IMDb RATING
6.8/10
4.3K
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A strict headmistress runs a secluded school for wayward girls in 19th century France, whose students are disappearing under mysterious circumstances.A strict headmistress runs a secluded school for wayward girls in 19th century France, whose students are disappearing under mysterious circumstances.A strict headmistress runs a secluded school for wayward girls in 19th century France, whose students are disappearing under mysterious circumstances.
- Awards
- 3 wins
John Moulder-Brown
- Luis
- (as John Moulder Brown)
Pauline Challoner
- Catalina
- (as Pauline Challenor)
Víctor Israel
- Brechard
- (as Victor Israel)
Mari Carmen Duque
- Julia
- (as María del Carmen Duque)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaContains the first ever close-up slow-motion murder in Spanish cinema history.
- Quotes
Sra. Fourneau: This school specializes in students whose character is, um, shall we say, um, difficult, and there are a few among them who, in spite of their youth, have not exactly led exemplary lives. In order to bring them back to the right path, I must run this establishment with a firm hand.
- Alternate versionsThe American version released by AIP in 1971 was heavily cut mainly for pacing reasons but a few frames of a throat slashing were removed for the 'GP' certificate.
- ConnectionsFeatured in Elvira's Movie Macabre: The House That Screamed (1981)
Featured review
THE HOUSE THAT SCREAMED (La Residencia)
Aspect ratio: 2.35:1 (Franscope)
Sound format: Mono
(35mm and 70mm release prints)
A young girl (Cristina Galbó) arrives at an isolated boarding school in the south of France where several students are believed to have run away, but were actually the victims of a psychotic killer...
Odd mixture of giallo mystery and Hammer-style Gothic, set in a labyrinthine girl's school where principal Lilli Palmer struggles to contain the passions of her youthful charges, all of whom she considers 'marked' by their sublimated sexual desires. However, Palmer is quickly revealed as a hypocrite with an incestuous crush on her handsome teenage son (played as a child-like simpleton by John Moulder Brown), and the students are forced to endure a regime which fosters cruelty, rebellion and murder. Palmer dominates the film with effortless grace, and there's solid support from Mary Maude as the ice-cold beauty who makes life miserable for heroine Galbó. Memorable set-pieces include a slow-motion murder in the school's greenhouse, Galbó's doomed attempt to flee the building at midnight, and - believe it or not - an erotically-charged sewing circle! But the film reaches an apex of horror in its closing moments, when the killer is unmasked during a showdown in the attic, staged with stunning conviction by debut director Narciso Ibáñez-Serrador (¿QUIÉN PUEDE MATAR A UN NIÑO?).
But the *real* star of the show is cinematographer Manuel Berenguer (55 DAYS AT PEKING, KING OF KINGS, etc.), whose prowling camera-work makes a virtue of Victor María Cortezo's Gothic set designs, and the widescreen compositions are judged with startling clarity (indeed, Dario Argento's SUSPIRIA owes an obvious debt to the style and tone of Ibáñez-Serrador's movie). For all its virtues, however, THE HOUSE THAT SCREAMED is a little too leisurely in places, and the film's sumptuous visual aesthetic disguises a fairly routine plot line, spiced with 'subversive' trimmings. Flawed, but beautiful.
(English version)
Aspect ratio: 2.35:1 (Franscope)
Sound format: Mono
(35mm and 70mm release prints)
A young girl (Cristina Galbó) arrives at an isolated boarding school in the south of France where several students are believed to have run away, but were actually the victims of a psychotic killer...
Odd mixture of giallo mystery and Hammer-style Gothic, set in a labyrinthine girl's school where principal Lilli Palmer struggles to contain the passions of her youthful charges, all of whom she considers 'marked' by their sublimated sexual desires. However, Palmer is quickly revealed as a hypocrite with an incestuous crush on her handsome teenage son (played as a child-like simpleton by John Moulder Brown), and the students are forced to endure a regime which fosters cruelty, rebellion and murder. Palmer dominates the film with effortless grace, and there's solid support from Mary Maude as the ice-cold beauty who makes life miserable for heroine Galbó. Memorable set-pieces include a slow-motion murder in the school's greenhouse, Galbó's doomed attempt to flee the building at midnight, and - believe it or not - an erotically-charged sewing circle! But the film reaches an apex of horror in its closing moments, when the killer is unmasked during a showdown in the attic, staged with stunning conviction by debut director Narciso Ibáñez-Serrador (¿QUIÉN PUEDE MATAR A UN NIÑO?).
But the *real* star of the show is cinematographer Manuel Berenguer (55 DAYS AT PEKING, KING OF KINGS, etc.), whose prowling camera-work makes a virtue of Victor María Cortezo's Gothic set designs, and the widescreen compositions are judged with startling clarity (indeed, Dario Argento's SUSPIRIA owes an obvious debt to the style and tone of Ibáñez-Serrador's movie). For all its virtues, however, THE HOUSE THAT SCREAMED is a little too leisurely in places, and the film's sumptuous visual aesthetic disguises a fairly routine plot line, spiced with 'subversive' trimmings. Flawed, but beautiful.
(English version)
- How long is The House That Screamed?Powered by Alexa
Details
- Runtime1 hour 34 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1
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By what name was The House That Screamed (1969) officially released in India in English?
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