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Over the years there have been movies and TV series examining the trials and tribulations of settlers traveling together on wagon trains hoping to find a new life in the West such as Raoul Walsh’s 193o widescreen “The Big Trail” starring a young John Wayne; John Ford’s 1950 “Wagon Master”; and the 1957—65 series “Wagon Train,” which hit No. 1 in the ratings. And now there’s Paramount +’s rugged, gritty and bloody “1883,” which debuted last December attracting 4.9 million viewers. The series, which concludes on Feb 25, has been renewed for a second season.

“1883,” which stars Tim McGraw, his wife Faith Hill, Sam Elliott and Isabel May, is a prequel to Paramount’s uber-popular contemporary Western “Yellowstone,” starring Kevin Costner as the powerful landowner John Dutton. Just as “Yellowstone,” “1883” was created by Taylor Sheridan and follows Costner’s great-great grandfather James Dutton (McGraw) and great-great-grandmother Margaret (Hill) as they make the arduous,...

Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.

Film at Lincoln Center

Bong Joon-ho’s “The Bong Show” is underway, with a mixture of his own films and work by Imamura, John Boorman, Clouzot and more.

Museum of Modern Art

“To Save and Project,” a highlight of any given year, has returned. The first weekend includes work by Stan Brakhage, Ken Jacobs, and George A. Romero.

John Ford’s favorite western of his own work is a curiously gentle, endearingly simple hark-back to the verities of silent filmmaking. Mormons crossing the desert are encumbered by show people and beset by a nasty outlaw family — but don’t worry ’cause the Sons of the Pioneers will still be singing backup for ‘The Chuckawalla Swing.’ Ford rodeo discovery Ben Johnson returns with Harry Carey Jr. and every other Ford stock player not nailed down, and the marvelously direct cinematography is keyed to Ford’s idealized vision of life on the frontier.

Wagon Master

Blu-ray

Warner Archive Collection

1950 / B&w / 1:37 flat Academy / 86 min. / Street Date August 13, 2019 / available through the WBshop / 21.99

Starring: Ben Johnson, Joanne Dru, Harry Carey Jr., Ward Bond, Charles Kemper, Alan Mowbray, Jane Darwell, Ruth Clifford, Russell Simpson, Kathleen O’Malley, James Arness, Francis Ford, Hank Worden.

Cinematography: Bert Glennon

Film Editor: Jack Murray

Original Music:...

While it sometimes comes across platitudinous and trite, one cannot stay in any conversation about arthouse film more than five minutes without hearing the phrase “auteur” tossed out. It has become a tad sterile, but, as Andrew Dudley pointed out in The Major Film Theories, it is a valid form of critical theory. So for an August Blu-ray round-up, the conversation will revolve around three classic Hollywood “auteurs” and films from each that often go overlooked. Kino Lorber released Billy Wilder’s critique of war-time Hollywood, A Foreign Affair; the Warner Archive presented John Ford’s passion project Wagon Master; and Criterion added Douglas Sirk’s first foray into widescreen Technicolor, Magnificent Obsession, to their illustrious collection. While each release is a fairly underrated title in their director’s larger filmography, a close watch unveils tricks and tropes that each respective filmmaker would later use in their more popular works.

Great news for fans of director John Ford. His 1950 classic Wagon Master is now available on Blu-ray From Warner Archive

The rivers are wide and rapid. The desert is vast and unforgiving. And when the trail turns craggy, men use pickaxes to dig grooves for the wagon wheels. Mother Nature can be overcome, but human nature remains deadly and unpredictable: Outlaws are using the Mormon wagon train as a hideout from a pursuing posse. John Ford’s Wagon Master is one of the legendary filmmaker’s personal favorites, a visually stirring celebration of Western will and cooperation set to the soundtrack crooning of the Sons of the Pioneers. Ben Johnson, Harry Carey Jr., Ward Bond (who would later lead TV’s Wagon Train) and other familiar Ford stock company players take the reins in this glorious paean to the pioneer spirit. “Wagons west!”

