User reviews

Everyone should see at least one Audie Murphy western in his life. This one is as good as any. Audie's a lawman charged with bringing elegant bad guy Barry Sullivan back to town in order to have him hanged. The problem is that, for all their difference, these two men become friends; and in time good friends. Sullivan teaches Audie a thing or two about life, and Audie gives Sullivan a lesson or two in morality. These guy complement one another. The dialogue is, for a low-budget western, often quite good. Everything happens as it should. The ending, while not a shocker, truly resonates, and makes us think about what we have just seen.

I will not take up space by reviewing what other Viewer's comments have already unanimously echoed -- this is a greatly overlooked and EXCELLENT Western 60's film (as are quite a few of AUDIE MURPHY's films). What I ask of UNIVERSAL DVD Productions is to .... PLEASE WAKE UP ... and to please release some of AUDIE MURPHY's films onto DVD! Did you know that almost NONE of his films have ever even been released onto VHS ... or ... DVD!! How absurd!! The ONLY times I have ever been able to even see these films were (recently) on TMC (a GREAT Channel!!) and several years ago on AMC (before they "sold out" to the Corporate conglomerates and SAVAGELY BUTCHERED their films with gross "commercialization" -- which is pretty SAD for a Company that boasted and prided itself in FILM RESTORATION and PRESERVATION!!). Here are a few of AUDIE's FINE Western titles which I offer to UNIVERSAL for consideration: SEVEN WAYS FROM SUNDOWN, HELL BENT FOR LEATHER, GUNS OF FORT PETTICOAT, COLUMN SOUTH, and RIDE CLEAR OF DIABLO. Thankfully, at least a few of his films ARE available on DVD ... and you should check them out or buy them -- you will NOT be disappointed: DUEL AT SILVER CREEK, NIGHT PASSAGE (with JAMES STEWART!), and NO NAME ON THE BULLET. These films can stand right up there and beside any of the other Classic Western Films!! Thanks for reading.

Seven Ways from Sundown is directed by Harry Keller and adapted to screenplay by Clair Huffaker from his own novel of the same name. It stars Audie Murphy, Barry Sullivan, Venetia Stevenson, John McIntire and Kenneth Tobey. A UIP production in Eastman Color with music scored by William Lava & Irving Gertz (Joseph Gershenson supervising) and cinematography by Ellis Carter. Plot finds Murphy as Seven Ways from Sundown, a Texas Ranger who tracks and captures notorious outlaw Jim Flood (Sullivan). As the two men make their way back to Texas, a bond begins to form...

It's another Audie Murphy Western that rarely gets a mention when the talk turns to Murphy's best Oaters. On this occasion, though, it's not because it is operating suspiciously at the low end of the "B" Western scale, or that it is boorish in the formula department, this is actually a case of it being under seen by the last couple of generations of Western fans. A shame because it has much to recommend.

Film basically centres around the two (initial) polar opposite characters finding a mutual respect as they traverse the dusty land back to Texas. Along the way they encounter problems; Apache attack, bounty hunters et al, but they play cards, they fight, with both men getting ample opportunities to either escape or wound, but mostly they talk. Wonderful dialogue driven chat from the Huffaker (Rio Conchos/The Commancheros) pen. This isn't in the same league as the psychological smarts laden 3:10 to Yuma chatter between Heflin and Ford, no sir, but it's well scripted and boosted considerably by the chemistry between Murphy and Sullivan.

It's an odd couple physically, especially in the early parts as Seven has Greenhorn traits to overcome, but the guy's odd friendship does become believable. When Seven says late in the day that there's no man he trusts more than Flood, we understand why, because Keller (Day of the Bad Man/Quantez) and Huffaker have done great work in bringing the characters and actors to life. There's extra spice in the beans, too, with knowledge given to us of what Flood has done with his guns and what Seven is irked by in his past, he has a calling but is it a burden?

There's enough action in here to please the undemanding Western fan, with gun play, fist throws and show downs (look out for a nice stunt leap off of a wagon), while there's the odd smattering of heroism such as Audie saving a dog from a bird of prey! A potential romance angle (no not between the men) is very low key and not a hindrance, McIntire and Tobey impact nicely with their respective performances and Nevada's Red Rock Canyon forms a magnificent back drop (bravo Ellis Carter). But this is all about Murphy and Sullivan and the care and consideration afforded them by Messrs Keller and Huffaker. Far from perfect for sure, anyone will find holes in this sort of production, but forgiveness is not hard to come by when it plays out so damn well. Hey! The ending is a real beaut as well. 8/10

Footnote: I viewed the film from British TV, Dave Channel. A lovely print that only makes me lament there's no widespread DVD release for this film. There is a very expensive Region 2 French DVD available from certain outlets, the quality of which I can't vouch for.

