A young trumpet player is torn between an honest singer and a manipulative heiress.A young trumpet player is torn between an honest singer and a manipulative heiress.A young trumpet player is torn between an honest singer and a manipulative heiress.
Fred Aldrich
- Doorman
- (uncredited)
Oscar Blank
- Derelict
- (uncredited)
Willie Bloom
- Derelict
- (uncredited)
Paul Bradley
- Nightclub Patron
- (uncredited)
John Breen
- Bartender
- (uncredited)
Paul Brinegar
- Stage Manager
- (uncredited)
Bridget Brown
- Dancing Girl
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe film contains a reference to homosexuality, although the Hays Office--the industry's censor--required any mention of it be subtle. The character of Amy (Lauren Bacall) is lesbian, which is why Rick (Kirk Douglas) walks out on her, telling her that she is "a very sick girl." The exchange between Amy North and Miss Carson (Katharine Kurasch) after Amy's party, and their facial expressions, indicate this: Amy North: "I'm dying to see the rest of your sketches."
Miss Carson: "We'll have dinner out and then go back to my place."
Many decades later, Bacall told a Turner Classic Movies interviewer that the reference was so subtle (and she was then so young and naive) that she didn't understand until years later that the character she played was supposed to be lesbian. This is one of three mainstream movies from 1950 to reference lesbianism, the others being "All About Eve" and "Caged," according to "The Celluloid Closet" by Vito Russo.
- GoofsWhen a young Rick Martin is looking out the rear window of the car as it drives away from the cemetery, a light or reflector and its articulated stand is clearly reflected on the glass.
- Quotes
Amy North: People try to find security in a lot of strange ways. You seem to have solved your problems - at least while you're playing that trumpet.
Rick Martin: I don't understand a word you're saying, but I love the sound of your voice. It's got a wonderful rough spot in it.
- SoundtracksIn the Sweet By and By
(uncredited)
Music by J.P. Webster (1868)
Lyrics by S. Fillmore Bennett
Sung by a chorus
Featured review
Kirk Douglas played a very eager musician who just adored music--particularly when he was able to cut loose from convention and just put his heart into the music. Throughout much of the film, his one abiding love was his trumpet and only towards the end of the film is this love shaken.
I really enjoyed this film, as it was quite a departure for Kirk Douglas to play a jazz-loving trumpet player. The supporting performances were very good (particularly the performances by Hoagy Charmichael and Juano Hernandez) I also found myself enjoying the music quite a bit even though I have never liked jazz.
Yet despite my liking this movie very much, there was a problem with the film and that was that the film lasted a bit too long. The last 2 minutes of the film could easily been condensed, as the long "I'm depressed and feel sorry for myself" routine just seemed to drag and was so atypical of the rest of the film.
By the way, for 1950 this was an amazing film in the way it handles race. Unlike other films of the time, Whites and Blacks interact more or less as equals and there is friendship between Douglas and Hernandez--something you take for granted in films nowadays, but for 1950 it was a amazing and very much appreciated.
By the way, though it often goes by without mention, but the cinematography in this black & white film was amazing--very, very artistic and just beautiful. It reminded me a lot of Film Noir combined with the sensibilities of Ansel Adams.
I really enjoyed this film, as it was quite a departure for Kirk Douglas to play a jazz-loving trumpet player. The supporting performances were very good (particularly the performances by Hoagy Charmichael and Juano Hernandez) I also found myself enjoying the music quite a bit even though I have never liked jazz.
Yet despite my liking this movie very much, there was a problem with the film and that was that the film lasted a bit too long. The last 2 minutes of the film could easily been condensed, as the long "I'm depressed and feel sorry for myself" routine just seemed to drag and was so atypical of the rest of the film.
By the way, for 1950 this was an amazing film in the way it handles race. Unlike other films of the time, Whites and Blacks interact more or less as equals and there is friendship between Douglas and Hernandez--something you take for granted in films nowadays, but for 1950 it was a amazing and very much appreciated.
By the way, though it often goes by without mention, but the cinematography in this black & white film was amazing--very, very artistic and just beautiful. It reminded me a lot of Film Noir combined with the sensibilities of Ansel Adams.
- planktonrules
- Aug 31, 2007
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Música en el alma
- Filming locations
- Aragon Ballroom - Lick Pier, Venice, Los Angeles, California, USA(Martin's first gig site)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 52 minutes
- Color
- Aspect ratio
- 1.37 : 1
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