Master director John Ford assembles most of...

Sam Peckinpah was a fine director of actors when the material was right, and his first collaboration with Steve McQueen is an shaded character study about a rodeo family dealing with changing times. Joe Don Baker and Ben Johnson shine, but the movie belongs to Ida Lupino and Robert Preston.

Junior Bonner

Blu-ray

Kl Studio Classics

1972 / Color / 2:35 widescreen / 100 min. / Special Edition / Street Date October 31, 2017 / available through Kino Lorber / 29.95

Starring: Steve McQueen, Robert Preston, Ida Lupino, Joe Don Baker, Ben Johnson, Mary Murphy, Dub Taylor, Don ‘Red’ Barry, Bill McKinney.

Cinematography: Lucien Ballard

Film Editors: Frank Santillo, Robert L. Wolfe

Second Unit Director: Frank Kowalski

Bud Hurlbud: Special Effects

Original Music: Jerry Fielding

Written by Jeb Rosebrook

Produced by Joe Wizan

Directed by Sam Peckinpah

I suppose there were plenty of successful rodeo-themed westerns back in the day, perhaps the kind interrupted by a cowboy song every ten minutes or so.

Wagon Tracks

Blu-ray

Olive Films

1919 / B&W / 1:33 Silent Ap / 64 min. / Street Date January 24, 2017 / available through the Olive Films website / 29.98

Starring William S. Hart, Jane Novak, Robert McKim, Lloyd Bacon, Leo Pierson, Bert Sprotte, Charles Arling.

Cinematography: Joseph H. August

Art direction: Thomas A. Brierley

Titles: Irvin J. Martin

Written by: C. Gardner Sullivan

Produced by: William S. Hart, Thomas H. Ince

Directed by: Lambert Hillyer

Last year we were gifted with an excellent Blu-ray of a silent John Ford western, 3 Bad Men, which turned out to be a satisfying sentimental action tale. This month we get a much older silent western that’s almost as interesting. Its star is William S. Hart, the silent icon most of know through a still of a man in a ten-gallon hat brandishing two pistols in a barroom. Hart frequently played gunslingers, but not always. Olive’s presentation of Wagon Tracks sees him...

“It kind of freed me from a lot of criticisms people have from my other films,” Whit Stillman told us at Sundance earlier this year, speaking about adapting Jane Austen‘s epistolary novel Lady Susan, which became Love & Friendship. “Things can work really well and not be entirely realistic and often they can be better than realism. We love the old James Bond films. They weren’t realistic, but they’re delightful. And the great 30s films. The Awful Truth with Cary Grant and Irene Dunne. It’s not realistic; it’s just perfect.”

To celebrate Stillman’s latest feature becoming his most successful yet at the box office, we’re highlighting his 10 favorite films, from a ballot submitted for the most recent Sight & Sound poll. Along with the aforementioned Leo McCarey classic, he includes romantic touchstones from Preston Sturges, Ernst Lubitsh, and François Truffaut. As for his favorite Alfred Hitchcock, he fittingly picks perhaps one of the best scripts he directed, and one not mentioned often enough.

We’ve covered many directors’ favorites, but this is one that perhaps best reflects the style and tone of an artist’s filmography. Check it out below, followed by our discussion of his latest film, if you missed it.

The Awful Truth (Leo McCarey)

Big Deal on Madonna Street (Mario Monicelli)

The Gay Divorcee (Mark Sandrich)

Howards End (James Ivory)

Miracle of Morgan’s Creek (Preston Sturges)

The Shop Around the Corner (Ernst Lubitsch)

Stolen Kisses (François Truffaut)

Stranger than Paradise (Jim Jarmusch)

Strangers on a Train (Alfred Hitchcock)

Wagon Master (John Ford)

See more directors’ favorite films.

