Denys de la Patelliere in unlikely to belong in anyone's Pantheon of great directors but his straightforward, understated style suits this material admirably.
Adapted by the director and Réne Havard from the latter's novel, the film's slow pacing enhances the dynamic between the five protagonists whilst the editing of Jacqueline Thiedot maintains the tension throughout, especially in the gripping minefield sequence.
The film also has the brilliant Michel Audiard written all over it with many quotable lines, not least "Two sitting intellectuals won't go as far as one walking brute." The 'intellectuals' in this instance are played by Charles Aznavour and Maurice Biraud whilst the 'brute' is, unsurprisingly, Lino Ventura. Making up the quintet are Germán Cobos, here 'dubbed' by Marcel Bozzufi and Hardy Kruger whose role as an infuriatingly clever German made him perfect casting as the even more infuriating Dorfmann in 'Flight of the Pheonix' four years later.
For those interested in such things, should the ongoing musical theme sound familiar, it is an arrangement of the nineteenth century French Christmas carol 'Les Anges dans nos Compagne'
Once again Charles Aznavour's screen presence overcomes his diminuitive stature and he fulfils the promise of his earlier performance in Franju's 'La Tete contre les murs' whilst the role of Theo not only solidifies Lino Ventura's popularity but also enables him to shake off his 'gangster' image. De la Patelliere was one of Jean Gabin's preferred directors during his later years and as Ventura matured he was to assume Gabin's mantle.
Inspired by the true story of two soldiers, a German and a Dane who aided each other having lost their way in Finland, the message of this piece is that even in the worst of times, Humanity can transcend borders and nationality.
