IMDb RATING
5.5/10
1.6K
YOUR RATING
When a master monster make-up artist is sacked by the new bosses of American International studios, he uses his creations to exact revenge.When a master monster make-up artist is sacked by the new bosses of American International studios, he uses his creations to exact revenge.When a master monster make-up artist is sacked by the new bosses of American International studios, he uses his creations to exact revenge.
Rodd Dana
- Lab Technician
- (as Rod Dana)
Jaclyn Hellman
- Jane
- (as Jacqueline Ebeier)
Thomas Browne Henry
- Martin Brace
- (as Thomas B. Henry)
Paulene Myers
- Millie
- (as Pauline Myers)
Storyline
Did you know
- TriviaThis film was advertised with the tagline "See the Ghastly Ghouls... IN FLAMING COLOR!" However, most of it was in black and white with only the final two reels in color.
- GoofsThe visitors to the studio are told they are about to visit the set of Horrors of the Black Museum (1959). That film, which was also produced and written by Herman Cohen, was actually filmed in England, not in the U.S.
- Quotes
Jeffrey Clayton: [Surprised that Pete has declined severance pay] Turn down money? Maybe you've been living too long with these monsters!
Pete Dumond: Sometimes I find them better company than humans.
- ConnectionsFeatured in Aweful Movies with Deadly Earnest: How to Make a Monster (1970)
Featured review
It could be argued that American International Pictures revived the werewolf in the late 50's with "I Was A Teenage Werewolf". It was released at a time when television was becoming common in the home, which meant that fewer people went out to the movie theatres. Those that did were largely of a teenage audience, something that AIP clearly understood, and the success of their movie ensured a revival of the whole genre.
In this clever, self-referential sequel (of sorts), American International Studios are closing down production of horror movies in order to make more musicals, which sounds fairly true to life in what may have been happening in some studios at the time. Anyway, this means that famed makeup artist Pete Dumond, possibly based on Jack Pierce, will be out of a job because he specialises only in monsters. He isn't too happy about all this, so he decides to take revenge on the new owners of the studio by turning his "Teenage Werewolf" and "Teenage Frankenstein" actors into real monsters using a mind control makeup paste thingy. It all takes place during the filming of a "Teenage Werewolf meets the Teenage Frankenstein" movie.
This is a pretty neat idea, and the script explores it very well. There's some great cheesy dialogue, a wonderful lead performance from Robert H. Harris as the makeup artist, and from Paul Brinegar as his nervous assistant. The two 'teenage' stars, who were actually in their early twenties when this film was made, play their roles with that all-American wide-eyed innocence that actually works pretty well in parts such as this.
AIP were famed for producing their horror movies on low budgets, often less than a hundred thousand while at the time major studios generally set their budgets in the millions. This movie doesn't really look that cheap, the sets look perfectly fine especially the final set in the makeup artist's house where the big finale takes place. This also features a dramatic shift into color so that you can appreciate his mask collection even more, which is pretty neat.
"How To Make A Monster" is a very entertaining film, which I'd recommend to anyone who likes these cheesy old horror movies. You won't be disappointed.
In this clever, self-referential sequel (of sorts), American International Studios are closing down production of horror movies in order to make more musicals, which sounds fairly true to life in what may have been happening in some studios at the time. Anyway, this means that famed makeup artist Pete Dumond, possibly based on Jack Pierce, will be out of a job because he specialises only in monsters. He isn't too happy about all this, so he decides to take revenge on the new owners of the studio by turning his "Teenage Werewolf" and "Teenage Frankenstein" actors into real monsters using a mind control makeup paste thingy. It all takes place during the filming of a "Teenage Werewolf meets the Teenage Frankenstein" movie.
This is a pretty neat idea, and the script explores it very well. There's some great cheesy dialogue, a wonderful lead performance from Robert H. Harris as the makeup artist, and from Paul Brinegar as his nervous assistant. The two 'teenage' stars, who were actually in their early twenties when this film was made, play their roles with that all-American wide-eyed innocence that actually works pretty well in parts such as this.
AIP were famed for producing their horror movies on low budgets, often less than a hundred thousand while at the time major studios generally set their budgets in the millions. This movie doesn't really look that cheap, the sets look perfectly fine especially the final set in the makeup artist's house where the big finale takes place. This also features a dramatic shift into color so that you can appreciate his mask collection even more, which is pretty neat.
"How To Make A Monster" is a very entertaining film, which I'd recommend to anyone who likes these cheesy old horror movies. You won't be disappointed.
- Teknofobe70
- Apr 5, 2005
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Details
- Release date
- Country of origin
- Language
- Also known as
- Der Satan mit den 1000 Masken
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 13 minutes
- Color
- Aspect ratio
- 1.66 : 1
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