IMDb RATING
6.2/10
1.4K
YOUR RATING
A girl from Kansas arrives in New York City to become a model. Her further success brings her before moral choice.A girl from Kansas arrives in New York City to become a model. Her further success brings her before moral choice.A girl from Kansas arrives in New York City to become a model. Her further success brings her before moral choice.
- Awards
- 1 nomination
Dorothy Abbott
- Model
- (uncredited)
John Albright
- Waiter
- (uncredited)
Richard Anderson
- Hosiery Man
- (uncredited)
Harry Barris
- Party Piano Player
- (uncredited)
Tom Bernard
- Adam
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe ending in the original script had washed-up model Lily James, played by Lana Turner, at forty-five years of age working as a hotel maid. The original ending as filmed had Lily James committing suicide, following in the footsteps of Mary Ashton, the older model Lily meets earlier in the film who jumps to her death from a window. After filming finished in late March 1950 the film was shown to test audiences who gave such a negative reaction to this ending that retakes were done in mid-April 1950, to provide the film with the happier ending that's used in the finished film, much to the dismay of director George Cukor.
- GoofsLily James appears as "Top Model" on the cover of a Life magazine being read by Jim Leversoe. The scene immediately dissolves to the cover of the same Life magazine in a plane with Steve Harleigh, but the cover shot of the Life magazine on the plane is an entirely different pose (but the same outfit and hairdo).
- Quotes
Lily Brannel James: I can't live without you... but I'm going to. I'm gonna turn my back on ya Steve, I'm sorry.
Featured review
By the time Lana Turner and Ray Milland were paired in this romantic drama, they both seemed to have the "mark" of their respective studios written over them.
Turner's was MGM, and indeed this film was made at that studio. Milland's was Paramount, and he seemed a "guest visitor" to the Metro ambiance.
While both actors were certainly equally successful in their respective careers, their casting did seem a bit strange to me. I kept thinking, what's Paramount doing at MGM?
Not that Milland offered anything but his usual solid work; he just seemed a bit unusual in the total scheme of things. However, being the solid pro he was, he carried off his "slumming millionaire" role with aplomb; likewise Turner gave her part her all.
The script was fair, and Director George Cukor made the most of what he had to work with. In the end an interesting "hybrid," adequately carried off by two thespian entities of varying affiliations.
Turner's was MGM, and indeed this film was made at that studio. Milland's was Paramount, and he seemed a "guest visitor" to the Metro ambiance.
While both actors were certainly equally successful in their respective careers, their casting did seem a bit strange to me. I kept thinking, what's Paramount doing at MGM?
Not that Milland offered anything but his usual solid work; he just seemed a bit unusual in the total scheme of things. However, being the solid pro he was, he carried off his "slumming millionaire" role with aplomb; likewise Turner gave her part her all.
The script was fair, and Director George Cukor made the most of what he had to work with. In the end an interesting "hybrid," adequately carried off by two thespian entities of varying affiliations.
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Details
- Release date
- Country of origin
- Language
- Also known as
- The Abiding Vision
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,818,000 (estimated)
- Runtime1 hour 48 minutes
- Color
- Aspect ratio
- 1.37 : 1
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