Monsieur Hulot visits the technology-driven world of his sister, brother-in-law, and nephew, but he can't quite fit into the surroundings.Monsieur Hulot visits the technology-driven world of his sister, brother-in-law, and nephew, but he can't quite fit into the surroundings.Monsieur Hulot visits the technology-driven world of his sister, brother-in-law, and nephew, but he can't quite fit into the surroundings.
- Won 1 Oscar
- 7 wins & 4 nominations total
Jacques Tati
- Monsieur Hulot
- (uncredited)
Lucien Frégis
- Monsieur Pichard
- (as Lucien Fregis)
Jean-François Martial
- Monsieur Walter
- (as J.F. Martial)
Alain Bécourt
- Gérard Arpel
- (as Alain Becourt)
Régis Fontenay
- Braces Dealer
- (as Regis Fontenay)
Daki
- Daki, the Arpels' Dachshund
- (uncredited)
Dominique Derly
- La secrétaire de Monsieur Arpel
- (uncredited)
- …
André Dino
- Le balayeur municipal
- (uncredited)
- …
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaJacques Tati borrowed dogs from a local pound for the film and took care of the dogs all through filming. Tati made several shots of them, which he later used to connect scenes. When filming was over, he didn't want to bring the dogs back to the pound, so he placed an advertisement in the newspaper, calling them "movie stars"; all dogs eventually were taken in by respectable families throughout Paris.
- GoofsWhenever M. Arpel parks his car in his tiny home garage, he always pulls in front-end first; however, whenever he leaves for work in the morning, the car always exits the garage front-end first. (This may be a subtle sight gag on (Jacques Tati)'s part.)
- Quotes
Charles Arpel: We could go to the Sexy Club.
Madame Arpel: I prefer Constantino and his nice music.
- Crazy creditsThe opening credits appear on signs at a construction site.
- Alternate versionsAn English version of the movie, that is some 10 minutes shorter with less dialogue, was shot side-by-side with the French version.
- ConnectionsFeatured in Omnibus: Monsieur Hulot's Work (1976)
Featured review
A superior sequel to 'Mr. Hulot's Holiday', it has a more solid story, funnier jokes and some things to say about the coldness of modern technology this time round. The humour does not rely on the dialogue, as there is hardly any, but it does not rely on physical humour either. Instead, the puns come from the way in which Tati sets up the shots. The mathematical precision of certain sequences, and the way that the actors are positioned within the frame, are what is amusing. The jokes are much more subtle, not hand-delivered, and therefore there should be more that can be picked up on multiple viewings. One of the funniest scenes gives a building two moving eyes, thanks to a clever set design and great lighting. The art direction is simply excellent, the music is wonderful, and the timing for every shot is just superb. Not everything is brilliant though. The continuity is a bit off at times, no thanks to some awkward jump cutting, and towards the end the jokes become a bit repetitive and tiresome. There is also little plot, but there is certainly a satisfactory amount of storyline, it being an original take on the fish-out-of-water plot line. The supporting characters are silly, but they actually benefit the film here. Characters such as the neighbour show just how out-of-touch some persons are in the technology crazed world. This film may not be for every taste, but I simply found it delightful stuff myself.
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Details
Box office
- Budget
- FRF 250,000 (estimated)
- Gross worldwide
- $87,444
- Runtime1 hour 56 minutes
- Sound mix
- Aspect ratio
- 1.37 : 1
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