Il Grido

Films like Il Grido are nearly impossible to qualify or calculate on any real scale simply because they do not adhere to conventional rules of filmmaking. Michelangelo Antonioni's existential journey is very episodic in nature as we watch a self-contained man travel away from his lover in search of more fulfilling relationships after she turns down his marriage proposal. What follows may or may not make an emotional impact on the viewer as it is very languid pacing and tediously told. Antonioni fills the screen with endless long shots and long takes of the most desolate, empty and vast areas possible, especially for a country known to be so vibrant and fruitful as Italy. This seems to represent the protagonist's soul, his yearning for some sort of satisfaction that he cannot seem to grab a hold of. Despite the downtrodden mood of the film, it is a captivating journey, exploring the depths and lengths to which humans seek pleasure in any form. Of course, this assumes that pleasure is the right word.