A pregnant woman adopts the identity of a railroad-crash victim and starts a new life with the woman's wealthy in-laws, but is soon blackmailed by her devious ex.A pregnant woman adopts the identity of a railroad-crash victim and starts a new life with the woman's wealthy in-laws, but is soon blackmailed by her devious ex.A pregnant woman adopts the identity of a railroad-crash victim and starts a new life with the woman's wealthy in-laws, but is soon blackmailed by her devious ex.
- Awards
- 1 win total
Jean Andren
- Louise Russell
- (uncredited)
Georgia Backus
- Nurse
- (uncredited)
Virginia Brissac
- Justice of the Peace's Wife
- (uncredited)
Ivan Browning
- Porter
- (uncredited)
Ashley Cowan
- Justice of the Peace's Son
- (uncredited)
Storyline
Did you know
- TriviaIn-joke: The character played by Barbara Stanwyck is named Helen Ferguson; this is the real name of one of best-known Hollywood publicists of the era, who also represented Stanwyck.
- GoofsPatrice decides to go to the Country Club dance with Bill at short notice. Such an event would be limited to members and invited guests. Yet Steven Morley, who does not move in that social circle, is in attendance and makes contact with Patrice.
- Quotes
Bill Harkness: [returns to car after dumping a dead body onto a moving train] He stayed on, caught on the catwalk or whatever it is, but his hat came off.
Helen Ferguson: Don't.
- Alternate versionsThis film was published in Italy in an DVD anthology entitled "L'uomo con il mantello", distributed by DNA Srl. The film has been re-edited with the contribution of the film history scholar Riccardo Cusin. This version is also available in streaming on some platforms.
- ConnectionsFeatured in Film Review: Changing Faces (1968)
- SoundtracksMolly Malone
(uncredited)
Authorship debated
Performed by Bill on the piano
Featured review
Leave it to Barbara Stanwyck and John Lund to make this film noir soap opera work on every level. Stanwyck, pregnant and unwed, meets another woman and her husband on a train, a wealthy woman going home to see her family. When the train is wrecked and the woman and husband killed, Stanwyck assumes her identity since the man's parents have never met her nor even seen a photograph of her. The plot gets thicker once Stanwyck assumes the dead woman's identity.
The picture combines the suspense of a film noir with some soap opera touches but Barbara's strong performance makes it all work. John Lund, Jane Cowl, Phyllis Thaxter, Richard Denning and Lyle Bettger are all fine in support. It's all based on a Cornell Woolrich novel called "I Married A Dead Man" with the usual touches of irony found in his work.
It's one of director Mitchell Leisen's better films (he did "To Each His Own", "Hold Back the Dawn", and many other interesting films.) Absorbing and well worth watching. Not a well-known film but it's one of Stanwyck's best.
The picture combines the suspense of a film noir with some soap opera touches but Barbara's strong performance makes it all work. John Lund, Jane Cowl, Phyllis Thaxter, Richard Denning and Lyle Bettger are all fine in support. It's all based on a Cornell Woolrich novel called "I Married A Dead Man" with the usual touches of irony found in his work.
It's one of director Mitchell Leisen's better films (he did "To Each His Own", "Hold Back the Dawn", and many other interesting films.) Absorbing and well worth watching. Not a well-known film but it's one of Stanwyck's best.
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Details
- Runtime1 hour 38 minutes
- Color
- Aspect ratio
- 1.37 : 1
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