Donald Duck has to fend off a group of mountain-lions who are intent on taking his catch of fish.Donald Duck has to fend off a group of mountain-lions who are intent on taking his catch of fish.Donald Duck has to fend off a group of mountain-lions who are intent on taking his catch of fish.
- Director
- Writers
- Stars
Photos
James MacDonald
- Father & Son Mountain Lion
- (uncredited)
Clarence Nash
- Donald Duck
- (voice)
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe title refers to the three parts of a fishing line that are lowered into the water and can be lost if caught, snagged or if the line is broken pulling in a fish. The idiom that uses the term means that everything has been lost such as with a broken fishing line and is not recoverable.
- Quotes
Donald Duck: Oh boy, oh boy, oh boy! What a catch! What a catch! Yes sir!
- ConnectionsEdited into Donald Duck's Summer Magic (1977)
Featured review
A Walt Disney DONALD DUCK Cartoon.
A mangy Mountain Lion and his cub try to scrounge Donald's good looking catch of fish.
It's great to see the Duck win one for a change, and he sure comes out on top in this funny little film, HOOK, LION AND SINKER. This was one of a handful of cartoons to feature the Mountain Lion; here he has his rapacious little son with him. Clarence Nash provided Donald with his unique voice.
Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a storm of naysayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.
A mangy Mountain Lion and his cub try to scrounge Donald's good looking catch of fish.
It's great to see the Duck win one for a change, and he sure comes out on top in this funny little film, HOOK, LION AND SINKER. This was one of a handful of cartoons to feature the Mountain Lion; here he has his rapacious little son with him. Clarence Nash provided Donald with his unique voice.
Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a storm of naysayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.
- Ron Oliver
- Aug 17, 2003
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- Kalle Anka och lejonen
- Production company
- See more company credits at IMDbPro
- Runtime7 minutes
- Aspect ratio
- 1.37 : 1
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Top Gap
By what name was Hook, Lion and Sinker (1950) officially released in Canada in English?
Answer