A Manhattan insurance clerk tries to rise in his company by letting its executives use his apartment for trysts, but office politics and his own romantic hopes complicate matters.A Manhattan insurance clerk tries to rise in his company by letting its executives use his apartment for trysts, but office politics and his own romantic hopes complicate matters.A Manhattan insurance clerk tries to rise in his company by letting its executives use his apartment for trysts, but office politics and his own romantic hopes complicate matters.
- Won 5 Oscars
- 25 wins & 8 nominations total
Dorothy Abbott
- Office Worker
- (uncredited)
Bill Baldwin
- TV Movie Host
- (uncredited)
Paul Bradley
- Office Worker
- (uncredited)
Benny Burt
- Charlie - Bartender
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Best Picture Winners by Year
Best Picture Winners by Year
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Storyline
Did you know
- TriviaTo create the effect of a vast sea of faces laboring grimly and impersonally at their desks in the huge insurance company office, designers Alexandre Trauner and Edward G. Boyle devised an interesting technique. Full-sized actors sat at the desks in the front and children dressed in suits were used at tiny desks toward the rear, followed by even smaller desks with cut-out figures operated by wires. It gave the effect of a much larger space than could have been achieved in the limited studio space.
- GoofsThe layout of Baxter's apartment makes no sense, especially in relation to Dr. Dreyfus's apartment. Dreyfus lives next to Baxter, which means their walls should be adjoining the full length of both flats. However, from inside Baxter's living room, one can see windows in both his kitchen and bedroom facing directly where the Dreyfus apartment should be (and there would likely be a window in the bathroom between the kitchen and bedroom). Dreyfus's apartment would have to veer immediately off to the extreme right when one enters it and be no more than a couple of inches wide in order to allow the kind of set-up seen in Baxter's apartment. This is clearly unrealistic, if not downright impossible.
- Quotes
C.C. Baxter: The mirror... it's broken.
Fran Kubelik: Yes, I know. I like it that way. Makes me look the way I feel.
- Alternate versionsThe 1997 VHS contained the short version of United Artists' 1987 variant.
- SoundtracksAdeste Fideles (O Come All Ye Faithful)
(1782) (uncredited)
Music by John Francis Wade
English lyrics by Frederick Oakeley (1852)
Featured review
What a wonderful way to spend an evening--dinner, Christmas and New Year's with CC Baxter (Jack Lemmon) and 'friends', accompanied by much champagne and laughter, and spaghetti and meatballs lovingly prepared by the host himself. There's even a game of gin rummy to get into that Baxter and Fran can't ever seem to finish--here's hoping it never does!
THE APARTMENT is one of those truly classic classic movies--for one thing, it has an absolutely top-notch cast, featuring Jack Lemmon (at his wryly humourous best); Shirley MacLaine (a glowing screen presence); Fred MacMurray (smarm personified); and a younger Ray Walston (still wisecracking, still hilarious). They also benefit from a clever, perceptive and timelessly relevant script by Billy Wilder, under his capable direction. Though there are plenty of brilliant one-liners, the best of the dialogue feels true and real, which adds to the feeling that you've known Baxter et al for years. I loved the score to the movie as well, artfully attributed to the Rickshaw Boys and used to great effect.
There are so many good moments scattered throughout the film (I can't even begin to enumerate them all here!). A lot of them are little touches that must have been added by the actors themselves (Jack Lemmon humming as he prepares the meatball sauce is just *so* funny!). I love the madness of the Christmas party scene, and when Baxter's doctor-neighbour takes charge of the situation with Fran, slapping her awake and marching her around the living room. I also love it when Baxter first starts playing gin rummy with Fran, and she reveals how she has a talent for falling for the wrong guy all the time. Best of all, Lemmon makes such a believable, sweet pushover that you often want to shake him and hug him at the same time--the things he would do for Fran! It makes his final scene with MacMurray that much more satisfying for the audience.
If you see this gem of a movie on a video store shelf, or (even better) playing in the cinema, don't let it pass you by. Join Baxter, Fran, Mr. Sheldrake and everyone else, and have a great time!
THE APARTMENT is one of those truly classic classic movies--for one thing, it has an absolutely top-notch cast, featuring Jack Lemmon (at his wryly humourous best); Shirley MacLaine (a glowing screen presence); Fred MacMurray (smarm personified); and a younger Ray Walston (still wisecracking, still hilarious). They also benefit from a clever, perceptive and timelessly relevant script by Billy Wilder, under his capable direction. Though there are plenty of brilliant one-liners, the best of the dialogue feels true and real, which adds to the feeling that you've known Baxter et al for years. I loved the score to the movie as well, artfully attributed to the Rickshaw Boys and used to great effect.
There are so many good moments scattered throughout the film (I can't even begin to enumerate them all here!). A lot of them are little touches that must have been added by the actors themselves (Jack Lemmon humming as he prepares the meatball sauce is just *so* funny!). I love the madness of the Christmas party scene, and when Baxter's doctor-neighbour takes charge of the situation with Fran, slapping her awake and marching her around the living room. I also love it when Baxter first starts playing gin rummy with Fran, and she reveals how she has a talent for falling for the wrong guy all the time. Best of all, Lemmon makes such a believable, sweet pushover that you often want to shake him and hug him at the same time--the things he would do for Fran! It makes his final scene with MacMurray that much more satisfying for the audience.
If you see this gem of a movie on a video store shelf, or (even better) playing in the cinema, don't let it pass you by. Join Baxter, Fran, Mr. Sheldrake and everyone else, and have a great time!
Details
Box office
- Budget
- $3,000,000 (estimated)
- Gross US & Canada
- $18,600,000
- Gross worldwide
- $18,778,738
- Runtime2 hours 5 minutes
- Color
- Aspect ratio
- 2.35 : 1
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