Directed by
| David MacDonald | ||
Writing Credits (in alphabetical order)
| Paul Holt | ... | (writer) (uncredited) |
| Laurence Kitchin | ... | (writer) (uncredited) |
| Peter Quennell | ... | (writer) (uncredited) |
| Anthony Thorne | ... | (writer) (uncredited) |
| Terence Young | ... | (writer) (uncredited) |
Cast (in credits order)
Produced by
| Aubrey Baring | ... | producer |
| Alfred Roome | ... | associate producer |
Music by
| Cedric Thorpe Davie | ||
Cinematography by
| Stephen Dade | ||
Editing by
| James Needs | ||
Art Direction by
| Maurice Carter | ||
Costume Design by
| Elizabeth Haffenden | ... | (dresses) |
Makeup Department
| W.T. Partleton | ... | makeup artist |
Production Management
| Anthony Nelson Keys | ... | production manager |
Second Unit Director or Assistant Director
| Don Weeks | ... | assistant director |
Art Department
| Maurice Carter | ... | designer |
| George Provis | ... | supervising art director |
Sound Department
| Les Hammond | ... | sound recordist (as L. Hammond) |
| Bill Salter | ... | sound recordist (as W. Salter) |
| B.C. Sewell | ... | sound director (as Brian C. Sewell) |
| Claude Hitchcock | ... | boom operator (uncredited) |
Special Effects by
| Philippo Guidobaldi | ... | special effects (as P. Guidobaldi) |
| Albert Whitlock | ... | special effects (as A. Whitlock) |
Camera and Electrical Department
| David Harcourt | ... | camera operator |
| Gordon Lang | ... | location photographer |
| Laurie Turner | ... | still photographer (uncredited) |
Music Department
| London Symphony Orchestra | ... | music played by (as The London Symphony Orchestra) |
| Muir Mathieson | ... | musical director |
Script and Continuity Department
| Phyllis Ross | ... | continuity (uncredited) |
Additional Crew
| Arthur Alcott | ... | production controller |
Thanks
| Lord Byron | ... | the producers gratefully acknowledge |
| Paul Holt | ... | the producers gratefully acknowledge the contributions to the screenplay made by |
| Laurence Kitchin | ... | the producers gratefully acknowledge the contributions to the screenplay made by |
| Peter Quennell | ... | the producers gratefully acknowledge the contributions to the screenplay made by |
| Anthony Thorne | ... | the producers gratefully acknowledge the contributions to the screenplay made by |
| Terence Young | ... | the producers gratefully acknowledge the contributions to the screenplay made by |