Night Creatures

Captain Clegg marks one of Hammer Studios few departures from horror in the '60s, telling the tale of a group of 18th century smugglers who operate from a small village on the outskirts of Romney Marshes, using the local legend of the marsh phantoms as a way of keeping the curious at bay (ala Scooby Doo).

With the always reliable Peter Cushing in the lead, plus able support from Hammer regular Michael Ripper, a young Oliver Reed, and buxom beauty Yvonne Romain, and a plot that includes some spooky elements, the film will undoubtedly be of interest to avid Hammer horror fans, but it does suffer somewhat from a script that features no easily identifiable good guys or villains: Captain Clegg and his gang are clearly ruthless, bloodthirsty criminals, as evidenced from the opening scene in which they punish a man by slitting his ears, cutting out his tongue, and leaving him to die on a desert island (and, as pirates, I'm sure that's just the tip of the iceberg when it comes to their nefarious behaviour); meanwhile, the king's men—who are technically the good guys upholding the law—are obviously intended to be seen by the viewer as the film's baddies.

In the end, it's all a bit of a mess—albeit a rather fun mess with skeletal horses and riders, Oliver Reed as a scarecrow, and Peter Cushing sporting very silly hair.

One of Hammer's finest films yet unseen for years. It has not been broadcast on British television since 1981 when it was under its American title, Night Creatures. But it's a wonderful little movie. Peter Cushing is on fine form as is the ever-reliable Patrick Allen and Oliver Reed gives a nice performance as an innocent young man (as if!) The irreplaceable Michael Ripper gets a bigger role here than in most of his films and shines too with a nice line in sarcasm. The story is fun and the location filming is very pleasant (actually Denham in Bucks and not Dymchurch at all!) but the thing that lifts this movie to classic status is the electrifying scenes of the Marsh Phantoms, a brilliant realisation of real fear. Remarkably considering that the viewer is aware from the start that they are villagers dressed up, their appearance is incredibly convincing! The opening sequence of scrolling scene setting and narration with a faint glimpse of a skeletal figure on horseback weaving through the background is only a hint of the awesome scenes that follow. After that the film settles down to good historical adventure, lively and funny and only occasionally marred by slapstick, as in the fight in the church. A neglected gem from a more simplistic age.

"Captain Clegg" is definitely not the best Hammer movie ever (that is in my opinion "Dracula"(1958) which is one of the best horror movies ever by the way) but it still generates some fine acting and a pleasing 80 minutes of non pretentious fun.

This is not a genuine horror movie,it is more a costume drama with some horror elements but it never becomes scary of gruesome.The best part of the movie is the acting by Hammer legend Peter Cushing.He carries the movie with his usual skills,it is a shame that he was never recognized as a first class actor which he is in my view.Only George Lucas gave him a big time role in the original "Star Wars"(1977).The other actors also do their best.There is a wonderful performance from Patrick Allen and even Oliver Reed is not annoying.

Overall,I can't say that is a classic but it is enjoyable in ways that is difficult to explain.It probably is the strength of Peter Cushing that helps a lot. 6/10

While Britains's Hammer film company made their reputation with remakes of the hoary old horror staple potboilers such as their Draculas and their Frankensteins, their true strength was in the creation of relatively small budget genre films that shone with matchless originality and talent. "Captain Clegg" is Hammer Films at their very best.

The story concerns Captain Collier of the English Customs Service arriving in a small seaside town in search of smugglers and of his old arch nemesis, the pirate, Captain Clegg. he soon discovers that things in the village are not as simple as they seem. For a start, there are the "marsh phantoms" which are more than capable of frightening people to death, and then there is evidence of large quantities of illegal rum. The plot thickens as Collier seizes the trail and as the villagers fight back in ways quite unexpected for people familiar with this kind of story. Captain Clegg is a rare blend of horror, suspense and swashbuckling comedy that would not be emulated until 2003's "Pirates of the Caribbean: Legend of the Black Pearl." The plot is full of twists and evil jokes and never lets anything get in the way of what is after all, simply a rollicking good yarn.

The acting is frequently nothing short of breathtaking. Peter Cushing as the Reverend Doctor Blyss is at the top of his very considerable form and delivers an masterful performance. "Doctor Blyss" is a fully rounded and complex antihero character of undeniable magnetism and amazing power. A young and almost unbelievably handsome Oliver Reed delivers an arch and catlike performance that with have viewers rolling in the aisles on one hand and swooning on the other. Michael Ripper delivers what may have been the performance of his career, his character, "Jeremiah Mipps" is worthy of the great Leonard Rossiter at his best.

"Captain Clegg" AKA "Night Creatures" is not a perfect film, but it is one which has found an abiding place in my heart. A true classic, I cannot remember it without smiling.

Of course being a Hammer fan I am completely biased. How anyone can not fall in love with Hammer films is beyond me (unless of course they watched the wretched 'Dracula AD 1972.' That however is a different review...). The colorized films are gorgeous to look at and 'Captain Clegg,' or 'Night Creatures' as it as also known is no different. Starkly contrasted visual sets make this film a joy to watch.

And then there is Peter Cushing. Cushing is always a joy to watch in any role, but I can't help but feel he must have enjoyed 'Captain Clegg' greatly. No vampires. No Frankensteins. No slime creatures. No creeping flesh. Peter Cushing acts in about as mainstream of a role as there was. Clearly he is enjoying himself and that only helps to make it a better film for the rest of us.

I won't get into plot details other than to say the film is about a group of late 18th Century smugglers in a village trying to outwit a patrol of the King's Revenue collectors. The film is far too short and you'll find yourself crying out for more. It runs at an extremely quick pace from open to close.

Something else remarkable in this film are the vivid characterizations. Hammer often skimps on those and proceeds directly to the monster. This is not the case here. You get to sink your teeth into several of the characters as this is very much as ensemble piece. Oliver Reed is strong, Cushing is magnificent, Michael Ripper is very good, and even Yvonne Romain is given some material to work with. Speaking of her, she turns in a very good performance. There is a fine balance of sweetness and menace she lives in. There are characters who love and seek to protect her and there are other characters with lustier, earthier goals. One particular scene has her working in the tavern serving drinks surrounded by rowdy, lecherous and leering sailors. Her character wants to be anywhere else -- it is hard to miss. She creates such empathy that its a shame as an actress her career wasn't longer. I think this film demonstrates that she great when given the chance to shine.

The most pleasant surprise is the philosophical depth that the film offers. It is in many ways is a meditation on life, on our past and how we may or may not be able to escape from it. The film asks if we are defined not only by what we do, but if the deeds we do can be erased or if we're to wear them forever like chains.

This is a special film which, until recently, was virtually impossible to see. Newly released on DVD, it can finally get the attention it deserves. WATCH THIS FILM. Treat yourself. You won't be disappointed.