IMDb RATING
6.2/10
2.3K
YOUR RATING
Trapper Flint Mitchell and other mountain men from the Rendezvous join forces to enter virgin trapping territory but must contend with a resentful Blackfoot chief.Trapper Flint Mitchell and other mountain men from the Rendezvous join forces to enter virgin trapping territory but must contend with a resentful Blackfoot chief.Trapper Flint Mitchell and other mountain men from the Rendezvous join forces to enter virgin trapping territory but must contend with a resentful Blackfoot chief.
Bobby Barber
- Gardipe
- (uncredited)
Maurice Brierre
- French Trapper
- (uncredited)
Timothy Carey
- Baptiste DuNord
- (uncredited)
Gene Coogan
- Marcelline
- (uncredited)
Frankie Darro
- Cadet
- (uncredited)
Michael Dugan
- Gordon
- (uncredited)
Tatzumbia Dupea
- Indian Woman
- (uncredited)
Evelyn Finley
- Squaw
- (uncredited)
Storyline
Did you know
- TriviaClark Gable was ill during filming. He did not like the way he appeared in the movie, believing he looked too bloated and red in the face. He was widely felt to be too old for his character.
- GoofsEarly in the movie (at the 7:12 mark), when Kamiah is talking to Flint about trading horses for a wife, there is a motor vehicle in the lower left corner driving along a road in the distance, although this story took place long before the automobile was invented.
- ConnectionsFeatured in The Metro-Goldwyn-Mayer Story (1951)
- SoundtracksAcross The Wide Missouri
Words & Music by Ervin Drake & Jimmy Shirl
Featured review
This is one of Clark Gable's better films of the 1950s, though it never really got that much attention and many have unjustly written it off as "just another Western". However, if you watch it you'll find that the film has two major points that make it unique and a very beautiful film. First, the film is about the period BEFORE that shown in most Westerns. The typical Hollywood Western occurs between 1866-1880, though there are a few exceptions before and after. However, very few deal with life in the West circa 1829 when the only White men were fur trappers. Since I am a history teacher, I admire this about ACROSS THE WIDE MISSOURI. Second, the film humanizes the Native Americans much more than most films and there are no "black and white" groups in the film. Many of the Indians are quite decent but they also are not uniformly good either--and the same goes for the trappers. I particularly loved the relationship that developed between Clark Gable and his Indian bride. It did a lot to build sympathy for the characters and once again truly humanized both characters. The only real negative about this is that three of the key Indian roles are played by non-Indians (J. Carrol Naish, María Elena Marqués and Ricardo Montalban)--a standard practice in the time it was made.
While these two points make this a memorable film, it sure doesn't hurt that this film has some of the most vivid and beautiful scenery of any film of the 1950s. It's obvious that this wasn't filmed on some sound stage or filmed in the outskirts of Los Angeles! So overall, what's not to like about this film?! Excellent acting, a great script and a uniqueness make this a film worth seeking.
By the way, this film is highly reminiscent of the wonderful Robert Redford film, JEREMIAH JOHNSON--another film well worth your time.
While these two points make this a memorable film, it sure doesn't hurt that this film has some of the most vivid and beautiful scenery of any film of the 1950s. It's obvious that this wasn't filmed on some sound stage or filmed in the outskirts of Los Angeles! So overall, what's not to like about this film?! Excellent acting, a great script and a uniqueness make this a film worth seeking.
By the way, this film is highly reminiscent of the wonderful Robert Redford film, JEREMIAH JOHNSON--another film well worth your time.
- planktonrules
- Dec 29, 2007
- Permalink
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Details
Box office
- Budget
- $5,000,000 (estimated)
- Runtime1 hour 18 minutes
- Aspect ratio
- 1.37 : 1
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By what name was Across the Wide Missouri (1951) officially released in India in English?
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