Dramatizations, cut ups, and psychological experimentation based on the works of William S. Burroughs and Brion Gysin.Dramatizations, cut ups, and psychological experimentation based on the works of William S. Burroughs and Brion Gysin.Dramatizations, cut ups, and psychological experimentation based on the works of William S. Burroughs and Brion Gysin.
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I saw this about ten years ago, and I wish I could find it again. I enjoy Burroughs's writing quite a bit, and it makes sense that he would be drawn into an experimental film. For most people, his involvement would be the main reason to watch this. There's not really anything to give away about the plot. Regardless, I only recall certain moments. If you like his writing and the sound of his voice then you shouldn't be disappointed.
It's difficult to describe this film! A shot list would take some time to compile, despite its short length.
It starts with a still photo of Bela Lugosi (actually, this still is lacking from the print of Towers Open Fire used on Mystic Fire Video's copy, or they accidentally omitted it). Antony Balch, the director, was a particular fan of Lugosi's and used to project Lugosi films (among others) on 16mm film for people to watch in his home. From there on, there's some Moroccan music courtesy of Brion Gysin, and some voice-over from William Burroughs, perhaps reading from some of his works. There's a brief shot of a demonstration of Gysin & Burroughs' cut-up technique, whereby pages are cut into quarters, reassembled and the new text read. Probably anyone watching this unfamiliar with that would not know it from watching this, since it goes by so quickly and unexplained. There are also several shots of Gysin's flicker invention, the Dreamachine, a zooetrope-like device meant to be watched with the eyes closed.
A lot of the editing is really done in a barrage of montage, so it's difficult to see what is flashing before our eyes. There are some shots of Burroughs in a sort of scientific presentation, and also as a gas-masked soldier with a ping-pong ball rifle, and as a radio man giving the order (?) "towers, open fire!"
Very much an experimental film. I don't know what to make of it, but it's quite watchable. I first saw it on the VHS Towers Open Fire and Other Films by Antony Balch from Mystic Fire Video, but it is now also available on DVD as a bonus feature on Synapse's release of Balch's horror anthology film Secrets of Sex (1970) AKA Bizarre.
It starts with a still photo of Bela Lugosi (actually, this still is lacking from the print of Towers Open Fire used on Mystic Fire Video's copy, or they accidentally omitted it). Antony Balch, the director, was a particular fan of Lugosi's and used to project Lugosi films (among others) on 16mm film for people to watch in his home. From there on, there's some Moroccan music courtesy of Brion Gysin, and some voice-over from William Burroughs, perhaps reading from some of his works. There's a brief shot of a demonstration of Gysin & Burroughs' cut-up technique, whereby pages are cut into quarters, reassembled and the new text read. Probably anyone watching this unfamiliar with that would not know it from watching this, since it goes by so quickly and unexplained. There are also several shots of Gysin's flicker invention, the Dreamachine, a zooetrope-like device meant to be watched with the eyes closed.
A lot of the editing is really done in a barrage of montage, so it's difficult to see what is flashing before our eyes. There are some shots of Burroughs in a sort of scientific presentation, and also as a gas-masked soldier with a ping-pong ball rifle, and as a radio man giving the order (?) "towers, open fire!"
Very much an experimental film. I don't know what to make of it, but it's quite watchable. I first saw it on the VHS Towers Open Fire and Other Films by Antony Balch from Mystic Fire Video, but it is now also available on DVD as a bonus feature on Synapse's release of Balch's horror anthology film Secrets of Sex (1970) AKA Bizarre.
The first time I saw this experimental short, it was on a video cassette along with some of Burrough's other shorts called 'Thee Films', produced by Genesis P-Orridge (Psychic TV,Throbbing Gristle,etc.). I watched it late at night,after an evening with friends. As I drifted in and out of sleep, I thought "Wow, am I watching this,or dreaming it?". I kind of figured I should probably switch it off & get some sleep & watch it tomorrow". The next day, I watched it again & thought..."yowza!" Even fully awake, this short (along with the other shorts on this video cassette)is as trippy as the night before. It seems to be a series of images, with little or no connection what so ever (sort of like a dream itself). My favourite seqment is when one of the characters looks up into the sky, and the film goes from black and white to colour (and back again). It's obvious that this film isn't going to be for everybody, but anybody who has a background in Avant Garde/Experimental cinema should enjoy this trippy short (good luck getting your hands on it,as most of the T.O.P.Y. videos are near impossible to get ahold of)
Did you know
- ConnectionsFeatured in William S. Burroughs: Commissioner of Sewers (1991)
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