Looking to discover a top-quality film that honors lasting values? Jean Renoir gives Zachary Scott and Betty Field as Texas sharecroppers trying to survive a rough first year. It's beautifully written by Hugo Butler, with given realistic, earthy touches not found in Hollywood pix. And the transfer is a new UCLA restoration. With two impressive short subjects in equal good quality. The Southerner Blu-ray Kino Classics 1945 / B&W / 1:37 flat Academy / 92 min. / Street Date February 9, 2016 / available through Kino Lorber / 29.95 Starring Betty Field, Beulah Bondi, Carol Naish, Norman Lloyd, Zachary Scott, Percy Kilbride, Charles Kemper, Blanche Yurka, Estelle Taylor, Paul Harvey, Noreen Nash, Nestor Paiva, Almira Sessions. Cinematography Lucien Andriot Film Editor Gregg C. Tallas Production Designer Eugène Lourié Assistant Director Robert Aldrich Original Music Werner Janssen Written by Hugo Butler, Jean Renoir from a novel by George Sessions Perry Produced by Robert Hakim, David L. Loew Directed by Jean Renoir...

The Hurricane

Written by Dudley Nichols

Directed by John Ford

USA, 1937

“My name is John Ford and I make Westerns,” so the legendary filmmaker once declared. As has been pointed out (by Martin Scorsese among others) that statement in a sense discounts the great director’s non-genre works, like the four features for which he won Academy Awards: The Informer (1935), The Grapes of Wrath (1940), How Green Was My Valley (1941), and The Quiet Man (1952). But with more than 140 directing credits on his résumé, it also sidesteps many lesser known, though quality, Ford films, those that either fall into the middle of the road category or those that are very good, if not quite great. That’s where his 1937 romantic drama The Hurricane comes in.

Produced by Samuel Goldwyn, directed by Ford (two years after The Informer and two years before his groundbreaking Stagecoach [1939]), and written by Dudley Nichols, himself an Oscar-winner for his writing The Informer,...

Louis Feuillade’s Fantômas opens with a series of disguises, image overlays revealing to us Fantomas’ various personas.Often used by silent filmmakers attempting to conjure the supernatural, they conjure the abstract instead:“It’s a visual medium”–John Ford“[Erich von] Stroheim asked me personally to take on the assignment (after the studio removed him from the film), and I did so without any protest on his part…”– Josef von Sternberg***We move from dissolves to hard cuts:Later in The Wedding March:Counterpoints:And beyond:We call for help, mere seconds later our cries our answered: “We’ve got a trial ahead of us.”Time is meaningless: there is no difference between past and present.Impressionism becomes Expressionism:But we keep being reborn:Love exists:Love unites us all, re-engages us with the world:We cease being individuals:And become a collective--We become a crowd:None of us are alone:*** Sources:Fantômas (Louis Feuillade, 1913)India Matri Bhumi (Roberto Rossellini,...

Not one approach, but two...

Documentary:

And melodrama:

Surrounding these lovers in longing are people in movement, pilgrims in search of a new place to call home.

Dreamers working day and night to make their dreams come true:

And there are horses:

And herds of other animals:

All trudging forward to an uncertain future with nothing to lose:

Even when a primary villain dies—

—it’s back to work; life must go on.

Some stay behind:

But everyone else has to keep moving on. Individuals propel history forward.

In the meantime, a man can still sit and brood over his fate, and a woman can still suddenly pop into a frame and become a miracle:

Six years later, Raoul Walsh would begin his own odyssey set even earlier in history.

Melodrama returns too:

And it’s still possible for lovers to reunite in the midst of an unbroken movement forward:...

Harry Carey Jr., the son of legendary Western movie actor Harry Carey, has died from natural causes at age 91. Although the younger Carey never became a star, he worked steadily over the decades as a reliable character actor. He was the last surviving member of the so-called John Ford "Stock Company", a reference to the mercurial director's penchant for working with the same actors on many films. He also appeared in numerous films starring his good friend John Wayne, who idolized Carey's father, who he also made several films with. It was Ford and Wayne who gave Carey Jr. his most memorable screen roles in films such as Rio Grande, She Wore a Yellow Ribbon, Wagon Master and The Searchers. After Ford's death, he appeared with Wayne in the popular Westerns The Undefeated, Big Jake and Cahill: U.S. Marshall. A younger generation of directors were respectful of Carey's...

