The struggle of a lady's garment workers' organization to unionize a New York clothing sweat shop; the owner of which is determined to keep the union out of his business at any cost.The struggle of a lady's garment workers' organization to unionize a New York clothing sweat shop; the owner of which is determined to keep the union out of his business at any cost.The struggle of a lady's garment workers' organization to unionize a New York clothing sweat shop; the owner of which is determined to keep the union out of his business at any cost.
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Storyline
Did you know
- TriviaA good depiction of a "sweat shop" that used the "piece work" method of pay. An employee was paid a very low hourly wage in the "piece work" system that paid by the unit. If the worker made enough "pieces" at a certain rate, they would be paid the higher of the two: the hourly rate or the rate based on the number of pieces they produced. They system encouraged employees to work fast and to not take breaks. The "piece work" system was common across the manufacturing industry until unions put an end to it.
- GoofsAbout half way through, when the truck drives forward into the alley past the union 'picketers' towards the elevator. After they kill Tulio the truck is inexplicably turned-around (without room in the alley to turn around) and drives forward out of the alley the same way it came in.
- Quotes
Lee Hackett: [commenting, in a Long Island Lock-jaw accent, on clothes modeled in a fashion show] Do notice the movement in the back. It really talks. Backtalk is terribly important this season.
Buyer: Do you think that back will talk?
Lee Hackett: Even in Scranton.
- ConnectionsReferenced in The Exiles (1961)
- SoundtracksO Sacred Head, Now Wounded
Written by Hans L. Hassler (d. 1612)
Performed on the organ at the second funeral
Writer-producer Harry Kleiner reportedly changed directors, from Robert Aldrich, to Vincent Sherman, which may be why this interesting drama doesn't live up to its potential. He does get great black-and-white photography (by Joseph Biroc) and a fine cast. Cobb starts out strong, but confusingly becomes a supporting player. In his best moments, Cobb channels his "On the Waterfront" (1954) role. His character otherwise wavers between indistinct and naive. Consequently, girlfriend Valerie French (as Lee Hackett) gets very little to do. Leading man Matthews receives lackluster introductory scenes, upstaged by Cobb and women who are stripped to their underwear. Mathews gets stronger, but seems left to his own devices...
The real female lead is Gia Scala (as Theresa), as the wife of union organizer Robert Loggia (as Tulio Renata). While also good, she loses spontaneity. One of Mathews and Scala's most memorable scenes is a good example. On a pivotal evening, Matthews, Ms. Scala and her baby stop at a bar. She unbuttons her shirt to breast-feed the baby, but moves to another booth for privacy. After however many rehearsals and retakes, you still have to move around the booths like it's the first time. It's a fine scene, but could have been better. There are also jagged moments; a man enters a room too suddenly, for example, and a banister shakes like it's a prop. While the flaws stand out, much of "The Garment Jungle" fits nicely.
****** The Garment Jungle (1957-04-25) Vincent Sherman ~ Kerwin Mathews, Lee J. Cobb, Gia Scala, Richard Boone
- wes-connors
- Sep 25, 2015
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Details
- Release date
- Country of origin
- Language
- Also known as
- Garment Center
- Filming locations
- Manhattan Center - 311 West 34th Street, Manhattan, New York City, New York, USA(exterior shots of the funeral)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,050,000 (estimated)
- Runtime1 hour 28 minutes
- Color
- Aspect ratio
- 1.85 : 1