One source I regard as essential when it comes to Westerns is a book by Phil Hardy called " The Western " and forming volume 1 of the Aurem Encycopedia of the cinema .It lists genre movies by year with potted critical reviews .Except that it does not give this robust and unusual little movie its own review relegating it instead to an appendix where it is mentioned but not singled out for comment

Bad error from a normally reliable writer because this is a most enjoyable movie .Murphy plays a neophyte Texas Ranger with the somewhat cumbersome name of Seven Ways From Sundown Jones .He is sent in company with a grizzled veteran to track down Jim Flood a charismatic and freethinking outlaw .Jones captures Flood but not until his partner is killed and he begins the task of returning Flood to captivity .Flood turns out to be a likable man and a friendship develops between the two men whose journey is interrupted by bounty hunters and Indians before reaching its climax at Rangers headquarters

Sullivan is outstanding as Flood and Murphy is more than competent as the Ranger and there is a strong supporting cast

Check this out .Its well made ,well acted and well written .It should not be forgotten or overshadowed by other bigger movies

Audie Murphy is a rookie Texas Ranger assigned by Ranger Lieutenant Ken Tobey to accompany John McIntire to track down and apprehend noted badman Barry Sullivan. McIntire is killed, but Murphy takes him and they have one interesting journey back.

The film is kind of The Comancheros in reverse with a younger Texas Ranger bringing back an older outlaw. Like Stuart Whiteman with John Wayne, Sullivan is full of tricks and charm, but Murphy is up to it.

The whole film like The Comancheros depends on the chemistry between Murphy and Sullivan and they do it have it. It makes watching Seven Ways from Sundown good fun and you don't think about some glaring plot holes and some rather specious character motivation for the main and supporting characters.

The title comes from the fact Murphy's dad numbered rather than named his children. And Murphy's mom embellished the numbers with some additions, One for the money, Two for the show, etc.

Hey it could happen. I was in Fort Polk, Louisiana back in 1971 with a guy named John Twenty Five in basic training. Having seen this film in the theater way back when it was always on my mind during that rather grueling period of my life with Mr. Twenty Five.

Highly enjoyable movie find our hero Seven in pursuit of famed super villain Flood (Barry Sullivan).

As usual Murphy delivers as he transitions from naive rookie to seasoned professional all the while being casually manoeuvred by Sullivan.

As good as Murphy is in the movie, its Sullivan who really owns the film. Playing the suave, charismatic and in an odd way loyal baddie moving from town to town almost as a Robin Hood type persona. He manages to swash buckle his way through the film without a cutlass or a parrot!

Have fun watching this one :)

Seven Ways From Sundown Jones (Audie Murphy) must bring in outlaw Jim Flood, who tries to win Jones over to his side with charm and a fun loving personality. Does Jones put friendship over justice? Does Flood underestimate the green lawman? Watch and see.

Audie Murphy stars as Texas Ranger who has a long and strange name, and Barry Sullivan plays Jim Flood, the outlaw Audie has to bring back to face justice, but it's isn't so easy. There's injuns, bounty hunters en route and, most dangerous of them all, Jim Flood's charm. Sullivan plays an outlaw with a lot of charm and he's quite cunning, but so is Audie. There's a nice little twist regarding Seven's late brother who been killed by Flood, good dialogue ( especially Sullivan's lines) and an engaging plot that keeps everything simmering. It's a bit slow in the beginning but it picks up later. However, the main attraction of this film is Murphy's and Sullivan's interplay; they are different as night and day and that makes it interesting.

Good film with deft performances from all concerned with continual element of surprises , thrills , humour and turning of the tables . Revolving around a lawman : Audie Murphy , nicknamed "Seven Ways from Sundown" Jones- thus the title- joins the Texas Rangers , as he puts on a badge as a Texas Ranger , accompanying ranger-veteran Hennessey : John McIntire . As his first assignment is to capture the bad guy , skillfully played by Barry Sullivan. Catching him, in New Mexico, is not near the job that getting him back to a Texas jail . Along the way , Audie has to escort back to justice, while must fight and standing against impossible odds , as he has to confront outlaw Sullivan , gunmen and Indians . On the way back to town the two develop a special relationship and while turning-of-the-tables and passes up numerous chances to escape - but in the end Sullivan "asks for it" and Murphy obliges.

