Devil's Doorway

In Wyoming, Native American Indian and Civil War hero Robert Taylor (as Broken Lance Poole) faces discrimination. When his father appears ready for the "happy hunting ground," Mr. Taylor can't get a doctor because he's an "Injun". White lawyer Louis Calhern (as Verne Coolan) wants to take away the land Taylor inherits. Taylor hires female attorney Paula Raymond (as Orrie Masters) to help and they are mutually attracted. Taylor learns that, as an Indian, he is not a United States citizen and has no right to his own land. Sheepherding homesteader Marshall Thompson (as Rod MacDougall) moves in, and the conflict gets violent...

"Devil's Doorway" opens with some serious reservations about Taylor's portrayal of a Native American. It doesn't help that his make-up shades up inconsistently in different scenes. But, after about thirty minutes, when he's in full "red-skin" dress, Taylor creates an appealing and believable character. Taylor's stoic mid-life screen persona matches the role perfectly, and he responds with one of his best performances. Also lifting this film from the doldrums is director Anthony Mann, who gets photographer John Alton under your skin with some beautifully framed and staged scenes. The "pro-Indian" theme was not new, but had become rare.

******* Devil's Doorway (9/15/50) Anthony Mann ~ Robert Taylor, Paula Raymond, Louis Calhern, Marshall Thompson

I just discovered this movie and checked it out because I'm a Robert Taylor fan. I soon got caught up in the story, which was a good one, but not the movie to watch if you're feeling a bit down and want something to help cheer you. (And if you're looking for the typical Hollywood happy ending, forget it.)

I wish I could forget the truths in this film, as they're far from pretty. As RT's character, Shoshone Native lance Poole discovers, fighting for his country in the Civil War, showing bravery in several famous battles, and winning the Congressional Medal of Honor won't make one bit of difference to the people who won't accept him in society, oppose his owning land and living among them, and wanting him to go to a reservation, where they believe he belongs. He was good enough to fight for his country, yet that same country repays him with bigotry, unfair laws, and social stigma. (A doctor won't treat his ill father, he's refused service in a saloon, and lawyer Verne Coolan (Louis Calhern) uses a loophole in the law to take away Lance's property, preventing him from homesteading.

Lance refuses to give up his land, and lets Verne know he'll have a fight in his hands. He finds an ally in Orrie Masters (Paula Raymond), a woman lawyer who tries to help him. (Her mother is played by Spring Byington, who gives a bit of comic relief to an otherwise downer tale.) In a surprising twist, she's shown respect for her legal expertise, and is accepted as having a most unusual career for a woman in the 1860's; no one's telling her to get a husband and have babies. (Though you get the impression that, had society been different and not put so many obstacles in their path, she may have wanted a home and children with Lance.)

Orrie tries helping Lance, by getting a petition together, to try and overturn the law, and when that fails, and Verne and a band of sheepherders try to force Lance off his land (he's supported a Shoshone tribesmen), Orrie calls in the Cavalry, hoping to put an end to the fighting, but instead they side with Verne, feeling the law must be upheld.

I won't give anymore away, I'll just say that the movie makes you think about how foolish people can be, and how ironic it is that Native people were made to feel unwelcome in a country that was theirs to begin with.

This movie is in a remarkable contrast to Broken Arrow (released in the same year) insofar that in this movie one bad man (lawyer Verne Coolan) leads a whole community on the wrong path. It's not that the others are innocent sheep that can be led anywhere, but the racial, cultural prejudices are the preying grounds for the Devil to feed upon. And what better agent or instrument of the Devil than an evil lawyer, and an unjust law as the weapon? The hook or by crook manner in which the Native people in the new World were looted and stripped of all their rights is nowhere better exemplified than in this movie. Of course in this fictional (although in reality it was typical) case, the methodology is crude and overt because all that was needed was to push over one man who wanted to hold on to his land and to hold on to it even if he has to buy his own land if need be. But even that is denied to him because a new law framed by the government does not recognize an Indian as a valid citizen (and therefore cannot legally own any land even if bought by him). The far more sophisticated method was to simply pay a few dollars and bottles of whiskey to just one weak and drunkard Indian of the tribe, in return get a piece of paper signed by him selling all the land the tribe was living on, and loudly claim that they were now the owners of the land and the Indians had better push off or get killed by the 'volunteer army'. A further level of sophistication was required when the tribe was united under a strong Chief. In that case a treaty was made that promised protection to the Indians from further encroachment if the Indians gave up a large chunk of the land. Once that was accomplished, a slow process of gradual encroachment would begin, along with provocation upon provocation that would eventually elicit a retaliatory response. Once again a hue and cry would be raised that the Indians had broken the treaty. Naturally, the 'poor innocent settlers' were under grave threat to their lives and 'fully paid-up' property, and the 'poor innocent government' had no choice but to call in the 'highly disciplined' army to restore order in the land by wiping out the remaining Indians, and if some had still managed to survive, they would be confined to a 'reservation' where they would be slowly starved to death. Much later, even Hitler expressed his admiration for these sophisticated methods and advanced political science techniques used to find a 'solution' to the 'problem' of sub-humans. Such is the legacy of the 'conquest' and on such foundations 'the birth of The Nation' took place, The Nation that would claim to be the champion of 'human rights' and 'freedom of the individual' all over the world. Such ill-gotten power carries a terrible burden, and the telling of the story truthfully (in the general context) as this movie does, has substantial redeeming value, although what is done cannot be undone. Try to ignore it, try to forget it, and even that little window of redemption is shut for ever.

