User reviews

CARTOUCHE (3+ outta 5 stars) Rousing comedy-action-drama about a rascally rogue in 18th Century France who is a sort of a cross between Zorro and Robin Hood... except that he's not necessarily helping the less fortunate so much as helping himself. No matter, as played by Jean-Paul Belmondo he is a charming hero... even when committing the unpardonable sin of wooing another woman while he has the steadfast love of the most beautiful woman in all of Europe (Claudia Cardinale). For those who love a good swashbuckler, this movie won't leave you disappointed. I found this movie tremendously entertaining, even in spite of the atrocious American dubbing. I will probably wind up giving this movie an even better rating when I finally get a chance to see it in its original language. Tired of his talent for thievery being exploited, Cartouche brazenly challenges the authority of the leader of the city's criminal population. Biting off a bit more than he can chew at the time, he takes a position in the French military. He and his new comrades not only manage to make off with a fortune in gold, but Cartouche wins over the ridiculously beautiful gypsy-thief Venus (Cardinale). Cartouche proves himself to not be without flaws... which gives the rousing finale an extra bit of resonance. Classic adventure movie-making... you don't see many movies like this anymore!

In the 18th century, Louis De Bourguignon nicknamed under the name of Cartouche , (Jean Paul Belmondo) is acting with the Malichot (veteran Marcel Dalio)'s band , but their manners are too unethical for him . He creates his own gang , turning into a French Robin Hood , including his Merry men (Jean Rochefort still today playing and deceased Jess Hahn) ; the thief Cartouche takes over the Parisian crime syndicate making dangerous robberies of the rich people, and even distributing the supplies with the poor people ; furthermore he falls the entrapments of love . Thus , Cartouche attracts the people's sympathies , Venus's love , and hatred from the authority and enemies . Later on , Cartouche and his partners participate in Seven Years War , France against Prussia, where are decorated and considered as heroes. Cartouche/Belmondo is cool as the adventurer who finds risked situations while trying rob the shipments and save mistress in distress . Cartouche is betrayed but he can getaway all the traps they set at him . Meanwhile , he falls in love with two women , Isabel (a ravishing Odile Versous) and his gypsy-girlfriend (a beautiful Claudia Cardinale) . Eventually , he will be saved by a girl , at her own cost .

This is an amusing film that contains noisy action , comedy , thrills , duels , audacious adventures , fencing and many other things . This is an agreeable entertainment juvenile romp well written by Daniel Boulanger , Charles Spaak and the same director Philippe de Broca . The movie displays in grandiose style swashbuckler , heroism , rousing action , swordplay , slapdash , overwhelming fights, fist-play and humor with tongue in cheek . This release has some nice and even hilarious moments here and there , though isn't always interesting , sometimes is diverting and fresh and on a couple of sympathetic occasions is frankly delicious . This adventure movie with a high budget packs breathtaking places , spectacular scenes , luxurious scenarios and amusing plot . Dashing Belmondo sports an inimitable smile while fights and loves ; as usual he combines action with comic episodes . It deals with Louis Dominique or Cartouche , splendidly performed by Belmondo , recently become a big star , he is fine as the hero of this exciting story . Jean-Paul is very nice , he ravages the screen , he jumps, leaps and bounds , hits and runs . Belmondo steals the spectacle , he's a complete show and as usual at the time he makes as his own stunts . Jean-Paul always performed all the stunts himself but ceased to do so after the accident during the filming of ¨Hold Up¨(1985) . Enjoyable acting by main star names , as a gorgeous Claudia Cardinale playing as his gypsy-sweetheart , she's in her splendor of Mediterranean beauty ; in addition Jean Rochefort and Jess Hahn as his two likable underlings . Special mention to sympathetic Marcel Dalio as roguish and mean Machilot .

It's enriched by glimmer cinematography reflecting spectacularly colorful outdoors and glamorous interiors by cameraman Christian Matras , shot on location in Aveyron, Béziers, Hérault, Guermantes, Seine-et-Marne, Lagny-Sur-Marne, Seine-et-Marne, Pézenas, and Senlis, Oise, France . Wonderful musical score by the classic George Delerue who composed a lively as well sensitive soundtrack . The motion picture was well directed by Philippe De Brocca , an expert on adventure genre , many of them starred by Belmondo , such as ¨That man from Rio¨, ¨Up to his ears¨, ¨Le Magnifique¨, ¨L'Africain¨, ¨L'incorregible¨ , ¨Le Bossu¨ and of course this ¨Cartouche¨. This standard and entertaining 6o's swashbuckling that combines with certain gusto all staples of the genre to be liked for Belmondo and Cardinale fans. Rating : Good , worthwhile watching .

