A slave and a Viking prince fight for the love of a captive princess.A slave and a Viking prince fight for the love of a captive princess.A slave and a Viking prince fight for the love of a captive princess.
- Awards
- 2 wins & 2 nominations
Almut Berg
- Pigtails
- (uncredited)
Peter Capell
- Minor Role
- (uncredited)
Bill Cummings
- Viking Warrior
- (uncredited)
Kelly Curtis
- Young Girl
- (uncredited)
Peter Douglas
- Young Boy
- (uncredited)
Georges Guéret
- Viking Warrior
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaErnest Borgnine plays the father of Kirk Douglas. In real life he was 1-1/2 months younger than Douglas.
- GoofsA Norman-style stone castle is featured in England, though the film is set before the Norman Conquest of 1066.
- Crazy creditsOpening credits prologue: PROTECT US OH LORD FROM THE WRATH OF THE NORTHMEN
- Alternate versionsWhen originally released theatrically in the UK, the BBFC made cuts to secure a 'A' rating. All cuts were waived in 1993 when the film was granted a 'PG' certificate for home video.
- ConnectionsEdited into History of the World: Part I (1981)
Featured review
SPOILER: Many thanks to vaughn.birbeck for giving us the historical background of "The Vikings." It is great to know that the film has a basis in fact right down to the names of the main characters. I first saw "The Vikings" on a raw Saturday afternoon in February of 1959 with my brother and my best friend, Buddy. When the show was over, we ran home full of excitement. My brother and I burst into our house to find the Hall family was visiting. Catching our breath, we choked out, "We just saw the greatest movie of all time! It's The Vikings! It had Vikings and knights and they were sailing across the poison sea and attacking the castle and shooting arrows and throwing axes and chopping off hands with slashing swords......"
When Mr. Hall retorted, "Now don't you think it is unfortunate that people can't find other ways to settle their differences?" I felt, "Oh, boy! I hope I never get so old that I think like him and can't enjoy 'The Vikings'."
It was the thrill of my brother's life as an adult to ask Kirk Douglas on a New York studio talk show, "Did you actually jump across the moat to grab onto the axes in the drawbridge door, or did a stunt man do that?"
Kirk's answer was, "I wanted to do it but the insurance company wouldn't let me."
Even now I love the film but two things about it bother me. Great actor that he is, Kirk Douglas is just too nice of a guy and too good looking to be convincing as Ainar. Edison Marshall's book "The Viking" on which the film is based portrays him by the name of Hastings more like the character of Barnes as played by Tom Berringer in "Platoon." In "The Vikings", Ragnar introduces his son Ainar as someone who is "so vain of his beauty, he scrapes his face like an Englishman." Hastings is not charming or vain but tough and so cruel and even sadistic that after Eric's hawk tears up his entire face (not just his eye), Hastings delights in the horrifying effect his facial scars has on the victims he kills and rapes. The women scream, his facial scars dance as he laughs at their horror, the women scream even more in horror.... Hastings, like Barnes in "Platoon" clearly is a guy other Viking warriors hold in awe and whom Eric really wants to see dead. But in the film, Ainar is just a good looking, charismatic, fun guy we actually pity when after crossing the poison sea, storming the castle, jumping over the moat, climbing the tower, and crashing through the stain glass window to get to the love of his life, Morgana tells him he isn't her type.
The other thing that bothers me about "The Vikings" is the miscasting of blond, buxom Janet Leigh as the Welsh princess, Morgana. Eric and Hastings were used to having blond, buxom Scandinavian women around them all the time. It was the novelty of the cute, demure, petite, brunette Welsh Morgana that captivated them and motivated them to engage in an adventure that involved scores of ships sailing the Mediterranean before they finally engaged in their showdown at high noon with crossed swords.
When Mr. Hall retorted, "Now don't you think it is unfortunate that people can't find other ways to settle their differences?" I felt, "Oh, boy! I hope I never get so old that I think like him and can't enjoy 'The Vikings'."
It was the thrill of my brother's life as an adult to ask Kirk Douglas on a New York studio talk show, "Did you actually jump across the moat to grab onto the axes in the drawbridge door, or did a stunt man do that?"
Kirk's answer was, "I wanted to do it but the insurance company wouldn't let me."
Even now I love the film but two things about it bother me. Great actor that he is, Kirk Douglas is just too nice of a guy and too good looking to be convincing as Ainar. Edison Marshall's book "The Viking" on which the film is based portrays him by the name of Hastings more like the character of Barnes as played by Tom Berringer in "Platoon." In "The Vikings", Ragnar introduces his son Ainar as someone who is "so vain of his beauty, he scrapes his face like an Englishman." Hastings is not charming or vain but tough and so cruel and even sadistic that after Eric's hawk tears up his entire face (not just his eye), Hastings delights in the horrifying effect his facial scars has on the victims he kills and rapes. The women scream, his facial scars dance as he laughs at their horror, the women scream even more in horror.... Hastings, like Barnes in "Platoon" clearly is a guy other Viking warriors hold in awe and whom Eric really wants to see dead. But in the film, Ainar is just a good looking, charismatic, fun guy we actually pity when after crossing the poison sea, storming the castle, jumping over the moat, climbing the tower, and crashing through the stain glass window to get to the love of his life, Morgana tells him he isn't her type.
The other thing that bothers me about "The Vikings" is the miscasting of blond, buxom Janet Leigh as the Welsh princess, Morgana. Eric and Hastings were used to having blond, buxom Scandinavian women around them all the time. It was the novelty of the cute, demure, petite, brunette Welsh Morgana that captivated them and motivated them to engage in an adventure that involved scores of ships sailing the Mediterranean before they finally engaged in their showdown at high noon with crossed swords.
Details
Box office
- Budget
- $3,500,000 (estimated)
- Gross worldwide
- $20,320
- Runtime1 hour 56 minutes
- Aspect ratio
- 2.35 : 1
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