IMDb RATING
6.2/10
3.5K
YOUR RATING
Teenagers Libby and Kit innocently spend an evening making random prank calls that lead to murderous consequences.Teenagers Libby and Kit innocently spend an evening making random prank calls that lead to murderous consequences.Teenagers Libby and Kit innocently spend an evening making random prank calls that lead to murderous consequences.
Sara Lane
- Kit Austin
- (as Sarah Lane)
Sara Anderson
- Jill Adams
- (uncredited)
Russ Bender
- Police Sgt. Harris
- (uncredited)
Dee Carroll
- Telephone Operator
- (uncredited)
John Crowther
- Tommy Kane
- (uncredited)
Douglas Evans
- Tom Ward
- (uncredited)
Janet Hamill
- Linda Carson
- (uncredited)
Tom Hatten
- Gerald Nyes
- (uncredited)
Glen Vernon
- John Adams
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaJoan Crawford was approached for this film one month after she left Hush...Hush, Sweet Charlotte (1964) due to an "ailment" that prevented her from working (which is believed to have actually been sick of working with her arch enemy Bette Davis). Therefore, William Castle requested that Crawford's doctors sign a statement attesting that she was completely well before giving her the role.
- GoofsDuring the struggle in the shower with Marek and his wife, her hair goes back and forth from wet, dry, then back to wet again.
- Quotes
[repeated line]
Libby Mannering, Kit Austin: I saw what you did, and I know who you are.
- Crazy creditsClosing credit (over picture of phone lines): "The End of the Line."
- ConnectionsFeatured in Coming Soon (1982)
Featured review
What do you say when terror calls? Just the average "hello," or something more terrified?
I'm sorry to say Joan does seem a bit stewed. She acts like a marvelous actress on a binge caught unawares. Her part is miniscule, but she gives it her off-kilter all. John Ireland is here, 10 years after being stung by Joan in "Queen Bee," which everyone has already mentioned. That film was infinitely scarier than this one, with Joan stopping just short of eating babies. Ooh, she was a bad one. In this film she's a bad one of a different sort--bad as in "not good."
Kit and Libby are the two silly acting teenagers that decide prank phone calls are a lovely way to spend an evening. They have several routines, but I don't remember hearing, "Is your refrigerator running?" "Yes." "Then you better go catch it." I guess they decided against using the classics. They go from mocking people ("Is this John Hamburger?") to girlfriend-accidentally-calls-wife skits ("Is --insert name-- there? Oh, this is his wife?!?"). When their creativity runs out (after about two phone calls) they decide to use a planned line--"I saw what you did and I know you are." Well, William Castle asks, what if the person you called actually did something and he thinks you saw him? Interesting idea--presumably taken from the book on which this film is based. Turns out, they ring up John Ireland, who has just committed a felony, and he thinks he had witnesses. Libby is the one that falls for him, I think, and she just gets all hot and bothered. She decides that she has to see a man that has a sexy voice like that, why, he must be just divine. She really fell hard--I felt sorry for her. She said his voice was something like him running his fingers up and down her spine. What has this girl been reading? She gets so frustrated (Freud's type of frustrated, I imagine) that she goes over to his house just to peek in the window. She gets all dressed up to do this, does her hair and puts on makeup, and the other girl (Kit?) is understandably confused. Libby is stomping on the flowers when she meets Amy, the drunken, sex-crazed, incredibly angry and pathetic neighbor.
At this point, things pick up considerably. We've got the rantin' and ravin' of Joan, the stammering and completely terrified girl, and John "Sexy Voice" Ireland. All our characters have reported for duty, and the plot has emerged. Everything is ready to go. I think this is where the film reaches its own little pinnacle of greatness. Joan confronts John (didja know there was also a John Crawford back then?) with the a bunch of incorrect information, but it's just enough to get him riled. From this point on, everyone's in trouble and who can save them now?
All in all, a very enjoyable film, although I don't think it's too terribly frightening. (Joan's hair is scary, as I think someone else mentioned, but that's about it.) It's what one would expect from William Castle. Laughs in a Halloween costume.
I'm sorry to say Joan does seem a bit stewed. She acts like a marvelous actress on a binge caught unawares. Her part is miniscule, but she gives it her off-kilter all. John Ireland is here, 10 years after being stung by Joan in "Queen Bee," which everyone has already mentioned. That film was infinitely scarier than this one, with Joan stopping just short of eating babies. Ooh, she was a bad one. In this film she's a bad one of a different sort--bad as in "not good."
Kit and Libby are the two silly acting teenagers that decide prank phone calls are a lovely way to spend an evening. They have several routines, but I don't remember hearing, "Is your refrigerator running?" "Yes." "Then you better go catch it." I guess they decided against using the classics. They go from mocking people ("Is this John Hamburger?") to girlfriend-accidentally-calls-wife skits ("Is --insert name-- there? Oh, this is his wife?!?"). When their creativity runs out (after about two phone calls) they decide to use a planned line--"I saw what you did and I know you are." Well, William Castle asks, what if the person you called actually did something and he thinks you saw him? Interesting idea--presumably taken from the book on which this film is based. Turns out, they ring up John Ireland, who has just committed a felony, and he thinks he had witnesses. Libby is the one that falls for him, I think, and she just gets all hot and bothered. She decides that she has to see a man that has a sexy voice like that, why, he must be just divine. She really fell hard--I felt sorry for her. She said his voice was something like him running his fingers up and down her spine. What has this girl been reading? She gets so frustrated (Freud's type of frustrated, I imagine) that she goes over to his house just to peek in the window. She gets all dressed up to do this, does her hair and puts on makeup, and the other girl (Kit?) is understandably confused. Libby is stomping on the flowers when she meets Amy, the drunken, sex-crazed, incredibly angry and pathetic neighbor.
At this point, things pick up considerably. We've got the rantin' and ravin' of Joan, the stammering and completely terrified girl, and John "Sexy Voice" Ireland. All our characters have reported for duty, and the plot has emerged. Everything is ready to go. I think this is where the film reaches its own little pinnacle of greatness. Joan confronts John (didja know there was also a John Crawford back then?) with the a bunch of incorrect information, but it's just enough to get him riled. From this point on, everyone's in trouble and who can save them now?
All in all, a very enjoyable film, although I don't think it's too terribly frightening. (Joan's hair is scary, as I think someone else mentioned, but that's about it.) It's what one would expect from William Castle. Laughs in a Halloween costume.
- sadie_thompson
- Nov 16, 2003
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- I Saw What You Did and I Know Who You Are!
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 22 minutes
- Color
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content