User reviews

The Hired Gun opens with a camera shot through the noose that is scheduled to go around the pretty neck of Ellen Beldon (Anne Francis), the first woman ever to face hanging in Texas. When she's rescued by Judd Farrow (Chuck Connors) and taken back to her family's ranch in New Mexico, the Texans hire Gil McCord (Rory Calhoun) to bring her back in order to carry out the sentence. The heavy backdrop of a potential hanging, especially of a woman, gives the film some dramatic weight, as does the trip back to Texas, after McCord has recaptured Ellen. The film could have been a lot more interesting if on the way back to Texas it had exploited some of the underlying lust between them. Instead it plays it safe with a few action scenes where a group of Indians attack and McCord kills them, thus putting the film in jeopardy of being a Saturday afternoon flick for the kiddy matinees. Considering the cast, which includes a good part for Vince Edwards as well as Chuck Conners, and the overall noir look due to the b & w cinematography, the film had the story ingredients and talent to be a minor masterpiece.

A very short western,clocking at hardly 70 min,but a fast moving one,well acted and with a screenplay which can appeal to ladies ,which is not obvious a far as this genre is concerned ;the background may be the wild west ,but the plot is sometimes close to detective story ,a whodunit (although you would have guessed who the culprit is in the first minutes!) ' Annee Francis portrays a young widow,falsely accused of her husband 's murder and sentenced to death (rare in westerns for a girl!);as her uncle helps her to escape (with Chuck "rifleman" Connors dressed up as a priest),the ruthless in-laws......well check the title .

Rory Calhoun is efficient as the hired gun ;he also produced this entertaining movie,which seems to suffer for its small budget :the last quarter seems botched,but the rest is pretty well done.

Ellen Beldon is about to be hanged in Texas for the cold-blooded murder of her husband. Her uncle's ranch foreman, Judd Farrow, masquerading as a priest busts her out of jail and escorts Ellen to a safe hideout at her uncle's ranch in New Mexico. Her uncle has enough influence to block extradition of Ellen back to Texas.

Her father-in-law, Mace Beldon, determined to avenge the killing of his son, hires gunman Gil McCord for $5,000 to track down Ellen and bring her back to Texas. Gil hires on as a cowhand and then kidnaps Ellen and they head back to Texas. On the way Ellen explains to Gil what really happened.

You don't see many women in westerns sentenced to be hanged, which is a fresh angle in this fast-moving, well-acted western that has some fine cinematography and great locations. It's well made, suspenseful and fairly engaging. In tone and story it reminds me of the Scott-Boeticher western. Calhoun in particular is quite cold and determined to earn his dollars - well, at first. Predictably, he falls for the cute Anne Francis. Her character is quite a strong one. Maybe this film would've benefited from a longer running time so Calhoun's relationship with Francis could've been more developed and his belief in her innocence more gradual.

Anne Francis is about to hung for the murder of her husband, the son of the local Ponderosa owner John Litel. But her uncle sends Chuck Connors to rescue her and he does, taking her across the Texas state line to New Mexico territory where he, Robert Burton is the local Ponderosa owner. And due to Burton's influence, New Mexico will not honor extradition. What to do, but hire out for The Hired Gun.

In this case it's Rory Calhoun who gets hired for $5000.00 dollars to deliver Francis back to Texas for the sentence to be carried out. He's even deputized to make what is kidnapping have some trapping of legality.

Of course with their time on the trail Calhoun and Francis start getting acquainted. I don't think I have to go any further.

The Hired Gun was almost like watching two different films. A plot line where Francis is being given some unwanted attentions by her rescuer Connors is left dangling. Quite frankly I can't blame Connors for expecting some kind of manifestation of that gratitude. Then when Calhoun and Francis cross the state line, it's like a whole new movie started. I think some writing might have changed midpoint in the film or it was to be a whole bigger type of western when originally conceived.

With stuff like The Hired Gun which Calhoun also produced not being that well received, no wonder Rory Calhoun opted for a TV and he would star in his own television series, The Texan very shortly.

