Four vignettes about the lives of the Cuban people set during the pre-revolutionary era.Four vignettes about the lives of the Cuban people set during the pre-revolutionary era.Four vignettes about the lives of the Cuban people set during the pre-revolutionary era.
- Awards
- 2 wins & 1 nomination
Mario González Broche
- Pablo
- (as Mario González)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe now famous long take that begins at the top of the hotel, then winds around and down into the swimming pool, originally come out of the water and continued. The camera was hand held, passed from crew member to crew member, to make its way down the side of the hotel into the pool. The camera lens had been equipped with a high speed, spinning glass disk taken from a submarine periscope. The spinning disk was installed to fling water drops off of the lens when the camera emerged from the swimming pool at the end of the shot. Much to the disappointment of the camera crew, director Mikhail Kalatozov cut the end of the take, ending it underwater.
- GoofsWhen Enrique gets to the top of the high-rise building he gains access to the roof by stepping through a window with a broken pane of glass. When he returns, the pane in same window is unbroken.
- ConnectionsFeatured in Soy Cuba, O Mamute Siberiano (2004)
- SoundtracksLoco amor
(Spanish-speaking adaptation of the 1958 song "Crazy Love")
Music and lyrics by Paul Anka
Performed by El Duo Los Diablos (as Los Diablos Demonicos)
Added accompaniment music recorded later at the Prado 210 studio
With Chucho Valdés (piano), Guillermo Barreto (drums) and Orlando "Cachaito" Lopez (bass).
Featured review
It goes without saying that this movie includes some of the most breathtaking camera-work ever seen. Many scenes will live long in the memory of anyone who's been fortunate enough to see it. But it seems to be downgraded in many peoples minds by the notion of it being a propaganda movie.
I think its misleading to think of the movie as being 'propaganda' any more than most mainstream movies can be seen as propaganda for a particular way of life or viewpoint. The portrayal of the American characters in I Am Cuba is in many ways more fair-minded than numerous Hollywood or British movies (in the case of James Bond) in the portrayal of Communists or any other perceived enemy. Even anti war movies such as Platoon or Saving Private Ryan frequently portray the 'enemy' as faceless figures who are killed without a thought.
I prefer to see this movie as a love letter to Cuba by some brilliant (but undoubtedly naive) Soviet film makers. The storyline is much more sophisticated and innovative than has been given credit. Many of the characters are stereotypes, but they are still sympathetic and real. The movie is by no means perfect, but to dismiss it as beautiful propaganda is i think to underestimate the skill and thoughtfulness of the team who made it. By overemphasizing the origin of the movie has I think killed the enjoyment of it for many viewers. Just go see it and enjoy the sumptuous imagery. If you want to dismiss it as propaganda, fine, but if it to be seen as propaganda, then so is most of Hollywoods output.
I think its misleading to think of the movie as being 'propaganda' any more than most mainstream movies can be seen as propaganda for a particular way of life or viewpoint. The portrayal of the American characters in I Am Cuba is in many ways more fair-minded than numerous Hollywood or British movies (in the case of James Bond) in the portrayal of Communists or any other perceived enemy. Even anti war movies such as Platoon or Saving Private Ryan frequently portray the 'enemy' as faceless figures who are killed without a thought.
I prefer to see this movie as a love letter to Cuba by some brilliant (but undoubtedly naive) Soviet film makers. The storyline is much more sophisticated and innovative than has been given credit. Many of the characters are stereotypes, but they are still sympathetic and real. The movie is by no means perfect, but to dismiss it as beautiful propaganda is i think to underestimate the skill and thoughtfulness of the team who made it. By overemphasizing the origin of the movie has I think killed the enjoyment of it for many viewers. Just go see it and enjoy the sumptuous imagery. If you want to dismiss it as propaganda, fine, but if it to be seen as propaganda, then so is most of Hollywoods output.
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Soy Cuba
- Filming locations
- Calle M & 23 Ave, Havana, Cuba(rooftop scene: Enrique as a sniper)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $168,100
- Gross worldwide
- $274,098
- Runtime2 hours 21 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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