An intelligent and brooding Western with a great main and support cast giving awesome interpretations , concerning a curiously close relationship between amiable Audie and wily gunslinger Sullivan . Decent and enjoyable Western with magnificent interpretations from Barry Sullivan and Audie Murphy and a splendid plethora of secondaries . An intelligent , adult and impressively tense Western based on a story and screenplay by Clair Huffaker . The inventive storyline has the vein of humour that keeps this sort of movie going well , and of course , adding usual fights and shootouts , here with a subtle difference . A top-notch cast under superb direction by Harry Keller makes this movie notable in every aspect , being shot on Universal International Pictures scenarios and locations that serve to increase the mood of extreme tension .This acceptable , simple , powerful picture tells a peculiar and likeable relationsip , though , ultimately , things go wrong . Hollywood production full of interesting characters , shootouts and intense drama . This ¨Seven Ways from Sundown¨not the best Western ever,...but pretty darn close . Director managed to create a nice work of art with fine acting , appropriate scenarios , and attractive plot . It provides wonderful sociological lessons that are timeless and transcend the genre . Bursting with appealing , top-drawer characters, including adequate filmmaking and interpretation . The confrontation results to be tense , charged and riveting . This is one of a clutch of acceptable horse operas Universal International Pictures made in the forties , in the late 50s and the early sixties . Here Murphie is again the kid , giving an agreeable acting as ¨Seven ways from Sundown¨whose father numbered the kids and the mother embellished the numbers . While Barry Sullivan is Jim Flood, a famous outlaw who eluded the law for years . They are well accompanied by gorgeous Venetia Stevenson , and an extraordinary plethora of secondaries as John McIntire Kenneth Tobey , Mary Field , Suzanne Lloyd , Don Haggerty , Jack Kruschen , among others .

Thrilling and atmospheric music by Irving Gertz and William Lava . As well as colorful and brilliant Cinematography by Ellis W. Carter. The motion picture was efficiently produced by Gordon Kay and professionally directed by Harry Keller . Harry worked at Republic Pictures , specializing in westerns , where he shot a lot , such as : Phantom Stallion , Red River Shore ,Paso Stampede , Bandits of the West , Savage Frontier , Marshal of Cedar Rock , Thundering Caravans , Black Hills Ambush , Rose Cimarron , Fort Dodge , Stampede , Desert of lost men , Tarnished and most of them starred by Allan Lane and Rex Allen . When that studio folded he went to Universal, directing westerns again : Quantez , Gundown at Sandoval , 6 Black Horses , interspersed with some dramas/thrillers : Step Down to Terror , Man Afraid , Voice in the mirror , Female Animal , comedies : Tammy and the Doctor and war pictures : In Enemy Country. In the late 1960s he stopped directing films and started producing them, although he did keep his hand in directing TV shows. And making TV Westerns : Texas John Slaughter : Stampede at Bitter Creek ; Texas John Slaughter : Wild times . Keller gained some degree of fame as the director called in by Universal to reshoot scenes from Orson Welles' masterpiece Touch of evil (1958), and by most accounts -including Welles'- matched Welles' style quite well . Rating . 6.5/10 . Better than average western . Well worth watching , exciting stuff .

A little western ,definitely off the beaten track ; a ranger/outlaw relationship you do not see every day;when one first meets the renegade ,he's taking with a brat,near the water ;theIr conversation deals with the sturgeons,that provide the European crowned heads with caviar .Later ,the prisoner and his escort does not really act as you expect ; "Seven Ways of Sundown " (youthful Murphy)has probably never got over his big brother 's loss and is looking for a replacement ;his prisoner is a bon vivant , who tries to strike up a friendship with the ranger :together,they would almost rule the world ,should one believe him .

Although we guess very soon who's responsible for the death of the brother, the ranger/prisoner relationship is not derivative ,it's really endearing.

In this western starring the experienced and capable actor Audie Murphy and the veteran actor Barry Sullivan, Murphy is a somewhat green Texas ranger who is reluctantly sent to bring the outlaw Jim Ford to justice in New Mexico:the setting of New Mexico is, in truth, Utah. Jim Ford is a suave, intelligent man who is, nonetheless, dangerous. In the story the two cross a long, seemingly-never-ending desert, fighting off Ford's enemies, the enemies of Seven-Ways-From-Sundown(Murphy's character's name) and fighting the Indians, who are the enemies of both men. Though Seven-Ways-From-Sundown is, again, inexperienced, he is completely determined to bring Ford back. Though the movie seems somewhat long, no one is jaded from watching it. It is slow-moving but maintains the attention of the viewer(s). A great flick.

