Bomba on Panther Island

A black panther, thought to be a jungle spirit by the locals, is causing problems for entrepreneur Robert Maitland, who is trying to clear the vegetation for farming. Bomba (Johnny Sheffield) tries to track down the panther, but finds himself distracted by Robert's pretty sister Judy (Allene Roberts) and sultry maid Losana (Lita Baron), who the superstitious natives believe to be evil.

Having played 'cute kid' in seven Johnny Weismuller Tarzan movies, Johnny Sheffield was promoted to star of his own series of African adventures, playing jungle boy Bomba. This is his second film as the vine-swinging teen, but the first that I have seen, and if it is anything to go by, it might be my last for some time: the plot is uninspired, the pace is sluggish, and the 'action' is padded out with stock footage. I imagine that it was all downhill from here.

Sheffield is fine as the athletic adolescent - he's had enough practise at this kind of thing, after all - but the film lacks the energy and excitement of the Tarzan movies, partly due to its low budget (evident in the limited, unconvincing jungle studio sets), but mostly because of the dull script that focuses more on Bomba's attraction to the two women and less on the killer panther.

The film only comes to life in the final act, when Robert attempts to clear the jungle by lighting a fire (that quickly gets out of control), and Bomba wrestles with the panther (a stiff-legged stuffed animal) -- but it's too little, too late.

N.B. I assume that the Bomba movies were aimed at a young 'Saturday matinee' audience, but the opening scene, in which Bomba's pet capuchin is savaged to death by the panther, is the sort of thing to have kids in tears (even I choked up at the sight of the little monkey's limp body).

Bomba gets pretty busy in this one: he has to face a killer panther, a white jerk who almost sets fire to half the African jungle, and two women fawning over him - and who can blame them? He looks even more bulked up than in the first film in the series, and frankly he is smoking hot. The two women who cannot keep their hands off his body are the cute, demure Allene Roberts and the "French" (actually Spanish) Lita Baron: the choice should be pretty easy. Like its predecessor, the film makes little attempt to integrate the stock footage of wild animals convincingly - not only does the film stock look different, but the footage seems to be set in different locations, if not in different continents altogether. And the jungle studio sets never look like anything other than jungle studio sets. ** out of 4.

Bomba on Panther Island (1949)

** (out of 4)

The second film in Monogram's series finds Bomba (Johnny Sheffield) trying to track down a killer black panther who is causing all sorts of trouble in the jungle. He must also help a young woman (Allene Roberts) and her brother (Harry Lewis) who are doing special experiments in the jungle but their mysterious helper (Lita Baron) has the natives thinking she might be evil. After a decent start, this second entry quickly loses steam and in the end it's just another cheap, low-budget jungle movie that is nothing more than a rip-off of the Tarzan series. Of course, the biggest difference is that Sheffield played 'Boy' in those MGM films so it was natural that he'd be offered his own series. Sadly, the end results are rather weak but then again this is actually one of the best I've seen from the series so take that as you will. I think the opening scene where a monkey friend of Bomba is killed was rather effective but as soon as this is over the cheapness quickly kicks in. The majority of the panther attacks features stock footage of a panther "stalking" and then we cut away to the results and this is just a human (or animal) on the ground dead. At first I laughed at how cheap this effect was but by the end of the movie I understood because when the "fake" leopard does attack Bomba the results is so laughable that you can understand why the producers didn't want to use it too much. At one point it seems as if Bomba is fighting a cloth toy! Sheffield looks the part of a jungle boy and he's actually not too bad in the part. Roberts makes for a good love interest and Baron certainly has the looks and sexuality for her part. At 76-minutes the film is way too sluggish for its own good but the performances and a few scenes of the wildlife at least give it a little life.

Bomba On Panther Island is the one I remember best from watching the series in my childhood. Mainly because with the presence of Lita Baron in the cast the story came close to being adult.

Johnny Sheffield is on a jungle island where brother and sister Harry Lewis and Allene Roberts hope to build a plantation. But on that same island is a black panther with a taste for killing humans. When the panther kills one of Bomba's little monkey friends he goes on a mission.

There are two women admiring Bomba's physique in this one, Allene who is a good girl and Lita who is one sexy dish. In fact the closest sex ever came to this series was when Lita gives Bomba the come hither glance while at a jungle stream. If this had been an adult picture you better believe Bomba would have been putty in her hands. In the entire Bomba series there was never anyone else like Lita Baron in it.

I think more than the kids will like Bomba On Panther Island.

BOMBA ON PANTHER ISLAND (Monogram, 1949), written and directed by Ford Beebe, based on the character created by Roy Rockwood, marks the second of twelve entries to the "Bomba" franchise starring Johnny Sheffield. Following his debut performance as BOMBA THE JUNGLE BOY (1949), Sheffield resumes his character with sameness appeal that of a lone jungle boy who comes around assisting those in need of his help. Along the way there's a killer beast Bomba needs to kill to save others from being killed and attacked along with his involvement with two young girls out for his attention.

As the story gets underway with view of the jungle and animal activities, Bomba's (Johnny Sheffield) pet monkey enters his home cave where the animal comes up with a 1939 diary belonging to a Cody Cassin where a page reveals what will happen to the boy he's raising after his death? With Bomba surviving the jungle environment over the years, this now teenage jungle boy starts off his day by going for a swim. His day of leisure is interrupted when he witnesses his pet monkey attacked and killed by a beastly panther at a distance. Bomba sets out after the killer beast later to discover this same panther has been responsible for other human attacks. Bomba soon assists Luke (Bill Walker), a native man attacked by the panther, over to the camp headed by Robert Maitland (Henry Lewis), a young architect assisted by his guides, Andy Barnes (Charles Irwin), and Eli (Smoki Whitfield), who happen to be Bomba's friends. Unable to get his native men to assist him with building a plantation, Maitland asks for Bomba's help. At first he declines, until Bomba meets up with Maitland's teenage sister, Judy (Allene Roberts), and her French speaking companion, Losona (Lita Baron), another girl her own age. While Bomba is more interested in Judy, Losona has her evil eye and affections on Bomba. As natives believe Bomba responsible for the superstitious curse regarding the killer panther, with intentions of killing him, Maitland also wants Bomba out of the way when he finds the jungle boy and Judy are spending too much time together. With Losona's chance in having Bomba all to herself. the killer panther continues to become a great danger to the surrounding area.

An average Bomba adventure with few high points during its slightly overlong 76 minutes. Allene Roberts, best known for her movie debut in THE RED HOUSE (1947) opposite Edward G,. Robinson, makes an attractive female companion for Bomba as Peggy Ann Garner did in the initial entry of BOMBA THE JUNGLE BOY. A pretty face that resembles a younger profile of actress Phyllis Thaxter, sadly Roberts, whose movie and television career were short-lived, never reached the top of the ranks as Teresa Wright or other sweet looking young actresses of the time. Aside from getting a dose of jungle life, Roberts has her swimming scenes with Bomba along with assisting him when danger lurks their way. Others in the supporting cast are far from top-marque names, but are satisfactory in their assigned roles. Other than being obviously filmed in a studio set, the movie features enough stock footage of African animals and their battle of survival for that African setting feel.

Other than its frequent television showings during the 1960s and 70s, BOMBA ON PANTHER ISLAND has become a welcome addition of jungle adventure added to Turner Classic Movies cable channel where this and others in the Bomba entries have been shown since 2011. Next installment: THE LOST VOLCANO (1950), hailed as one of the better entries in the series. (**)