I saw this film as a teenager and immediately recognized it as the real thing. This movie had more atomic weight in its characters,setting, plot and theme than most other films of its time (and the year 1950 was indeed a most impressive time for westerns). Its frank and honest treatment of racism and injustice rang true from beginning to end. Taylor was ,as usual, a tough and gritty hero with three dimensions. Louis Calhern filled the role of chief villain and head bigot impeccably.The film was tough, honest, gritty and real; moreover, it was totally devoid of sentimentality or clichés. I wonder if it wouldeven have been made just two years later-during the McCarthy era.Robert Taylor had clearly evolved from a "pretty boy" leading man of the 1930s into a believable ,masculine hero for a tough-minded postwar film environment.

Sensational western , deemed as the first Hollywood film to side with the Indians , along with ¨Broken arrow¨ by Delmer Daves and starred by James Stewart . It deals with Lance Poole (offbeat cast of Robert Taylor who surprisingly is pretty well) , an Indian Navajo who won a Medal of Honor fighting at Gettysburg , goes back to his tribal territory intent on peaceful cattle ranching . Returning home and finding a bleak situation : his people living in poverty . As usual , crooked settlers and mean traders (Louis Calhern) thwart peace . Some people and State laws attempt to take possession his lands . Then Lance hires an advocate at law (Paula Marshall) . The solicitor attempting to find truce among feuding white man and Indian people.

This picture acclaimed like one of the first to deal the Indian with understanding and justice . The film contains agreeable depiction about Indian habits as it actually was , including adulthood initiations , complex mythology and peculiar culture .¨Devil's doorway¨ along with ¨Broken arrow¨ marked in the cinema field a trail of consideration and empathy toward native indigenous to North America, and lift the troublesome relationships between native and colonizers , then it would go on other films until reach its climax in the great and magnificent "Dancing with wolves" (Kevin Costner, USA 1990). Good acting by Robert Taylor as an Indian Navajo who served in Civil War and must fight to right the injustices against his people ; his perfect interpretation as "Lance Poole" remains one of the highlights in his prestigious career. Furthermore , an attractive Paula Marshall as a kind advocate and Louis Calhern as the intriguing lawyer "Verne Coolan" makes an adequate character of the evil . Support cast is frankly excellent such as Marshall Thompson as Rod MacDougall , the recently deceased James Mitchell as Red Rock , veteran Edgar Buchanan as Zeke Carmody , Rhys Williams and Scotty MacDougall and Chief John Big Tree as Thundercloud . Evocative and imaginative musical score by Daniel Amfitheatroph . This good film packs a splendid photography in atmospheric black and white by John Alton, another European -Austro-Hungarian- who emigrated US and became an excellent cameraman expert on Noir cinema as well as Nicholas Musuraca .

This top-drawer Western was stunningly realized by the master Anthony Mann , infusing the traditional Western with psychological confusion , including his characteristic use of landscape with marvelous use of outdoors which is visually memorable , including a majestic production design by Cedric Gibbons , Metro Goldwyn Mayer's (MGM) ordinary . Mann established his forte with magnificent Western almost always with James Stewart . In his beginnings he made ambitious but short-lived quality low-budget surroundings of Eagle-Lion production as ¨T-men¨ , ¨They walked by night¨ , ¨Raw deal¨ , ¨Railroaded¨ and ¨Desperate¨ . Later on , he made various Western , remarkably good , masterpieces such as ¨The furies¨ , and ¨Devil's doorway¨ and several with his habitual star , James Stewart, as ¨Winchester 73¨ , ¨Bend the river¨ and ¨The far country¨ . They are characterized by roles whose determination to stick to their guns would take them to the limits of their endurance . Others in this throughly enjoyable series include ¨Tin star ¨ and ¨Man of the West¨ is probably one of the best Western in the fifties and sixties . After the mid-50 , Mann's successes came less frequently , though directed another good Western with Victor Mature titled ¨The last frontier¨. And of course ¨Devil's doorway ¨ that turns out to be outlandish but stylishly realized , well paced , solid , meticulous , with enjoyable look , and most powerful and rightly-considered . This well acted movie is gripping every step of the way . It results to be an over-the-top western and remains consistently agreeable as well as thought-provoking . Rating : Above average , the result is a top-of-range Western . Well worth watching and it will appeal to Robert Taylor fans .