Directed by
Mitchell Leisen |
Writing Credits
Ruth McKenney | ... | (story) and |
Richard Bransten | ... | (story) |
Richard Maibaum | ... | (screenplay) |
Cast (in credits order)
Produced by
Richard Maibaum | ... | producer |
Music by
Victor Young |
Cinematography by
Daniel L. Fapp | ... | director of photography |
Editing by
Alma Macrorie |
Art Direction by
Henry Bumstead | ||
Hans Dreier |
Set Decoration by
Sam Comer | ||
Ray Moyer |
Makeup Department
Wally Westmore | ... | makeup supervisor |
Charles Berner | ... | makeup artist (uncredited) |
Vera Tomei | ... | hair stylist (uncredited) |
William Woods | ... | makeup artist (uncredited) |
Production Management
Roy Burns | ... | production manager (uncredited) |
Second Unit Director or Assistant Director
John R. Coonan | ... | assistant director (as John Coonan) |
Sound Department
John Cope | ... | sound recordist |
Don McKay | ... | sound recordist |
Visual Effects by
Farciot Edouart | ... | process photography |
Gordon Jennings | ... | special photographic effects |
Camera and Electrical Department
Haskell B. Boggs | ... | camera operator (uncredited) |
Earl Crowell | ... | gaffer (uncredited) |
Irving Newmeyer | ... | grip (uncredited) |
G.E. Richardson | ... | still photographer (uncredited) |
Costume and Wardrobe Department
Mary Kay Dodson | ... | costumer |
Music Department
Sidney Cutner | ... | orchestrator (uncredited) |
George Parrish | ... | orchestrator (uncredited) |
Leo Shuken | ... | orchestrator (uncredited) |
Van Cleave | ... | composer: main and end title music (uncredited) |
Victor Young | ... | musical director (uncredited) |
Script and Continuity Department
Irving Cooper | ... | script supervisor (uncredited) |
Additional Crew
Phyllis Loughton | ... | dialogue director |