
- (uncredited)
- Old Welsh Woman
- (uncredited)
- Solicitor's Clerk
- (uncredited)
Storyline
Did you know
- TriviaFirst of only two feature films on which Dylan Thomas had a writing credit during his lifetime. The second one, "No Room At The Inn", was also released in 1948. In both cases, Thomas's credit is shared.
- Quotes
Owen Morgan-Vaughan: I've been driving for hours and hours, slag heaps and pit heads and vile black hills. Huh! How vile was my valley! I'm sick of all this Celtic clap trap about Wales. My Wales!
[mockingly]
Owen Morgan-Vaughan: Land of my Fathers! As far as I'm concerned, my fathers can keep it. You can tell he's a Welshman by the lilt in his voice. Huh, little black back-biting hypocrites, all gab and whine! Black beetles with tenor voices and a sense of sin like a crippled hump. Cwmglas! Full of senile morons and vicious dwarfs, old poles of women clacking at you like blowsy hens, self-righteous little humbugs with the hwyl, old men with beards in their noses cackling at you, blue gums and clackers. Oh the mystical Welsh-huh! About as mystical as slugs!
Isobel Morgan-Vaughan: You must forgive my brother, Miss Prentiss. He sees in Cwmglas so many of his own endearing qualities.
Maude Morgan-Vaughan: He looks just like his mother.
Owen Morgan-Vaughan: I don't know who's got the dirtiest mind, Maude - you or the Devil.
Maude Morgan-Vaughan: He's religious too.
What we have here is an old set of standards giving way to a new mindset and, to quote the poet himself, the old ways(or sisters)"do not go gentle into that good night"! These three women drift phantom-like through their gloomy mansion, exhibiting the kind of arcane Victorian propriety and claustrophobic narrowness only an isolated life in a wealthy, rarefied setting can bring. Their brother left the house and community to go to school and work, so he doesn't share their outlook. His reappearance, along with that of the free-thinking secretary, challenges the women's way of thinking. The sense of decay shown by the three sisters is heightened by the fact that the mine which has supported them is almost exhausted and, in fact, threatens the town above it by dent of the fact that the tunnels and caverns are dangerously near to collapse. A great sense of gloom and gothic atmosphere prevades the interior shots in the house. Interesting.
- thomandybish
- May 7, 2001
- Permalink
Details
- Runtime1 hour 22 minutes
- Color
- Aspect ratio
- 1.37 : 1