American character actor who appeared in seven westerns directed by John Ford, including The Searchers and She Wore a Yellow Ribbon

The actor Harry Carey Jr, who has died aged 91, was the last surviving member of the director John Ford's stock company, which included John Wayne, Victor McLaglen, Ben Johnson, Anna Lee, Ward Bond, Andy Devine and Harry's own parents, Olive and Harry Carey Sr. They formed a cohesive group and contributed to the distinctive world of the Fordian western.

Carey Jr, nicknamed "Dobe" by his father because his red hair was the same colour as the adobe bricks of his ranch house, made seven westerns with Ford, typically in the role of a greenhorn soldier. The most characteristic of these was Lieutenant Ross Pennell in She Wore a Yellow Ribbon (1949), the callow rival of John Agar for the hand of Joanne Dru. After she opts for the more handsome Agar,...

Los Angeles -- Harry Carey Jr., a character actor who starred in such Westerns as "3 Godfathers" and "Wagon Master," has died. He was 91.

His daughter, Melinda Carey, said he died Thursday of natural causes surrounded by family at a hospice facility in Santa Barbara, Calif.

"He went out as gracefully as he came in," she said Friday.

Carey's career spanned more than 50 years and included such John Ford classics as "She Wore a Yellow Ribbon," "The Searchers" and "The Long Gray Line." Later in life, he appeared in the movies "Gremlins" and "Back to the Future Part III."

His memoir, "Company of Heroes: My Life as an Actor in the John Ford Stock Company," was published in 1994.

While he lacked the leading-man stature of longtime friend and co-star John Wayne, Carey's boyish looks and horse-riding skills earned him roles in many of Ford's films.

He and fellow character Ben Johnson...

Harry Carey Jr., a character actor who starred in such Westerns as "3 Godfathers" and "Wagon Master," has died. He was 91.

His daughter, Melinda Carey, said he died Thursday of natural causes surrounded by family at a hospice facility in Santa Barbara, Calif.

"He went out as gracefully as he came in," she said Friday.

Carey's career spanned more than 50 years and included such John Ford classics as "She Wore a Yellow Ribbon," "The Searchers" and "The Long Gray Line." Later in life, he appeared in the movies "Gremlins" and "Back to the Future Part III."

His memoir, "Company of Heroes: My Life as an Actor in the John Ford Stock Company," was published in 1994.

While he lacked the leading-man stature of longtime friend and co-star John Wayne, Carey's boyish looks and horse-riding skills earned him roles in many of Ford's films.

He and fellow character Ben Johnson...

Los Angeles (AP) — Harry Carey Jr., a character actor who starred in such Westerns as "3 Godfathers" and "Wagon Master," has died. He was 91. His daughter, Melinda Carey, said he died Thursday of natural causes surrounded by family at a hospice facility in Santa Barbara, Calif. "He went out as gracefully as he came in," she said Friday. Carey's career spanned more than 50 years and included such John Ford classics as "She Wore a Yellow Ribbon," ''The Searchers" and "The Long Gray Line." Later in life, he appeared in the movies "Gremlins" and "Back to...

I’ve finally made it to the grand master of the bravura sequence, or, more specifically, of the ending bravura sequence, King Vidor.

It isn’t surprising that a producer as knowledgeable as Selznick often ran to the services of the two major champions of “slice of cake” cinema and strong sequences, Hitchcock (Rebecca, Spellbound, Notorious, The Paradine Case) and Vidor (Bird of Paradise, Duel in the Sun, Light’s Diamond Jubilee, even Ruby Gentry), who, without a doubt, made the best films for Selznick.