An Audie Murphy Western from 1960. Murphy plays a Texas ranger tasked w/bringing in a charming desperado. Once caught & led back to justice, Murphy & Jim Flood, played by Barry Sullivan, soon become friends even though Sullivan may be a helluva guy, he's a clear cut sociopath (in the film's opening he races from a saloon w/guns a-blazing & for good measure he sets the establishment on fire). What is essentially the same plot for another Murphy oater, 1954's Ride Clear of Diablo, w/Dan Duryea playing the Sullivan part, the film is stacked in Sullivan's favor even though by no stretch of the imagination does he engender any audience sympathy. Look for John McIntire as Murphy's partner, Kenneth Tobey as a fellow ranger & Jack Kruschen who memorably played Dr. Dreyfus in The Apartment which he received an Oscar nomination for in the same year.

When I saw this picture for first time in 2008 I'd stayed baffed over a B-movie having many elements to catch the audience through the charismatic leading roles, Audie plays a naïve newbie Texas Rangers where his older brother served and sadly died under shady circumstances, when he reach at Texas Ranger headquarter introducing himself by his odd name Seven Ways from Sundown Jones, he quickly is assigned to a tough task with the friendly Sergeant Henessey (John McIntyre) to track down the deadly outlaw called Flood (Barry Sullivan), during the chase Henessey was killed by a surefire gunshot by the skilled Flood, however Seven got a perfect shot with rare dexterity with rifle at long distance overthrows him to the ground.

Seven takes care Flood at a little cabin nearby a sort a Flood's hideout, already previously forewarned by the Henessey that Flood will tries everything to deceive Seven by all means, along the long ride journey back Seven will gaining empathy of Flood even Seven finding him a crook, nonetheless the chemistry between them is growing faster, also Seven realizing some traits overall, how it will ends up??

A new brand restored DVD just come out with the classic dubbed version, fabulous colorful frame, tasty Audie's picture perhaps its best at my our look, Sullivan's acting is another highlight with his black & white clothes as the badmen often wore, also charming with ladies with dubious life of course, fully treacherous and unpredictable rising the movie to another level, real classic minor picture.

Thanks for reading.

Resume:

First watch: 2008 / Source: Cable TV-DVD / How many: 3 / Rating: 8.

I remind Harry Keller for three westerns: QUANTEZ, DAY OF THE BAD MAN and SEVEN WAYS FROM SUNDOWN; OK, he also surprised us with a "dry" Esther Williams' thriller: UNGUARDED MOMENT. But that's all, forget the rest, and I don't speak of his debut at Republic Pictures in grade Z westerns - ancestors of TV series for westerns, only one hour long, even less, as were RG Springsteen and Thomas Carr too in their early career days, before the mid or late fifties when they got bigger budgets. So, back to this splendid western, yes, it is worth for the story and not only, character symphony between Audie Murphy and Barry Sullivan is awesome. This is one Murphy's best, besides NO NAME ON THE BULLET, where he plays a total different character. A great little western.

A very poor movie by any stretch of anyones imagination. Not even a top notch performance from Barry Sullivan could save this dreary western. Hard to believe this movies only went for 87 minutes. It really felt for like a 2 hour movie. The problem with the movie really does lay with Audie Murphy's character Seven Jones. Maybe it was Murphy's performance as Jones or could have been the character himself but it was just a boring performance. Jones character just didn't develop from being nothing at the beginning to being nothing at the end.

The movie had the typical western Indian attack which added nothing at all to the movies. But hey you can't have an Audie Murphy movie without Indians.

A young and attractive Venetia Stevenson is the the romantic interest for Murphy, but outside of that there is nothing to her character.

Watch this movie if you wish, but be warned its not very good and I doubt you will watch it a second time.

I don't mind Audie Murphy movies, but this one proved something I have always thought in that he cannot act.

I've never been a fan of barry sullivan since he's always come across as too full of himself ..." forty guns " " a gathering of eagles " and " harbormaster " comes to mind ... he just isn't shrewd enough to overcome audie's down home appeal and common sense along with his duty to get the job done in spite of all obstacles