Louis-Dominique Cartouche (1693-1721) was one of the two famous brigands in France of the XVIII th century the other being Mandrin the smuggler.Cartouche's "career" took place during the Regence (interregnum Louis the XIV th /louis the XV th) whereas his colleague appeared later under Louis the XV th 's reign.He was another Robin Hood ,stealing from the rich and giving to the poor (not only legend).He was a gallant man,seducing many women , collecting the lovers .In the movie ,"Venus" (Cardinale)might represent some of them.His relationship with an aristocratic woman (Odile Versois in the movie) is plausible for he had friends in the nobility .Once he had dinner with one of these high born ladies and he thought her champagne was undrinkable:the day after ,he sent a case of bottles to her.The tragic death of Cartouche is not shown in the movie:like Mandrin ,and like other brigands ,he perished on the wheel ,a terrifying torture .

Belmondo who was also De Broca's "L'Homme De Rio" is a dashing handsome chivalrous Cartouche .He gets good support from a stellar cast .The last scene,often praised ,is ,with the "burying at sea" scene of Enrico's "Les Aventuriers" ,one of the most beautiful scenes of the French cinema of the sixties!And,no,they were not Nouvelle Vague ,either De Broca or Enrico !

While this certainly isn't one of the deeper or meaningful costume dramas I have seen, I must admit it's a lot of fun--even though the character played by Jean-Paul Belmondo is crazy when it comes to his relationship with the lady played by Claudia Cardinale. It's in many ways a re-telling of the Robin Hood story in 18th century France--with a much more flawed main character. Like Mr. Hood, Cartouche steals from the rich and gives to the poor, but unlike Robin (who was quite happy with Maid Marion, thank you very much), once Cartouche got the girl of any man's dreams, it just wasn't good enough. Claudia Cardinale played a ravishing young thief who was desperately in love with him and ultimately would do anything for Cartouche--and the idiot keeps looking at other women! Ultimately he understands the stupidity of this, but by then it's just too late.

The story excels when it comes to exciting fights and costumes. However, at times, it lets the viewer down because the mood of the film seems to shift too much--almost like there were several versions of the film and they morphed them together. On one hand, it's a romance and in that department it does an excellent job. On the other, it's an exciting adventure yarn and once again it succeeds in this department. But, at some points in the movie (particularly when Cartouche is in the army), it also tries to be a pretty broad comedy. I actually think the film might have been better if the entire thing had been comedy or they removed the comedy altogether. It just seemed disjoint and odd the way it changed styles. However, regardless of this, the film is still worth seeing and is a lot of fun.

One of those movies I remember fondly watching in my youth. Cartouche is a fine swashbuckling costume drama set in the 18th century in France, a fine mix that gives us some Musketeers, some Robin Hood, some Cyrano de Bergerac. If you are interested in historical adventure movies, this one waits for you - and watching Belmondo and Claudia Cardinale is for sure not the worst way to waste some spare time.

I had previously watched this eons ago one Sunday night on Italian TV – a film that has easily come to be universally considered as France's finest offering to the swashbuckling genre and, with this in mind, it more than holds its own alongside Hollywood's best similar offerings. What gives this added texture, then, is the authentic feel for 18th century France (stunningly rendered in widescreen color cinematography by the distinguished Christian Matras, who was particularly adept at this sort of thing), a quality that is undoubtedly further enhanced by a typically wonderful Georges Delerue score; incidentally, listening to it once more, I realized that the lovely romantic theme here was very much a dry run for his celebrated, haunting work on Jean-Luc Godard's CONTEMPT (1963) – which has for some time firmly insinuated itself among my all-time favorite movie scores!