Love Never Dies, Wild Oranges, Hallelujah, Our Daily Bread, Comrade X, Duel in the Sun, The Fountainhead, Ruby Gentry and their terrific denouements once made me write that Vidor was a director of film endings. No doubt I was exaggerating, but it isn’t for nothing that he hesitated for a long time between several different endings for The Crowd. I was also exaggerating because...

In the movie world, the last name McDonagh might particularly stand out to those who really enjoyed In Bruges, which starred Colin Farrell and Brendan Gleeson. Martin McDonagh made a triumphant debut with his film about assassins on holiday in Bruges. Now, Martin’s brother John has stepped up, with his own film starring Brendan Gleeson called The Guard.

In the film, Gleeson plays a crude Irish sergeant who works with a serious FBI agent (played by Don Cheadle) as they attempt to stop a group of drug smugglers (lead by Mark Strong).

I sat down with John Michael McDonagh at Chicago’s Peninsula Hotel to discuss the film’s Western influences, the creation of the character, and McDonagh’s dream of putting gangsters on a roller coaster.

The Guard opened in Portland on 8/12, and will be expanding across America throughout the end of summer.

Read – Nick Allen’s Scorecard...

Ben Johnson on TCM: War Drums, She Wore A Yellow Ribbon Schedule (Et) and synopses from the TCM website: 6:00 Am 3 Godfathers (1948) Three outlaws on the run risk their freedom and their lives to return a newborn to civilization. Dir: John Ford. Cast: John Wayne, Pedro Armendáriz, Harry Carey Jr. C-106 mins. 8:00 Am Fort Defiance (1951) A Civil War veteran returns to his hometown to avenge his brother's death. Dir: John Rawlins. Cast: Dane Clark, Ben Johnson, Peter Graves. C-82 mins. 9:30 Am Wild Stallion (1952) A horse hunter pursues a white colt that ran off when his parents were killed. Dir: Lewis D. Collins. Cast: Ben Johnson, Edgar Buchanan, Martha Hyer. C-70 mins. 11:00 Am War Drums (1957) A white trader and an Apache chief fall for the same woman. Dir: Reginald LeBorg. Cast: Lex Barker, Joan Taylor, Ben Johnson. C-75 mins. 12:30 Pm Cheyenne Autumn (1964) A reluctant calvary Captain must...

Ben Johnson isn't exactly what one would call a movie icon; Johnson isn't even a Western icon, despite his presence in numerous Old (and not-so-Old) West movies during his 50+-year career. Johnson's semi-obscurity today is a great reason to celebrate Turner Classic Movies' devoting one whole day to him as part of its "Summer Under the Stars" film series. [Ben Johnson Movie Schedule.] TCM will be presenting 12 Ben Johnson movies, including one premiere, the 1957 Western War Drums, directed by Viennese filmmaker Reginald Le Borg (Voodoo Island, Sins of Jezebel), and starring former Tarzan Lex Barker. The movie sounds like a hoot: Mexican gal Riva (Joan Taylor, actually from Geneva, Illinois) is wanted and desired by both a white trader (Johnson) and an Apache chief named Mangas Coloradas (Barker). Barker playing an Apache should be, ahem, interesting enough, but one named Mangas Coloradas? Here's wondering if that translates as "Colored Mangoes." Anyhow, War Drums sounds like a must-see.

Us actor known for playing Marshal Matt Dillon in the popular TV series Gunsmoke

James Arness, who has died aged 88, may not have been the biggest film star ever, but he was certainly one of the tallest, at 6ft 7in. His height and large bulk made a lasting impression in his role of Us Marshal Matt Dillon in the television western series Gunsmoke, which Arness played for 20 years.

As the poker-faced, taciturn marshal of Dodge City who works to preserve law and order on the western frontier in the 1870s, Arness, in medium-close shots, often had to perform standing in a hole, or else other actors stood on boxes so their faces could be in frame. His height was also a factor in his casting in the title role of The Thing from Another World (1951), also known as The Thing, which gave impetus to his career.

