Fury of Achilles

I remember watching this as a child on TV and so when I finally had the opportunity to watch this recently on DVD, I wondered if it would still impress me and I wasn't disappointed. I've always been obsessed with Homer's Iliad and am still waiting for someone to put a more "definitive" version of this literary classic on screen. This movie is typical of the "sword and sandal" films of the period but better than most. The story pretty much follows the story of the Iliad fairly accurately. The Iliad is the story of Achilles and thats the theme of the movie. It also ends where Homer's Iliad ends with the ransom of Hectors body. The Gods, while not extremely obvious are also part of the story and tangible as in the original Iliad, in contrast to the absence of the Gods in the larger budget versions such as "Helen of Troy" (1956) and "Troy" (2004). I definitely recommend this movie for anyone who enjoys the sword and sandal films of this period. Its not a great movie but I was happy the film was faithful to the original story.

for many reasons, Gordon Mitchell was not the most inspired option for the role of Achilles. but this choice becomes a small detail across the film. because , "Fury of Achilles" has a first virtue - it is different by the Italian movies , inspired by the mythology/history of Old Greek / Rome. motifs - Iliad is not a pretext for fight scenes and love stories but source for an adaptation who use accuracy as one of its virtues. the second motif, the acting who could not be reduced at good intentions. and the beautiful cinematography. so, "The Fury of Achilles".

"Fury of Achilles" is one of the few worthwhile films on the subject of "The Iliad." Achilles ( a fierce Mitchell) and Hector (a rugged Bergerac) both carry the film..and are well portrayed and the plentiful action is believable and well-staged. Like other fans of this film, I marvel at the superior product of a modest budget which far outshines the overblown "Troy." The only faults were the misrepresentation of the relationship with Patroclus and the fact that Queen Helen is neither seen nor barely even alluded to. And oddly, the audience doesn't get the fulfillment of the prophecy, the death of Achilles (by being shot in his heel) For these reasons, I would rank Robert Wise's "Helen of Troy" as number one and "Fury of Achilles" as a very close second. All other versions are not even contenders. Mitchell's portrayal of the conflicted Greek hero is a much more interesting and faceted one than has ever been rendered before...and the doomed Hector as played by Bergerac has a worthy rival indeed. It is to be hoped that this film will be restored to its original glory; the prints available on video and DVD currently are too poor a quality to do it justice.

One has to admit that this movie is found in a class of its own when compared to other Italian productions of the same genre. The plot is very true to Homer's epic and the film editing is very good. The only drawback is that the hero, portrayed by Mitchell is quite stiff - unfortunately acting is not his forte. However, fortunately, he is overshadowed by the acting of the other stars and so the result is entertaining in every respect.

This is one of the earliest films I recall watching on Italian TV along with a couple of Maciste efforts; all have not turned up since then, so I was glad to catch ACHILLES again even if in an English-dubbed version (and a rather muddy print at that)! Incidentally, the copy I acquired ran for a hefty 115 minutes (some missing-frames issues probably explaining the 118-minute duration listed on IMDb) – yet, on the "Film.It.Tv" website, its length is given as just 92?!

Interestingly, the film makes for a variation on/companion piece to the superior THE Trojan HORSE from the previous year (though that one actually had an official sequel, albeit emerging a much-inferior product, in THE LAST GLORY OF TROY, also from 1962!). Although Achilles also appeared in the first of those titles, he was given his own 'vehicle' here; curiously enough, since this was helmed by Girolami, it is worth mentioning that his more famous director son – Enzo G. Castellari – would make his own modern-day rendition of The Trojan War with the entertaining HECTOR THE MIGHTY (1972)!

Anyway, muscle-man Gordon Mitchell is Achilles (demonstrating his essential lack of education by bursting into "Hi-yah!" yells when commanding his troops into battle rather than the more formal "Forward!" uttered by his peers Patrocles, Ulysses – played by "Euro-Cult" stalwart Piero Lulli and depicted as a greedy fellow – and Aegamemnon!). The titular rage, then, is certainly present in the hero's characteristics given his frequent outbursts but, obviously, it is a specific reference to the legendary 'unbeatable' warrior's revenge over buddy Patrocles' death when he surreptitiously dons Achilles' armor to face the enemy champion Hector; ironically, though much is made of the protagonist's own death occurring soon after that of Hector's, the film cuts abruptly following the latter's demise!

The film is certainly above-average for the genre but, as I said, still some way behind THE Trojan HORSE (for the record, this had starred Mitchell's rival in the field Steve Reeves) which, by largely eschewing the essentially low-brow nature of this one, had proved among the more literate peplums out there...