IMDb RATING
6.6/10
199
YOUR RATING
The backstage romances of an egotistical singer and his under-valued manager, a lovelorn bandman and a nude dancer.The backstage romances of an egotistical singer and his under-valued manager, a lovelorn bandman and a nude dancer.The backstage romances of an egotistical singer and his under-valued manager, a lovelorn bandman and a nude dancer.
Photos
Masaaki Hirao
- Susumu Ueno
- (as Masaaki Hirai)
Tatsuo Nagai
- Maruoka
- (as Tatsurô Nagai)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaInspired by the Neil Sedaka song "One Way Ticket," a huge hit in Japan in 1959.
- GoofsWhen you see him play his fingers do not move.
- Quotes
Kenji Shirai: Isn't he a good guy?
Mitsuko Maki: Yes. Where does he work?
Kenji Shirai: He's like an underling for a big shot in the area.
Mitsuko Maki: An underling?
Kenji Shirai: To be frank, he's a yakuza. He had no luck finding a job either and ended up like that.
- ConnectionsReferenced in Century of Cinema: Nihon eiga no hyaku nen (1995)
Featured review
Not bad I guess? Looks like it was Shinoda's first feature, and through exploring his filmography, I've him to be a director who consistently puts out decent to good movies. None that I dislike, but also none that I can quite say I love.
This too falls under decent, though maybe on the lower end. It's less experimental or new-wavey than his other 60s films, with simple/fairly clear characters and a simple plot that's sort of there if you care, but isn't hugely important if you more just want to watch this for the characters and the overall vibes.
And there are vibes to be had. Plenty of music, and Shinoda's movies had pretty good visuals right off the bat, it seems.
Not bad, not great. As part of his early works, it helps give context to what came after (and still so many more to see from this always interesting director, who along with Yoji Yamada remains one of the last living Japanese directors of this era of Japanese cinema).
This too falls under decent, though maybe on the lower end. It's less experimental or new-wavey than his other 60s films, with simple/fairly clear characters and a simple plot that's sort of there if you care, but isn't hugely important if you more just want to watch this for the characters and the overall vibes.
And there are vibes to be had. Plenty of music, and Shinoda's movies had pretty good visuals right off the bat, it seems.
Not bad, not great. As part of his early works, it helps give context to what came after (and still so many more to see from this always interesting director, who along with Yoji Yamada remains one of the last living Japanese directors of this era of Japanese cinema).
- Jeremy_Urquhart
- Dec 26, 2021
- Permalink
Details
- Release date
- Country of origin
- Languages
- Also known as
- Билет любви в один конец
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 22 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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Top Gap
By what name was One Way Ticket to Love (1960) officially released in Canada in English?
Answer