Arness himself found the...

With 2010 only a week over, it already feels like best-of and top-ten lists have been pouring in for months, and we’re already tired of them: the ranking, the exclusions (and inclusions), the rules and the qualifiers. Some people got to see films at festivals, others only catch movies on video; and the ability for us, or any publication, to come up with a system to fairly determine who saw what when and what they thought was the best seems an impossible feat. That doesn’t stop most people from doing it, but we liked the fantasy double features we did last year and for our 3rd Writers Poll we thought we'd do it again.

I asked our contributors to pick a single new film they saw in 2010—in theaters or at a festival—and creatively pair it with an old film they saw in 2010 to create a unique double feature.

Harry Carey Jr. is a name that you may not recognize, but if you're a western or John Ford fan you'll certainly recognize his face. You may also recognize the name in that he's the son of the famous western star Harry Carey. Long known as a member of John Ford's stock company, along with the likes of John Wayne, Ward Bond and Jack Pennick, he was given the opportunity to headline Wagon Master with Ben Johnson. Wagon Master finally sees a release onto DVD and it even includes a commentary with the gregarious Carey and Peter Bogdanovich. M&C had a wonderful opportunity to call in and interview the delightful gentlemen as well. M&C: Hello,...

Here’s a list of some of the new movie and TV shows coming to DVD and Blu-ray this week that we’re looking forward to seeing. Also, there’s some classic, and not-so-classic, movies hitting Blu-ray for the first time this week as well.

Of all the new releases, we’re particularly interested in the Blu-ray versions of movies and TV shows like Army of Darkness, Hero, An American Werewolf in London, The Big Bang Theory Season Two and Bonanza. Yes, some of us are even excited about the debut of X-Men Origins: Wolverine, which drops today on Blu-ray.

Check them out.

Movies

An American Werewolf in London (Full Moon Edition) ~ David Naughton, Jenny Agutter, Griffin Dunne (Blu-ray)

Army of Darkness (Screwhead Edition) ~ Bruce Campbell, Embeth Davidtz (Blu-ray)

Bionicle: The Legend Reborn ~ Dee Bradley Baker, Jeff Bennett, Jim Cummings, and Michael Dorn (DVD)

Child’s Play ~ Roslyn Alexander, Jack Colvin,...

"Shall We Gather at the River?" is a Methodist hymn that became an anthem in John Ford's movies. It speckles the soundtracks of Stagecoach, Wagon Master, and My Darling Clementine. But the song's religious utopianism ("Soon our happy hearts will quiver / With the melody of peace") also makes it a perfect target for parody. "There's no more time for praying!" John Wayne barks at a funeral party that's...

"Shall We Gather at the River?" is a Methodist hymn that became an anthem in John Ford's movies. It speckles the soundtracks of Stagecoach, Wagon Master, and My Darling Clementine. But the song's religious utopianism ("Soon our happy hearts will quiver / With the melody of peace") also makes it a perfect target for parody. "There's no more time for praying!" John Wayne barks at a funeral party that's...

"Despite his commitment to forward-actuated narratives and his characters' ability to move—and fast; they often run—through the world, Jean-Pierre Melville makes meaty films, a cinema of heft." Ryland Walker Knight begins his review of Le Doulos by lining it up against Army of Shadows: "Both films adhere to a delimited set (often trios, sometimes quartets) of masculine characters with little narrative space for women...; both films are 'about' the world's tests for fraternal bonds; both are about failure; both are marked by a curious attention to giveaway interstitials of clocks, of a look up, of walls empty and plentiful, so many things) and inward trajectories where the end game is less fatal than illuminative, however brutal and deliberate the swath carved across desolate earth winds."

Also in the Auteurs' Notebook is Glenn Kenny's "Tuesday Morning Foreign Region DVD Report": "The Warner John Ford Collection, a six-picture sampling...