IMDb RATING
6.5/10
1.6K
YOUR RATING
Newspaperman Royer convinces government officials of a plan to obtain rubber by smuggling it out from under the Japanese. Carnahan is let out of prison to help.Newspaperman Royer convinces government officials of a plan to obtain rubber by smuggling it out from under the Japanese. Carnahan is let out of prison to help.Newspaperman Royer convinces government officials of a plan to obtain rubber by smuggling it out from under the Japanese. Carnahan is let out of prison to help.
Valentina Cortese
- Luana
- (as Valentina Cortesa)
Lester Matthews
- Matisson
- (scenes deleted)
Joel Allen
- Federal Agent
- (uncredited)
Besmark Auelua
- Henchman
- (uncredited)
George M. Carleton
- Small Businessman
- (uncredited)
Silan Chan
- Malay Girl
- (uncredited)
Spencer Chan
- Chinese Shipmaster
- (uncredited)
Joseph Crehan
- Businessman with Pipe
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaSydney Greenstreet's final film.
- GoofsOne scene features wild chimpanzees. Chimps are natives of Africa, not Malaya.
- Quotes
John Royer: You have to remember, this guy's a German.
Carnaghan: Yeah, but he's a greedy man, and greed has a nationality all its own.
- ConnectionsEdited from They Were Expendable (1945)
- SoundtracksBlue Moon
(uncredited)
Written by Richard Rodgers and Lorenz Hart
Performed by Valentina Cortese (as 'Luana'), also whistled by James Stewart
Featured review
Even with a better cast, this would not have been much of a film. On the surface it looks like it will be some sort of action film, with spies going into enemy territory to steal, or rather negotiate on the black market for, essential supplies. But there's little intrigue and very little action. Most of the scenes are simply characters sitting in chairs talking to one another. The surprise at the very end of the film is so far-fetched as to undercut the credibility of nearly everything else. The love story involves two people who have no reason to be attracted to one another. There are elements of Casablanca here, set in a country occupied by the enemy, a nightclub owner consorting with an enemy officer, the gambling being fixed by the owner to pay someone he wants to do a favour to, and a cynic acquiring higher ideals; but it's all a very pale imitation of Casablanca. Some comments suggest that there is something "noirish" about the film. Well. it's in black and white, but it does not have the requisite sense of evil and foreboding.
But the biggest failure is in the casting. James Stewart is supposed to play a sour, hard-bitten, cynical operator who finds a little patriotism late in life. But Stewart can't help coming across as a nice guy. He may speak the tough words, but the tone is wrong. His eyes shift in that self-deprecating way of his, he carries himself in that modest way of his, and he just doesn't come off as the character he is supposed to be playing. When his partner is punching someone over and over in the face, Stewart looks repelled by the brutality. Spencer Tracy is probably even worse in his role as a tough jailbird who is let out of Alcatraz to help in the mission. He looks old; his figure is dumpy, his way of moving is slow. He threatens a man, but he doesn't seem very scary. (DeNiro would know how to do that.) He is the romantic interest of a nightclub singer who is crazy over him, yet he's way too old for her and doesn't have anything of the sort of animal magnetism that might make him believable as her lover. In fact, to be honest, there were moments when Tracy looked like he couldn't act. The Japanese have been beating him, trying to get him to talk; Tracy frowns a little but registers no pain, no discomfort, no fear; he shakes it off and then looks comfortable. When he dumps his girlfriend to keep her safe, his face shows nothing.
I forced myself to watch to the end because I have an interest in Malaya. On its own terms, this movie would have lost me long before the mid-way point.
But the biggest failure is in the casting. James Stewart is supposed to play a sour, hard-bitten, cynical operator who finds a little patriotism late in life. But Stewart can't help coming across as a nice guy. He may speak the tough words, but the tone is wrong. His eyes shift in that self-deprecating way of his, he carries himself in that modest way of his, and he just doesn't come off as the character he is supposed to be playing. When his partner is punching someone over and over in the face, Stewart looks repelled by the brutality. Spencer Tracy is probably even worse in his role as a tough jailbird who is let out of Alcatraz to help in the mission. He looks old; his figure is dumpy, his way of moving is slow. He threatens a man, but he doesn't seem very scary. (DeNiro would know how to do that.) He is the romantic interest of a nightclub singer who is crazy over him, yet he's way too old for her and doesn't have anything of the sort of animal magnetism that might make him believable as her lover. In fact, to be honest, there were moments when Tracy looked like he couldn't act. The Japanese have been beating him, trying to get him to talk; Tracy frowns a little but registers no pain, no discomfort, no fear; he shakes it off and then looks comfortable. When he dumps his girlfriend to keep her safe, his face shows nothing.
I forced myself to watch to the end because I have an interest in Malaya. On its own terms, this movie would have lost me long before the mid-way point.
- deschreiber
- Nov 17, 2011
- Permalink
- How long is Malaya?Powered by Alexa
Details
Box office
- Budget
- $2,396,000 (estimated)
- Runtime1 hour 38 minutes
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content