The Cosmic Man

"The Cosmic Man" is about an alien craft that arrives on Earth. While the humans involved argue over how to deal with the situation, the Cosmic Man himself (John Carradine) materializes. But it's not certain just what his presence means; the Cosmic Man is interested more in observing human behaviour.

This little film may test the patience of some viewers because it's much more dialogue driven than action driven. There's a lot of information to digest here, but the script by Arthur C. Pierce is intelligent, and touches upon still common ideas. For example, the conflict between a scientists' methods and the military way of thinking. Our hero scientist, Karl Sorenson (Bruce Bennett), is regarded as being somewhat dubious by people such as jut jawed Colonel Matthews (Paul Langton).

Director Herbert S. Greene goes for a rather sedate pace, but he creates some undeniable suspense and creepiness. Before the Cosmic Man appears in the form of Carradine, he's very wraith like. (The special effects are actually pretty decent.) One might also wish that Carradine had more to do, as he doesn't turn up on camera until well into the film. But it's a treat to hear him spouting exposition in that unmistakable voice of his.

The rest of the cast is solid. Bennett is a likable co-lead, and Angela Greene is similarly engaging as the love interest, Kathy Grant. Scotty Morrow is very appealing as Kathy's disabled son.

One does see examples of the kind of unfortunate thinking which The Cosmic Man criticizes. This would make an interesting B feature to play along with "The Day the Earth Stood Still" (1951).

Seven out of 10.

In THE COSMIC MAN, a UFO crash-lands on Earth, causing great concern for the military. When a scientist is called in to examine the craft, he discovers a floating orb, hoverin about six feet off the ground. Not surprisingly, the military views it as a weapon.

Meanwhile, unbeknownst to anyone, the orb's occupant (John Carradine) is silently creeping about, causing panic. At first, he spends his time as a shadow figure (aka: a superimposed negative image), eventually taking on a human appearance.

Uh oh!

The military can't leave well enough alone, and decides to take control of the spaceship. This causes the mysterious visitor to reveal his agenda.

This is another movie, like STRANGER FROM VENUS, that owes much of its existence to THE DAY THE EARTH STOOD STILL. The same, basic idea runs through all three films. The biggest difference here is that COSMIC MAN just isn't as interesting or exciting...

"The Cosmic Man" is a charming attempt to make a $5.00 version of "The Day the Earth Stood Still". It's an extremely low-budgeted Sci-Fi movie from the late fifties, so this generally means there are stern scientists talking a lot of pseudo-philosophical gibberish and asking themselves way too many rhetorical questions, villainous looking military men fantasizing about weapons of mass destruction and mysterious alien forces with minds that are immeasurably superior to ours. When a spherical UFO – a gigantic golf ball actually – is discovered in a small Californian canyon community, the army wants to nuke it and a local scientist wants to study it. Meanwhile, the alien passenger sneaks out of his interstellar golf ball and begins exploring the earthly habits, rites and inhabitants. This is where our cute and cheap little B-movie rips off "The Day the Earth Stood Still", in fact, as the alien witnesses the imbecility and self-destructive nature of the human race. How come aliens get such a kick out of observing how stupid we are? Like in a few hundred of the films he starred in, John Carradine receives top-billing even though he appears all together perhaps for a whole five minutes. "The Cosmic Man" is often rather dull and doesn't contain any real action, but it certainly has good intentions and an earnest supportive cast.

Although the idea for the story is completely ripped off from The Day The Earth Stood Still and the production values are practically opaque in this film, The Cosmic Man has a nice story to tell with a good cast of sincere competent players. Seeing John Carradine heading the cast I know the man was not to discriminate in those science fiction films he starred in I was expecting the worst. I was pleasantly surprised at how good it was.

Instead of Washington, DC for a landing, a small spherical spaceship travels and lands in a mountainous of the USA. It is plain that a man not like any we know has emerged and is in the area. Played by John Carradine The Cosmic Man is human like in general appearance, but he's not threatened by any of our more conventional like weapons. He takes refuge in a resort lodge owned by Angela Greene and he bonds with her son Scotty Morrow who is crippled and terminal.

The debate between scientist Bruce Bennett and military man Paul Langton as to what to do with this alien invader takes up a lot of the film. If you remember in The Thing the same debate takes place between Air Force Colonel Kenneth Tobey and scientist Robert Cornthwaite. Here we have a different winner.

I can't go further about the plot, but The Cosmic Man is a sincere plea for peace not just on earth. In the end Carradine The Cosmic Man leaves a legacy of love that there is no mistake about.

This is not The Day The Earth Stood Still, but this particular science fiction film from The Fifties while not great is unjustly neglected.

You can say a lot about John Carradine but dull he isn't except, of course, in THE COSMIC MAN. He has very little screen time and when he does appear it's behind the darkest pair of goggles this side of The Invisible Man. His affected, halting "alien speak" hampers him even further so he's not a exactly ball of fun and neither is the movie. I know it's a personal quirk but even as a kid I never liked genre films with child actors as major characters and when they play for sympathy (the boy has polio) it gets even more cloying.

On the plus side, there are atmospheric touches in a couple of scenes with Carradine printed "in negative." This, however, is more than balanced by scads of talking head scenes, some of which includes the leading lady wavering between her two oldish, low-charisma suitors Bruce Bennett and Paul Langton. It's a very slow go.

I recall back in the seventies when THE COSMIC MAN seemed to be a lost film, a friend of mine, a die-hard science fiction fan, was determined to track down a copy. He finally got his opportunity when the film suddenly became available on home video. Even he gave it a big Thumbs Down.