This British mystery is clever in showing us the varying perspectives of five people connected to a woman who has been murdered, one flashback after another, as the police question them. It's amusing to see how each remembers their own behavior as better than others do, sometimes in subtle ways, and other times with larger distortions, and wonder how much of it they believe vs. Knowingly spin in their accounts. This is how it is in life; each of us are the stars of our own little shows, and our views of people or events can be wildly different, despite underlying commonality.
While many are quick to point out the parallel to Rashomon, released just a couple of months earlier, it's important to note that Kurosawa's film had its characters telling almost completely different narratives, whereas in The Woman in Question it's more of a matter of different perspectives. In Rashomon, there is no ultimate, objective truth, and it remains elusive. In this film, there is clear truth, and we are unsurprised when the detective gets things sorted.
The concept to this film was intriguing, and allowed the actors to show off their range, Jean Kent especially (the woman who gets murdered), but also Hermione Baddeley (the neighbor) and Dirk Bogarde (the sister's boyfriend), among others. The film is not quite as strong as the mystery is unraveled, though Duncan Macrae brings that classic British approach I'm fond of. Unfortunately, the final clue and killer's instant confession upon being confronted felt rather hokey, and the ending just a little too quick and tidy to feel completely satisfying. Not bad though.
