IMDb RATING
7.6/10
5.6K
YOUR RATING
A man wanders aimlessly away from his town, away from the woman he loves, emotionally and socially inactive.A man wanders aimlessly away from his town, away from the woman he loves, emotionally and socially inactive.A man wanders aimlessly away from his town, away from the woman he loves, emotionally and socially inactive.
- Awards
- 3 wins & 2 nominations
Gabriella Pallotta
- Edera, her sister
- (as Gabriella Pallotti)
Jacqueline Jones
- Andreina
- (as Lyn Shaw)
Pietro Corvelatti
- Fisherman
- (uncredited)
Elli Parvo
- Donna Matilda
- (uncredited)
Storyline
Did you know
- TriviaMichelangelo Antonioni's first collaboration with his future muse and lover, Monica Vitti. Although Vitti doesn't physically appear in the film, she dubbed the Italian lines for Dorian Gray.
- GoofsAll entries contain spoilers
- ConnectionsFeatured in Cinema Paradiso (1988)
Featured review
Known as "The Outcry" in the U.S. A wonderful if disturbing film about alienation and modern society. Not for those who like bouncy, happy films.
The great though relatively forgotten American actor Steve Cochran is near perfect as the worker who finds he cannot communicate, with those he loves, and so begins a downward spiral towards a state of mental disintegration. What is interesting are the Marxist and Freudian overtones that Antonioni puts on the character. The protagonist as the result of his economic position in a capitalist society ( he only has his labour to sell) is uprooted from his community and therefore alienated from his environment, and so becomes alienated from those he loves. The harder he tries the more he withdraws until he perceives he can suffer no more.
Cochran always was very good at playing "heavies" or "playboys", and here he manages to bring both to his underdog character who is strong, brutish and handsome. At the same time he manages to convey the loneliness and vulnerability the character lives through showing that those attributes are not enough to survive.
Antonioni directs with a sure hand a picture of a successful, postwar, industrial Italy where everything is not as easy as it seems. Needless to say the film is in black and white and photographed in grainy neo realist style. The landscapes, in true Antonioni fashion, are bleak, and the loneliness and isolation from others is reflected in the distance between buildings. The leisured pacing, adds to the feeling that life drags on without change.
Antonioni's characters normally, as his films L'eclisse and Red Desert, as with fellow Italian directors Fellini and De Sica during the same period, usually have uncertain futures, as if there is a hidden side to Italy's postwar economic miracle. Here, it's as if the protagonist has a manifest destiny from which there is no redemption.
The great though relatively forgotten American actor Steve Cochran is near perfect as the worker who finds he cannot communicate, with those he loves, and so begins a downward spiral towards a state of mental disintegration. What is interesting are the Marxist and Freudian overtones that Antonioni puts on the character. The protagonist as the result of his economic position in a capitalist society ( he only has his labour to sell) is uprooted from his community and therefore alienated from his environment, and so becomes alienated from those he loves. The harder he tries the more he withdraws until he perceives he can suffer no more.
Cochran always was very good at playing "heavies" or "playboys", and here he manages to bring both to his underdog character who is strong, brutish and handsome. At the same time he manages to convey the loneliness and vulnerability the character lives through showing that those attributes are not enough to survive.
Antonioni directs with a sure hand a picture of a successful, postwar, industrial Italy where everything is not as easy as it seems. Needless to say the film is in black and white and photographed in grainy neo realist style. The landscapes, in true Antonioni fashion, are bleak, and the loneliness and isolation from others is reflected in the distance between buildings. The leisured pacing, adds to the feeling that life drags on without change.
Antonioni's characters normally, as his films L'eclisse and Red Desert, as with fellow Italian directors Fellini and De Sica during the same period, usually have uncertain futures, as if there is a hidden side to Italy's postwar economic miracle. Here, it's as if the protagonist has a manifest destiny from which there is no redemption.
- FrankiePaddo
- Oct 15, 1999
- Permalink
- How long is Il Grido?Powered by Alexa
Details
Box office
- Gross US & Canada
- $16,549
- Opening weekend US & Canada
- $6,536
- Nov 10, 2024
- Gross worldwide
- $17,413
- Runtime1 hour 56 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1(original ratio)
Contribute to this page
Suggest an edit or add missing content