I put chiller in quotes, because this is just not thrilling or chilling in any way, It needs to be edited down (almost 2 hours for a thin plot), and the writing and the direction needed to be scaled back -- too much scenery chewing and yelling.
But there are some fun compensations.
The director, William Conrad, was better known as a radio actor, and the small parts of this movie are filled with veteran radio performers: Jeanette Nolan, Howard McNear, Ben Wright, Barry Sullivan, and even Conrad's voice turns up as the helicopter operator towards the end. If you listen to old radio shows, this is a bit of a treat.
The fashions are....well, Jeanette Nolan must be seen to be believed. Her hair is tortured into some demented structure in every scene. One dinner scene has her sporting a tower of hair that Marie Antoinette would have envied. Then there is the part where she has her hair in braids like a coronet, this is the scene where she stays up all night long to make sure that her niece is okay. Bright and early, the next morning, her hair is piled up like a castle battlement with curls and ruffles with an incongruous pony tail sticking straight out the back. When does the woman find the time to do her hair? Does she have a fully staffed beauty salon in her bedroom, or does the long suffering butler (the only servant we ever see) do the hot curler thing in addition to everything else? Her costumes are also flowing caftan like things made of satin. Who really dressed like this? Sorry to go on so much about the clothes and hair, but it was absolutely fascinating, in a bizarre way.
