The son of a rich Italian industrialist finds out how tough it is to leave the path society has set for him.The son of a rich Italian industrialist finds out how tough it is to leave the path society has set for him.The son of a rich Italian industrialist finds out how tough it is to leave the path society has set for him.
- Awards
- 1 nomination
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- Quotes
Stefano Mattoli: [crying] Father? When did you and mother start hating each other?
Leonardo Mattioli: When we got married. Sleep.
- ConnectionsFeatured in Cinéma de minuit: Cycle Mauro Bolognini (2010)
Featured review
Why is it that quite a few Italian masterpieces are forgotten ? Why is ' Il Mare ', ' Fists in the Pocket ' and ' La Corruzione ' all seemingly lost ? And especially why in the UK they are totally forgotten ? I am not even sure that this great film made it to the UK, and there is no reference to it being shown here. And yet we still have the Fellini films, Antonioni and a sparse collection of Pasolini. It makes no sense that ' La Corruzione ' should be unseen. Jacques Perrin gives one of his finest performances and so does Alain Cuny. The story to me is simple. Why do we all finally give in to the right of the strongest, while those of a gentle and caring nature are destroyed ? I do not see this film as being religious, but it does cry out for higher ideals and that society should not depend upon mechanical responses to life. The ending of the film is overwhelming and in its power beyond anything that Antonioni achieved. I will not spoil it but just to say that it says everything about how apart we are from each other. I disagree with one reviewer about the music. It is one of the best uses of sound, music and its addition to a film, and not its subtraction that I have heard. And why is Schiaffino's beauty mentioned and no mention of the beauty of Perrin during this period of his life ? It is the same old story here and I am not ashamed to repeat it; the ' Male gaze ' remains supreme. Perrin was beautiful, and why is that never voiced, and that he gives his all to every good film that he is in. His eyes alone say more than the dialogue and his greatness as an actor should be celebrated. But to all who can find this film please see it and question the materialist beliefs that this world clings on to. And please, please watch Perrin's face in the final scene, and see with him the ultimate futility of motion that we go through and how we accept its solitary state and the near military movements of our physical pleasures.
- jromanbaker
- Apr 1, 2020
- Permalink
Details
- Runtime1 hour 22 minutes
- Aspect ratio
- 1.85 : 1
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