Ellen Beldon (Anne Francis) is in a Texas jail waiting to be hung for murdering her husband. Her uncle's ranch foreman Judd Farrow (Chuck Connors) breaks her out. Her father-in-law hires gunman Gil McCord (Rory Calhoun) to bring her back from New Mexico when the Texas authority drags its feet. Some believe her claims of innocence.

There is no real debate that Ellen is innocent. Anne Francis plays it so hard like a damsel in distress. Everything is play by hitting the nail right on the head. There isn't any surprises to be had in this straight forward western B-movie. It would work better in a darker road trip with the two characters. This is not that.

Badly made western featuring Calhoun as a gunfighter paid $5000 to go find an escaped murderer-- who happens to be Anne Francis. He does so, and of course, everyone is trying to stop him. Terrible performances, terrible script, lack luster direction, wall to wall music-- all in all, a really bad movie. And it's only about 72 minutes long. Made back in the days when westerns ruled on the TV screens, it was shot widescreen, with only one or two well shot scenes, the rest of the time, it looked like they did one take and moved on. Classic scenes even included four Indians who were obviously white guys in grease paint. Good for a laugh, that's about it. TCM shows this once in a while-- a real hoot.

If you make it past the first 40 minutes you will find the remainder of the film slightly improved but only slightly.

The highlight comes in the first 10 minutes when the double speed the horse chase and it looks like they forgot to slow it back down lol.

Not much for Rory to work with here and the villains lack any real teeth.

Ellen Belden (Anne Francis) is set to be hanged for her husband's murder in Texas. Ellen's uncle has one of his ranch hands bust her out of jail and escort across the New Mexico border. The father of the dead man hires a gunman named Gil McCord (Rory Calhoun) to go into New Mexico and bring Ellen back to face her sentence. But is Ellen really guilty or is someone else responsible for the murder?

Overall, I'd call this MGM programmer a bit dull. One of my main issues is that The Hired Gun's plot offers few, if any, surprises. Almost everything is predictable after about 15 minutes. Things like: Is Ellen guilty? Who really killed Ellen's husband? What will happen with Ellen and McCord? It doesn't take a fortune teller to predict the answers to these questions.

In addition, try as it might, The Hired Gun never has an appropriate Western feel to it. The sets don't seem authentic, the wardrobe looks too modern, and Anne Francis is more Honey West than Old West. I know budget constraints probably played a role in this, but the lack of a Western feel really took me out of the movie.

I suppose of all the cast, I enjoyed Chuck Connors as Judd Farrow, the ranch hand, as much as anyone. I felt for the man as time-after-time Ellen rebuffed his advances, yet he kept coming back for more.

4/10

I was amazed to see here a Ray Nazarro's film made in LBX and released - not produced, release - by Metro Goldwyn Mayer. I did not believe it. It is a truly interesting plot, very unusual, surprising, where Ann Francis's role steals the film. The directing is above average for a director such a Ray Nazarro, some kind of Lesley Selander prolific western maker. Nazzaro gave his best film during the fifties, his second part of career, after a long while for B westerns starring Charles Starrett. So, yes, this western is very worth the watch, it proves once more than B - 75 or 80 minutes - movies can from time to time good surprises. But if you replace Ann Francis by a man wrongly accused of murder, it would have been forgettable in the second after watching, as a drop of water, on a hot plate, that would evaporate.

The 1950s were to movie westerns what the 40s was to film noir so it's always kinda shocking to see an oater made at this time be so friggin ordinary as this offering from Ray Nazarro. Although maybe not so shocking when you consider the fact that Budd Boetticher, one of the era's best western directors, called Nazarro the "ten day picture guy". And of those ten I would guess that half a day, at most, was spent on the screenplay/story since previous IMDB reviewers have written of its stunning predictability and unoriginality. I do, however, disagree with the previous reviewer who called it "beyond mediocre". Indeed, it is the very quintessence of average. Or, in other words, a solid C.