Of course, the film finds star Jean-Paul Belmondo at the peak of his powers as the amiable titular rogue; however, his supporting cast – headed by luscious Claudia Cardinale, an atypically villainous Marcel Dalio, as well as Jess Hahn and Jean Rochefort as the hero's rowdy copains – is no less impressive. With respect to the action sequences, the swordfights aren't as plentiful as I had expected, though certainly vigorously handled all the same. As a matter of fact, another element that distinguishes it from contemporary outings in the prolific genre (even where French cinema is concerned), is that there is a good deal more emphasis here on brawling and (especially) romance – with Cartouche (actually a nickname) largely neglecting devoted commoner Cardinale for the amorous attentions of an unattainable aristocratic lady until it's too late. Unusually, therefore, this comes with a downbeat ending in which the heroine sacrifices herself to save her lover from an assailant's arrow – which is then followed by a beautiful and moving funeral rite.

For the record, this was the first (and best) of director De Broca and star Belmondo's many collaborations which, box-office-wise, peaked with their next one, THAT MAN FROM RIO (1964), which I also own; incidentally, I have its follow-up UP TO HIS EARS (1965) as well albeit in French without the benefit of English subtitles! I would also love to catch up with the others – LE MAGNIFIQUE (1973) and L'INCORRIGIBLE (1975) – which look to be quite fun from the theatrical trailers I caught some time ago in a French Belmondo Box Set. Furthermore, De Broca would try (and relatively succeed) in recapturing the spirit of CARTOUCHE many years later with a much-filmed swashbuckling property LE BOSSU (1997). By the way, the low-budget Italian production of 1954 which also goes by the name of CARTOUCHE and stars Richard Basehart apparently has nothing else in common with this one (being, for one thing, a much-inferior product). One final thing: although the film under review is also available as a Special Edition DVD in France, I opted for the cheaper, barebones R1 disc from Anchor Bay given the prohibitively expensive shipping charges and the typical unavailability of English subtitles on the included audio commentary!

Those who like the genre should not miss the (rare) occasion to see this movie. It is a splendid cloak and dagger story, full of adventures, fights and love. Of course, somewhat incredible at times. Unforgettable is the scene in which the bandit Cartouche (Jean-Paul Belmondo) with the corpse of Venus (Claudia Cardinale) in his arms demands jewels in ransom from French nobles, in order to have a treasure to be buried with his beloved Venus, who has been killed in a fight.

This lush and lively swashbuckler is notable for it's slapstick humor and blatantly romantic finale. The silliness works thanks to director DeBroca's whimsically light touch and Belmondo's atypical athletic charm. It's an elegant and sumptuous looking production and a surprisingly romantic adventure. The ravishing Ms. Cardinale alone is worth the price of admission. Delightful in spirit, charming in delivery, with appropriately gorgeous music by Georges Delerue. The superb widescreen DVD from Anchor Bay is the best way to appreciate this movie.

The average rating found on this site surprises me, honestly. I consider it to be the pinnacle of 1960's filmmaking.

Unfortunately, this film has been lost in the archives.

It is a good film because it succeeds in arousing in the spectator a great variety of emotions: the suspense due to the adventure, the romance due to the love relationship of the protagonist, the laughter due to the burlesque elements of the beginning or the anguish towards the third act.

This is due to the successful mix of genres that is manifested during the progression of the story: satire, romance and adventure.

Belmondo plays a character whose lack of humility and loyalty is glaring, but whose courage and sense of economic justice are admirable! And he plays beautifully with his reluctant face and charming eloquence.

Cardinale, too, is admirable in her role, which impresses not only with her looks but also with her ambiguous vulnerability of character. Her funeral was quite memorable.

Furthermore, I particularly appreciated the part of the budget devoted to the visual reconstruction of the period. In short, the part devoted to the design of the production.

The location, the south of France, was also a positive element for me.

Finally, the music is also triumphant.

one of many adventure French films, exploitation of a literary genre and few actors who gives force and charm to a sort of characters. but it is only a first sigh verdict.the story, the fight scenes, Belmondo, Cardinale, Jean Rochefort makes a fine difference in this case. and basic virtue is the vision of director who know transform the plot in axis of seductive show. best part - the end. and science to not present only silhouettes of heroes but realistic figures, mixture of revolt, innocence and humor. a memorable film for old generations but , in same measure, a challenge for present. romance and adventure. and the lights of a splendid French art period.