A mysterious hypnotist reverts his beautiful assistant back into the form of a prehistoric sea monster that she was in a past life.A mysterious hypnotist reverts his beautiful assistant back into the form of a prehistoric sea monster that she was in a past life.A mysterious hypnotist reverts his beautiful assistant back into the form of a prehistoric sea monster that she was in a past life.
William Hudson
- Bob
- (as Bill Hudson)
Storyline
Did you know
- TriviaAllegedly, Peter Lorre was so appalled by the script that he immediately fired his agent for trying to get him a part in the movie.
- GoofsThere are a number of continuity errors during Dr. Lombardi's first performance at Tim Chappel's home: 1) when the dancer finishes, Ted and Dorothy shift to her position in the following shot, 2) during their conversation, the patio curtains are drawn wider in long shots than in closer shots, 3) when Lt. James finishes talking to Ted and leaves the frame, he is gone from the following wide shot, 4) Ted takes his seat twice, 5) the cutaways to Lt. James show him in a lit room when in all other shots the lights are dim, and 6) when Dr. Lombardi announces the creature's appearance, Lt. James mounts the stage from the right, but it is clear from preceding shots that he was nowhere in that vicinity.
- Quotes
Andrea Talbott: [to Lombardi] I hate this place. I hate the sound of the ocean. I hate you.
- ConnectionsEdited into Teenage Cave Man (1958)
Featured review
Dr. Carlo Lombardi (Chester Morris), a carnival hypnotist hypnotises Andrea (Marla English) into reliving earlier incarnations: a 17th century Irish maiden and a monstrous primordial creature that Andrea's transmigrating spirit can make corporal. The nonsensical plot plays on the then popular 'Bridey Murphy' story (a supposedly true example of hypnotic regression) and tacks on a monster for the drive-in crowd. Although the 'science' is negligible and ludicrous, the implication that the creature is an aquatic form of paleo-human makes the otherwise mystical horror film borderline science-fiction (IMO). The distaff creature is probably monster-maker (and wearer) Paul Blaisdel's best work: a scaly, buxom monster sporting a prominent 'vagina dentata' on her abdomen. Much of the film is about control: Lombardi (who dresses like comic-book hero 'Mandrake the Magician') has hypnotic control over Andrea (who loathes him), and indirectly over the creature, Timothy Chappel (Tim Conroy) is a wealthy capitalist who tries to control Lombardi with money, and scientist-hero Dr. Ted Erickson (representing rationality) pushes Andrea to defy Lombardi and rejects Chappell's money (both directly and by turning down the advances of the crass industrialist's socialite daughter). Despite the dominant muliebral she-creature (who is endowed like the Venus of Willendorf (at least in the posters)), the film is far from a feminist statement: only love for a man frees Andrea from thralldom. Other than the memorable monster suit, the film is hokey and ridiculous and has little to offer anyone other than diehard fans of schlocky sci-fi/horror films (and perhaps the occasional pop-media scholar or slumming Freudian).
- jamesrupert2014
- Mar 29, 2020
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Details
Box office
- Budget
- $100,000 (estimated)
- Runtime1 hour 17 minutes
- Color
- Aspect ratio
- 1.85 : 1
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